Sara is a well-cast workplace sitcom with a charming script. Having been released in the '80s, expect the cliched synth dominated theme, the greased hair, the innocent humour, and the chipboard wall enclosed sets. This is inevitable and perhaps distasteful. Yet, there are comedy series that aired on television many years later with the same sympathy-garnering production value that are somehow miraculously considered great entertainment. And these shows did not enrich the world of humour but, instead, imbued it with crassness and stupidity. Their scripts haven't been made more elaborate and engaging, but instead have been made with even simpler and more immature themes.
The intellectual acuity of audiences who find The Fresh Prince of Bel-Air, Friends, The Office, etc. Entertaining is questionable.
Sara is a show with content that will no longer be present in contemporary television; because humour must be crude, and scripts must be scandalous, and visuals colourful.
This show was made at a time when people could write jokes and plots that entertained, without letting down standards of decency.
