Directed by
Jean-Charles Tacchella |
Writing Credits
Elvire Murail | ... | (based on the novel by) |
Jean-Charles Tacchella | ... | (adaptation) |
Elvire Murail | ... | (dialogue) and |
Jean-Charles Tacchella | ... | (dialogue) |
Cast (in credits order) complete, awaiting verification
Produced by
Marie-Dominique Girodet | ... | producer |
Cinematography by
Jacques Assuérus |
Editing by
Agnès Guillemot |
Casting By
Ginette Tacchella |
Production Design by
Georges Lévy |
Costume Design by
Olga Pelletier |
Makeup Department
Jean-Claude Meitg | ... | hair stylist |
Jean-Eric Pierre | ... | makeup artist |
Production Management
Patrick Delauneux | ... | production manager |
Gabriel Do Paço | ... | unit manager |
Alain Jakubowicz | ... | unit manager: Equipe Israélienne (as Alain Yukubowicz) |
Cathy Lemeslif | ... | assistant unit manager (as Catherine Lemeslif) |
Véronique Michaut | ... | assistant unit manager |
Serge Paolotti | ... | assistant unit manager |
Pierre-Jean Robert | ... | assistant unit manager |
Second Unit Director or Assistant Director
Serge Ankri | ... | assistant director: Equipe Israélienne |
Francis de Gueltzl | ... | assistant director |
Richard Salaun | ... | second assistant director |
Denis Seurat | ... | second assistant director |
Art Department
Philippe Beamonte | ... | property master |
Agnès Lévy | ... | set dresser |
Serge Malzieux | ... | props |
Sound Department
Vincent Arnardi | ... | sound engineer audi |
Denis Carquin | ... | boom operator |
Alain Kaufman | ... | sound: Equipe Israélienne |
Pierre Lenoir | ... | sound |
Jonathan Liebling | ... | foley artist |
Jacques Maumont | ... | sound mixer |
Jacques Thomas-Gérard | ... | foley artist |
Camera and Electrical Department
Armand Bonomi | ... | key grip |
Michel Dore | ... | electrician |
Jean-François Drigeard | ... | gaffer |
Eric Faucherre | ... | camera operator |
Florence Gruere | ... | still photographer |
Claude-Jean Laidet | ... | key grip (as Jean-Claude Laidet) |
Martin Legrand | ... | second assistant camera |
Alain Masseron | ... | crane camera |
Sylvie Plantard | ... | first assistant camera |
José Sánchez | ... | grip |
Jacques Vigier | ... | key electrician |
Philippe Vigier | ... | electrician |
Casting Department
Marisa Muxen | ... | extras casting (as Marysa Mocky) |
Costume and Wardrobe Department
Marie-Claude Herry | ... | costumer |
Editorial Department
Michèle André | ... | assistant editor |
Jacques Duron | ... | assistant editor |
Music Department
Raymond Alessandrini | ... | conductor / orchestrator |
Orlando Quartet | ... | orchestra |
Leonard Sorkin | ... | conductor |
Wiener Festspielorchester | ... | musician |
Script and Continuity Department
Anne-Marie Garcia | ... | script supervisor |
Additional Crew
Anne-Marie Benoit | ... | production secretary |
Sylvie de la Rivière | ... | assistant to producer |
Brigitte Faure | ... | production accountant |
Eugène Moineau | ... | publicist (as Marlène et Eugène Moineau) |
Marlène Moineau | ... | publicist (as Marlène et Eugène Moineau) |
Maryse Wettling | ... | production administrator |
Thanks
Pierre-Auguste Renoir | ... | special thanks: for "La petite fille à l'arrosoir" from Chester Dale Collection 1962 (as Auguste Renoir) |