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“You fool! You can not stop me! I am the ninja! No one, nothing can stop me!.”

BearManor Media has published The Cannon Film Guide, a Trilogy of Books About the Movies Released By the Legendary 1980s B-Movie Studio, Cannon Films. Order The Cannon Film Guide Here

Volume One Available Now: Over 500 Pages Covering the Company’s First Five Years under the Leadership of B-Movie Icons Golan and Globus

From 1980 until 1994, The Cannon Group was responsible for the production of more than 200 films. Quantity, rather than quality, was the key to Cannon’s game: their output included many of the 1980s’ most beloved (and notorious) b-movies. Along the way they dipped their toes into every imaginable genre of movies, made stars out of Chuck Norris and Michael Dudikoff, kicked off the ninja and breakdancing crazes, and kept Charles Bronson working into the twilight of his career. While it’s rare...

If you watched an action, sci-fi, or horror movie in the 1980s, there was a good chance it was produced by Cannon Films. The studio — perhaps the last great home of B-movie and exploitation classics — was founded in 1967 but hit its apex between 1979 and 1987, releasing scores of films that (mostly) no one would call high cinema but which delivered thrills, chills and plenty of blood, action, and fire on a budget.

Tapping into the massive market for both high and low concept fare — the 1980s equivalent of drive-in double bill fillers — Cannon, under the leadership of Israeli cousins Menahem Golan and Yoram Globus, were perhaps best known for churning out chintzy crowdpleasers like the Chuck Norris-starring Missing in Action and The Delta Force along with a slew of Death Wish sequels.

But the company also produced titillating titles like Lady Chatterley’s Lover, slasher fare such as Schizoid and New Year’s Evil,...

Who needs good taste when you have plenty of enthusiasm? Fantastic new documentary Electric Boogaloo: The Wild, Untold Story of Cannon Films charts the rise and fall of two movie-obsessed Israeli cousins - Menahem Golan and Yoram Globus - after buying a financially troubled American film studio in 1979.

The duo subsequently churned out some of the most iconic movies of the 1980s... but not necessarily on the strength of their artistic merit. Buy 'em cheap and pile them high was the initial ethos that led to titles like Hospital Massacre, Enter the Ninja and a plethora of increasingly exploitational Death Wish films. Yet occasional gems and cult classics like Runaway Train and Lifeforce emerged too, plus there's the title of a breakdancing movie sequel that entered popular culture - Breakin' 2: Electric Boogaloo.

So many fascinating revelations emerge in the documentary surrounding the genesis, production and release of the films...

Who needs good taste when you have plenty of enthusiasm? Fantastic new documentary Electric Boogaloo: The Wild, Untold Story of Cannon Films charts the rise and fall of two movie-obsessed Israeli cousins - Menahem Golan and Yoram Globus - after buying a financially troubled American film studio in 1979.

The duo subsequently churned out some of the most iconic movies of the 1980s... but not necessarily on the strength of their artistic merit. Buy 'em cheap and pile them high was the initial ethos that led to titles like Hospital Massacre, Enter the Ninja and a plethora of increasingly exploitational Death Wish films. Yet occasional gems and cult classics like Runaway Train and Lifeforce emerged too, plus there's the title of a breakdancing movie sequel that entered popular culture - Breakin' 2: Electric Boogaloo.

So many fascinating revelations emerge in the documentary surrounding the genesis, production and release of the films...

Innocence of Muslims / 'Desert Warrior' director Alan Roberts best-known for '70s soft-core porn The polemical anti-Islam "film" (actually, a cheap, grade Z amateur video), now has not only a producer, but also a director. The "Israeli entrepreneur Sam Bacile" has been exposed as the Egyptian Coptic Christian Nakoula Basseley Nakoula, who allegedly misled all (or most) involved in the production. And Gawker has reported that Alan Roberts aka Robert Brownell, the director of a handful of softcore porn movies in the '70s and early '80s, helmed "Desert Warrior," a cheesy Arabian adventure that was to become -- following some sloppy overdubbing -- Innocence of Muslims. Besides the now infamous Islamophobic YouTube sensation, which has been blamed for riots in several Muslim countries from Tunisia to Pakistan, Alan Roberts' movie credits include several now long forgotten titles. (Please scroll down for more details.) Alan Roberts also produced several little-known movies,...

In the latest twist to the Innocence of Muslims saga -- the amateurishly made anti-Islamic film that set off anti-u.S. riots worldwide that claimed the life of Ambassador Christopher Stevens -- several websites are claiming the director listed in the film credits as Alan Roberts is the same Alan Roberts who helmed a number of low-budget films throughout the '70s, '80s and '90s. IMDb lists Roberts' credits, which include softcore sexploitation fare like The Happy Hooker Goes Hollywood (1980) and Young Lady Chatterley (1977), the action movie Karate Cop (1991) and the erotic thriller Save Me (1994), starring Harry Hamlin. Q&A: 'Innocence of Muslims'

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Yet another twist in the production of "Innocence of Muslims," the anti-Islam film that has led to riots around the world. Gawker reports that the movie's director is Alan Roberts, a man known best for creating softcore porn films.

Robert's earlier work includes titles like "The Happy Hooker Goes Hollywood," "Young Lady Chatterly" and "The Sexpert."

So what was the alleged director doing on the set of a film that would go on to inflame the masses? A number of Gawker's sources suggest Roberts had no idea that the movie would be so political in nature. As previously reported, many members of the cast and crew were duped into thinking they were making a historical film, as much of the dialogue was dubbed over after production ended.

Roberts has apparently been in hiding since the controversy erupted. Vice Magazine obtained documents which appear to link the pseudonym Alan Roberts to Robert Brownell,...

A group of rightwing extremists aimed to destabilize post-Mubarak Egypt and roil Us politicians. They got their wish

Did an inflammatory anti-Muslim film trailer that appeared spontaneously on YouTube prompt the attack that left four Us diplomats dead, including Us ambassador to Libya Christopher Stevens? American officials have suggested that the assault was pre-planned, allegedly by of one of the Jihadist groups that emerged since the Nato-led overthrow of Libya's Gaddafi regime. So even though the deadly scene in Benghazi may not have resulted directly from the angry reaction to the Islamophobic video, the violence has helped realize the apocalyptic visions of the film's backers.

Produced and promoted by a strange collection of rightwing Christian evangelicals and exiled Egyptian Copts, the trailer was created with the intention of both destabilizing post-Mubarak Egypt and roiling the Us presidential election. As a consultant for the film named Steve Klein said: "We went...

Horror fanatics are still buzzing like chainsaws over the Academy Awards’ genre montage. Anywhere there could be a conversation about it online, there was one. Many were upset over the Twilight ‘tweens’ participation, as if their mere presence sent a message about the state of scary in Hollyweird, USA.

A few seemed happy, though, to just get a glimpse of their beloved Evil Dead and Texas Chainsaw Massacre 2 if only for a few seconds. But many called the selections generic and thoughtless, demanding the likes of Demons and TerrorVision instead (well, maybe not TerrorVision; that was just me).

How about Henry: Portrait of a Serial Killer? Re-Animator? It’s Alive? Tombs of the Blind Dead? Coffin Joe? No list is perfect, but with a bit more care and a phone call to any one of us, the Oscars could have elevated that section into a real scream. Or maybe they...