Directed by
Herbert Ross |
Writing Credits
Hugh Wheeler | ... | (screenplay) |
Romola Nijinsky | ... | (book) |
Vaslav Nijinsky | ... | (diary) |
Cast (in credits order)
Produced by
Howard Jeffrey | ... | associate producer |
Nora Kaye | ... | producer |
Stanley O'Toole | ... | producer |
Harry Saltzman | ... | executive producer |
Cinematography by
Douglas Slocombe | ... | director of photography |
Editing by
William Reynolds |
Casting By
Rose Tobias Shaw | ... | (as Rose Tobias-Shaw) |
Production Design by
John Blezard |
Art Direction by
George Richardson |
Set Decoration by
Peter James |
Costume Design by
Alan Barrett |
Makeup Department
Pat Hay | ... | hair stylist |
Joan Hills | ... | makeup artist |
Meinir Jones-Lewis | ... | hair stylist |
Ken Lintott | ... | makeup designer (as Kenneth Lintott) |
Sue Ignatius | ... | crowd hair and makeup (uncredited) |
Production Management
Al Burgess | ... | production supervisor |
Bernard Mazauric | ... | production manager: Monaco |
Luciano Pesciaroli | ... | production manager: Sicily |
Danilo Sabatini | ... | production liaison: Sicily |
Scott Wodehouse | ... | production manager |
Lindsley Parsons Jr. | ... | executive production manager: Paramount (uncredited) |
Second Unit Director or Assistant Director
Yves Amoureux | ... | assistant director: Monaco |
Tony Brandt | ... | assistant director: Sicily |
Graham Cottle | ... | assistant director: Monaco |
Ariel Levy | ... | assistant director |
Christopher Newman | ... | third assistant director: dance sequences only |
Luciano Palermo | ... | assistant director: Sicily |
Antoine Sabarros | ... | assistant director: Monaco |
Timea Veress | ... | first assistant director |
Guy Travers | ... | second assistant director (uncredited) |
Art Department
Pier Luigi Basile | ... | art director: Sicily (as Pierluigi Basile) |
Jean-Paul Bernardi | ... | assistant props |
Tessa Davies | ... | set dresser |
Nicholas Georgiadis | ... | ballet scenary: after the originals by |
Geoffrey Guy | ... | sets: for "Scheherazade" and "La Spectre de la Rose" after Leon Bakst by |
Michael Murchan | ... | construction manager |
Ron Quelch | ... | production buyer |
Tony Roman | ... | art director: Monaco |
John Rose | ... | sketch artist |
Crispian Sallis | ... | junior draughtsman |
Terry Ackland-Snow | ... | assistant art director (uncredited) |
Richard Amsel | ... | poster artist (uncredited) |
Brian Muir | ... | sculptor (uncredited) |
Ray Norris | ... | carpenter (uncredited) |
Ian Whittaker | ... | assistant set dresser (uncredited) |
Sound Department
Bill Barringer | ... | assistant sound (as William Barringer) |
William Hartman | ... | sound editor |
Godfrey Marks | ... | dialogue editor |
Theodore Soderberg | ... | re-recording mixer |
Richard Sperber | ... | sound editor |
Cyril Swern | ... | sound recordist |
Paul Wells | ... | re-recording mixer |
Douglas O. Williams | ... | re-recording mixer |
Colin Wood | ... | boom operator |
Mel Zelniker | ... | adr recordist (uncredited) |
Camera and Electrical Department
Bert Cann | ... | still photographer |
Jack Coggins | ... | electrician |
David Hersey | ... | theatrical lighting designer |
Colin Manning | ... | chief grip |
Danny Shelmerdine | ... | loader |
John Tythe | ... | gaffer |
Robin Vidgeon | ... | focus |
Chic Waterson | ... | camera operator |
George Binnersley | ... | clapper loader (uncredited) |
Neil Binney | ... | camera operator (uncredited) |
John Deaton | ... | focus (uncredited) |
Mike Fox | ... | camera operator (uncredited) |
Paul Hennessy | ... | focus (uncredited) |
Cedric James | ... | focus puller: second camera (uncredited) |
Alan Jones | ... | focus (uncredited) |
Nic Milner | ... | loader (uncredited) |
Ian Smith | ... | loader (uncredited) |
Jimmy Spoard | ... | grip (uncredited) |
Kenneth J. Withers | ... | camera operator (uncredited) |
Costume and Wardrobe Department
Rosemary Burrows | ... | wardrobe supervisor |
Austin Cooper | ... | wardrobe master |
Nicholas Georgiadis | ... | ballet costumes: after the originals by |
Ken Lawton | ... | wardrobe master (as Kenneth Lawton) |
Editorial Department
Chris Barnes | ... | editorial associate |
Michael E. Polakow | ... | assistant editor (as Michael Polokow) |
Location Management
Allan James | ... | location manager |
Vincent Winter | ... | location manager |
Music Department
George Korngold | ... | music editor |
John Lanchbery | ... | conductor / music adaptor |
The Los Angeles Philharmonic | ... | music performed by |
John Neal | ... | scoring mixer |
James Walker | ... | musician: flute solo |
Sidney Weiss | ... | concert master |
George Doering | ... | musician (uncredited) |
James Thatcher | ... | musician: French horn (uncredited) |
Script and Continuity Department
Louise Jaffe | ... | script supervisor |
Additional Crew
Irina Baronova | ... | ballet mistress |
Nicholas Beriosoff | ... | restaging: of "Scheherazade" and "Prince Igor |
Isabel Borwn | ... | assistant: Nora Kaye |
Isabel Brown | ... | assistant: Nora Kaye |
William Chappell | ... | restaging: of "L'Après-midi d'un faune" (as William Chapell) |
Hunt Downs | ... | publicist |
Ottó Elek | ... | studio manager: Hungary |
Wayne Fitzgerald | ... | title designer |
Mikhail Fokin | ... | choreographer (as Mikhail Fokine) |
William Griffith | ... | ballet coach |
Peter Lancaster | ... | head accountant |
Kenneth MacMillan | ... | choreographer: "Jeux" and "Le Sacre du printemps" |
Vaslav Nijinsky | ... | choreographer |
Pat Pennelegion | ... | assistant: Al Burgess |
Lily Poyser | ... | unit publicist |
Mary Richards | ... | assistant: Herbert Ross |
Danilo Sabatini | ... | production liaison: Sicily |
John Sargent | ... | accountant |
Elizabeth Schooling | ... | restaging: of "L'Après-midi d'un faune" (as Elisabeth Schooling) |
Thanks
David Bees | ... | grateful acknowledgment: administrative director of the London Festival Bellet |
Beryl Grey | ... | grateful acknowledgment: artistic director of the London Festival Bellet (as Beryl Grey CBE) |