A wealthy farming family in a remote part of Nairobi is forced to take refuge in their mansion when a pride of hungry lions suffering the effects of the drought, comes in contact hunting for food. Game hunter Skerritt comes to the aid of his estranged wife Phillips and their children, fortifying the residence against numerous attacks throughout the night. Some rather harrowing attack scenes might shock some viewers, with the ensuing gorging on the cadavers likely to repulse others – it's a marvel of photographic choreography and timely editing that makes the attacks look very realistic.
Skerritt is an engaging hero and it's through his macho veneer that a lot of the personality and character is allowed to develop throughout the ordeal; his playboy image remains intact almost throughout, attempting to rekindle his relationship with his former wife any moment there's a brief respite from the onslaught. Without his professional contribution, the rest of the film would be a hollow action thriller. And while there are moments of overkill – the laboured grief and consolation offered for the recently deceased, Skerritt's brief "Indianapolis" speech, and an ultimately pointless mortality moment, reminiscent of Jon Voight's deer encounter in "Deliverance" - the film generally manages to stay focused on the action. Special mention also must go to the musical score, which is effective as both an ambient and central mood setter.
The actual ferocity of the lions toward one another is just as confronting as the attacks on the characters – their performances are intensely aggressive. Ultimately, it's the realism that makes this obscurity worthy of more notice, and far superior to its British/South African produced predecessor, "Rogue Lion".
