78
Metascore
10 reviews · Provided by Metacritic.com
- 90The New York TimesJanet MaslinThe New York TimesJanet MaslinThe best western in a long while is Barbarosa, a film that uses one American legend, Willie Nelson, to create another.
- 90The New YorkerPauline KaelThe New YorkerPauline KaelThe most spirited satisfying Western epic in several years--it may seem a little loose at first, but it gets better and better as it goes along and you get the fresh, crazy hang of it.
- 80Time OutTime OutTransplanted Australian director Schepisi confidently threads his own route through Peckinpah territory (a Mexican patriarch demanding honour; a graveyard resurrection), less concerned with Peckinpah's gothic haunting than with teasing dark, absurd ironies from the symbiosis of sworn enemies.
- 80Los Angeles TimesKevin ThomasLos Angeles TimesKevin ThomasA glorious, mostly lighthearted adventure celebrating the mythical freedom and excitement of the outlaw life in the Old West. [09 Feb 1986, p.4]
- 75The Globe and Mail (Toronto)The Globe and Mail (Toronto)While no classic, this yarn, directed by Australian Fred Schepisi, is solid entertainment. [30 Jan 1988]
- 75Miami HeraldBill CosfordMiami HeraldBill CosfordNelson is immensely appealing, and Busey plays off him well. The two of them ride around, locked into the wacky feud and having a bit of fun with Old West mythology. The movie is sad, entertaining and often beautiful. [25 Mar 1983, p.C1]
- A beautifully filmed, nicely philosophic and rather old-fashioned western with an elegiac tone, well directed by Australian director Fred Schepisi (Breaker Morant), Barbarosa features uniformly strong acting, with Busey and Nelson making a good team.
- 70NewsweekDavid AnsenNewsweekDavid AnsenIf Barbarosa is a decidedly bumpy ride, its quirky ambitions are always interesting. Schepisi doesn't play safe, but he's a real filmmaker -- even his mistakes are arresting. [02 Aug 1982, p.62]
- 42Christian Science MonitorChristian Science MonitorAll the old cliches, including the offensive ones, are trotted out in this revisionist yet trite Australian western about a legendary bad guy and his young sidekick.