A mother whose child was killed in a dingo attack in the Australian Outback fights to prove her innocence when she is accused of murder.A mother whose child was killed in a dingo attack in the Australian Outback fights to prove her innocence when she is accused of murder.A mother whose child was killed in a dingo attack in the Australian Outback fights to prove her innocence when she is accused of murder.
- Nominated for 1 Oscar
- 8 wins & 13 nominations total
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Storyline
Did you know
- Trivia(June 2008) Ranked #9 on the American Film Institute's list of the 10 greatest films in the genre "Courtroom Drama".
- GoofsIn the end credits, the movie's copyright year is 1988. In Roman numerals, it would be MCMLXXXVIII. Instead, the year is MCMLXXXIII, 1983.
There may be some version with this error, but the theatrical version did have the correct "MCMLXXXVIII".
Featured review
If there is any Australian that I feel sorrier for, it would have to be Lindy Chamberlain. Her compelling story is one of the more famous court cases in Australian history. Also known as A cry in the dark', Evil Angel' shows how divided the Australian public really were towards this case and how the media can manipulate a story, by favouring just one side of a story that they believe is the whole truth. When I hear the cry The dingo's got my baby', it brings back memories from along time ago.
During a camping trip, an infant disappears from her family's tent. When the child's mother spies a dingo nearby, authorities launch a frantic search, but all they find is a torn, bloodied garment. The press, distressed by the mother's seeming "lack of emotion", and suspicious of her religious beliefs, begin to accuse her of murdering the baby. The sentiment against her begins to grow, and soon the whole continent is talking about the case. Despite the lack of evidence, the woman is imprisoned; although investigators eventually re-examine her story, the damage is done: the innocent mother's relationship with her husband has been irreparably destroyed. This is the documentary style film adaptation of the true story of Lindy and Michael Chamberlain.
This film has some truly amazing performance in it. Meryl Streep is a wonderful actress, but in this film she does so much that you just have to like. She really becomes Lindy' and embodies what she actually went through. I remember reading that Streep had to have speaking classes, so she could sound Australian', which she does very well. But it is her persona I like the most. Streep performance as Chamberlain is so flawless, as she shows no emotion when she is going in and out of court, which is what the real Lindy Chamberlain did. It is understandable that the general public would think that Lindy is guilty of murder, which is again testament to Streep's masterful performance. However in court Lindy is visibly upset, when she has to recall the night a dingo took her baby.
The other performance which is most noteworthy is that of Sam Neill. While Neill has gone on to do many big performances in Hollywood blockbusters such as Jurassic Park' and the Aussie favourite The Dish', this is one film I continue to remember him from. I like how we see that Michael is visibly distressed by the whole court case scenario, with him stumbling through the interrogation when he is on the stand. It is also most taxing on the couple's personal life, with Michael the first one to crack.
Yet there are some famous Australian cameos from many actors in Evil Angel'. Look at these for names; Maurie Fields, Charles Bud' Tingwell, John Howard, Frankie J. Holden, Mark Little, Mark Mitchell, Glenn Robbins and Kym Gyngell. All of them are well known personalities in Australian TV, and it is of great significance to this story to have such great fame among the cast of this film.
Director/Screenwriter of Evil Angel' Fred Schepisi does justice to this story in many ways. Firstly, Schepisi and co screenwriter Robert Caswell stuck very close to the story written by John Bryson. Then Schepisi directs this film in quite a unique way. He points the story in many ways, showing the Chamberlain's in one shot, then to the media, then to the general public. This amount of change gives the film great variety, which is good. If it was fixated with just the Chamberlains, this movie could have had major problems.
I also like the many shots of Australia that this film shows off. Having this tragedy take place in the Northern territory, certainly gave that state and its famous attraction Ayers Rock (Uluru) some sort reputation, as this film does too. Yet there are some excellent shots in Alice Springs, Darwin and in the Chamberlain's home-town (for some time) of Mt. Isa in Queensland. This is good work of cinematographer Ian Baker.
So with all those factors taken into consideration, this film looks deep into what it must be like to go through the loss of a baby child, taken by a wild animal. It also a fascinating insight into what the media can do to turn a story and how merciless people can be towards someone that in all possibility could be innocent'. Although it is 22 years since this horrible event has happened, I realise that Chamberlain's lives were, and probably never will be the same again. Michael and Lindy had to go through the most painful of divorces, and their children had to go grow up with a large amount of innuendo attached to their lives. I am thankful that Lindy Chamberlain was released from prison, after serving three and a half years of a life imprisonment sentence for a crime which she did not commit.
CMRS gives Evil Angel': 4 (Very Good Film)
During a camping trip, an infant disappears from her family's tent. When the child's mother spies a dingo nearby, authorities launch a frantic search, but all they find is a torn, bloodied garment. The press, distressed by the mother's seeming "lack of emotion", and suspicious of her religious beliefs, begin to accuse her of murdering the baby. The sentiment against her begins to grow, and soon the whole continent is talking about the case. Despite the lack of evidence, the woman is imprisoned; although investigators eventually re-examine her story, the damage is done: the innocent mother's relationship with her husband has been irreparably destroyed. This is the documentary style film adaptation of the true story of Lindy and Michael Chamberlain.
This film has some truly amazing performance in it. Meryl Streep is a wonderful actress, but in this film she does so much that you just have to like. She really becomes Lindy' and embodies what she actually went through. I remember reading that Streep had to have speaking classes, so she could sound Australian', which she does very well. But it is her persona I like the most. Streep performance as Chamberlain is so flawless, as she shows no emotion when she is going in and out of court, which is what the real Lindy Chamberlain did. It is understandable that the general public would think that Lindy is guilty of murder, which is again testament to Streep's masterful performance. However in court Lindy is visibly upset, when she has to recall the night a dingo took her baby.
The other performance which is most noteworthy is that of Sam Neill. While Neill has gone on to do many big performances in Hollywood blockbusters such as Jurassic Park' and the Aussie favourite The Dish', this is one film I continue to remember him from. I like how we see that Michael is visibly distressed by the whole court case scenario, with him stumbling through the interrogation when he is on the stand. It is also most taxing on the couple's personal life, with Michael the first one to crack.
Yet there are some famous Australian cameos from many actors in Evil Angel'. Look at these for names; Maurie Fields, Charles Bud' Tingwell, John Howard, Frankie J. Holden, Mark Little, Mark Mitchell, Glenn Robbins and Kym Gyngell. All of them are well known personalities in Australian TV, and it is of great significance to this story to have such great fame among the cast of this film.
Director/Screenwriter of Evil Angel' Fred Schepisi does justice to this story in many ways. Firstly, Schepisi and co screenwriter Robert Caswell stuck very close to the story written by John Bryson. Then Schepisi directs this film in quite a unique way. He points the story in many ways, showing the Chamberlain's in one shot, then to the media, then to the general public. This amount of change gives the film great variety, which is good. If it was fixated with just the Chamberlains, this movie could have had major problems.
I also like the many shots of Australia that this film shows off. Having this tragedy take place in the Northern territory, certainly gave that state and its famous attraction Ayers Rock (Uluru) some sort reputation, as this film does too. Yet there are some excellent shots in Alice Springs, Darwin and in the Chamberlain's home-town (for some time) of Mt. Isa in Queensland. This is good work of cinematographer Ian Baker.
So with all those factors taken into consideration, this film looks deep into what it must be like to go through the loss of a baby child, taken by a wild animal. It also a fascinating insight into what the media can do to turn a story and how merciless people can be towards someone that in all possibility could be innocent'. Although it is 22 years since this horrible event has happened, I realise that Chamberlain's lives were, and probably never will be the same again. Michael and Lindy had to go through the most painful of divorces, and their children had to go grow up with a large amount of innuendo attached to their lives. I am thankful that Lindy Chamberlain was released from prison, after serving three and a half years of a life imprisonment sentence for a crime which she did not commit.
CMRS gives Evil Angel': 4 (Very Good Film)
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Evil Angels
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $6,908,797
- Opening weekend US & Canada
- $1,561,793
- Nov 13, 1988
- Gross worldwide
- $6,908,797
- Runtime2 hours
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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