When a secretary's idea is stolen by her boss, she seizes an opportunity to steal it back by pretending she has her boss' job.When a secretary's idea is stolen by her boss, she seizes an opportunity to steal it back by pretending she has her boss' job.When a secretary's idea is stolen by her boss, she seizes an opportunity to steal it back by pretending she has her boss' job.
- Won 1 Oscar
- 9 wins & 18 nominations total
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- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThough Tess is unquestionably the sole lead character, actress Melanie Griffith is billed third in the credits, after Harrison Ford and Sigourney Weaver who have supporting roles in the movie. Griffith had received critical acclaim for earlier performances in Body Double (1984) and Something Wild (1986), but those films barely made a dent at the box office and she was still largely unknown when Working Girl (1988) was made in 1988. 20th Century Fox wanted a big name actress to play Tess, but Mike Nichols pushed for Griffith until the studio ultimately gave in.
- GoofsKatharine tells Tess the combination to her house alarm is 75432000 but when we see Tess turning the alarm off before entering the house she only presses six buttons.
- ConnectionsEdited into The Linda McCartney Story (2000)
Featured review
A pure fantasy served up by Mike Nichols, but a vastly entertaining one.
Melanie Griffith is the secretary with massive hair who pretends to be a corporate business woman when her boss is layed up with a broken leg. The catch is, she finds out she's pretty good at it, and things get complicated when she ends up spearheading a business deal and falling in love with her key partner (Harrison Ford), all the while trying to keep what she's doing from her boss (Sigourney Weaver). It's the kind of movie that could just as easily have been made as a screwball comedy in the 1940s, perhaps with Barbara Stanwyck in the lead role.
The film is a classic in its own small way, one of the best comedies to emerge from the 1980s. Griffith is matched well with her role, so her limitations as an actress don't draw too much attention to themselves. But it's Weaver who steals the show as Griffith's imperious boss. She's a riot as a confident and powerful career woman from hell. And Joan Cusack steals a few scenes of her own as Griffith's best friend and fellow secretary, who sports hair as big as Griffith's and a Joisy accent to boot.
Nichols knows how to direct a comedy so that the funny bits speak for themselves.
Grade: A
Melanie Griffith is the secretary with massive hair who pretends to be a corporate business woman when her boss is layed up with a broken leg. The catch is, she finds out she's pretty good at it, and things get complicated when she ends up spearheading a business deal and falling in love with her key partner (Harrison Ford), all the while trying to keep what she's doing from her boss (Sigourney Weaver). It's the kind of movie that could just as easily have been made as a screwball comedy in the 1940s, perhaps with Barbara Stanwyck in the lead role.
The film is a classic in its own small way, one of the best comedies to emerge from the 1980s. Griffith is matched well with her role, so her limitations as an actress don't draw too much attention to themselves. But it's Weaver who steals the show as Griffith's imperious boss. She's a riot as a confident and powerful career woman from hell. And Joan Cusack steals a few scenes of her own as Griffith's best friend and fellow secretary, who sports hair as big as Griffith's and a Joisy accent to boot.
Nichols knows how to direct a comedy so that the funny bits speak for themselves.
Grade: A
- evanston_dad
- Jul 26, 2008
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Details
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $63,779,477
- Opening weekend US & Canada
- $4,718,485
- Dec 26, 1988
- Gross worldwide
- $102,953,112
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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