User reviews

Penn and Teller Get Killed isn't what you'd call a triumph of skilled film-making. The primary function of the movie is to allow Penn and Teller to perform their routines and display their trademark style -- a style that has as much to do with their attitudes as it does their 'magic.' If you like them, you'll like the movie; if not, you probably won't.

That said, the plot is interesting enough, and the film is not JUST a vehicle. The film itself really does reflect their twisted sensibility, and that may be its strongest point -- it's not just "Penn and Teller do some magic with a plot pasted on." It's really what you'd expect if someone allowed these two to make a movie. (The ending, in particular, is one of the strangest I've ever seen.) The film is perfectly Penn and Teller: it gets inside your head, twists things around, breaks some stuff, and leaves with a smile as you try and figure out what to do with the mess.

Being a big Penn and Teller fan, and after hearing about this movie I was looking forwards to seeing it, and was gratified when, on a lonely Friday night, I saw it was showing on TV.

It started a little slowly, but I persevered, watching on. Yes it's a mildly amusing film. Certainly it gives us an insight into the world of the magicians, but when it comes down to it, it's simply a series of magic tricks strung together by a very thin plot. The tricks themselves are quite impressive, but in no way are they comparable to the magnificence of the duos live shows. It just doesn't compete. Worth watching but don't look forwards to anything special.

This starts with a recreation of their upside-down trick on SNL like a late night talk show. As an off-handed comment to the host's question, Penn says that he wishes someone would try to kill him for excitement. They and their assistant Carlotta (Caitlin Clarke) are off to expose psychic surgery as fake. Her uncle is being tricked by some con-men.

This movie needs a good writer to write an actual script. Instead, Penn & Teller have written a meandering story. It does have some fun with their pranking and their magic tricks but at some point, I wonder when the story finally gets some traction. It tries to go surreal with Caitlin Clarke playing a completely different character. It takes awhile before I realized that it's not a dream sequence and that it is actually Caitlin Clarke. This is a movie where the concept of the ending supersedes the traditional narrative writing. The guys have a wild idea and write a rambling story to get to the finish. I still do like the absurdity of the ending.

This movie is a must see for Penn and Teller fans. The story line reflects a lot about how the Bad Boys of Magic really act while on the road.

The constant pranks are imminently entertaining. The movie drags a bit near the end, but leads up to a great surprise for fans of the magic twosome.

The film may not sustain itself well for viewers who aren't very familiar with Penn and Teller. Still, you can't help but enjoy the frenzied nuttiness of the airport scene.

this movie has some interesting stunts that are pulled, but I kept asking myself during the duration of the film, Is Penn the guy who does the "next on Comedy Central" voice. Otherwise I could dig this movie, jay and silent bob seemed to rip it off a little bit.

This film is an oddity. It is well-directed by Arthur Penn (no relative) and cleverly written by Penn and Teller, but it is too clever for its own good. The story asks the viewer to buy into its premise, then it jettisons that premise in the last act. Call it absurdist or call it an absurd waste of a good script.

Penn and Teller play themselves---well, versions of themselves---and pepper the story with comedic magic bits that are their hallmark. The two characters play practical jokes on each other, always upping the stakes. This allows them to display their talents to good effect. A better ending might have resulted in a great farce.

I did enjoy Caitlin Clarke's performance as their girl Friday. And the musical references are enjoyable.

I'm a Penn & Teller fan, but this movie constructed around their personalities is pretty lame. We only get little glimpses of their act and their debunking of "miraculous" things like psychic surgery, and get a lot of groan-worthy humor instead. The film has more plugs for Trump casinos (in the script and in shots clearly framed for that purpose) than it does bits of their magic, which is a shame, since they're normally so inventive, and come across as having sold a little bit of their souls to make this thing. It plods along at a snail's pace despite Penn's best efforts to breathe life into it by speaking a million words a minute. Meanwhile, Teller is as always a genius with his brand of playful, Chaplinesque comedy, so it was unfortunate that they had him speaking at the end of this film, given how silly it was. A disappointment, and one to skip.

Up until the last 15 minutes or so of "Penn & Teller Get Killed", I really liked the movie. After all, I loved their stage act and TV appearances and much of it plays like this side of the comic magicians. But the last 15 minutes just didn't work for me and took the fun out of an otherwise fun movie.

This film follows Penn & Teller as they do their acts on television and on stage. In between, you see the pair doing lots of funny things....that is until it seems that some psycho is trying to murder Penn. This plot works well...until the end. Suffice to say the film is often wonderful but all this falls flat at the end....an ending which is about as downbeat as you can find in any film.

It's really a shame, as much of the movie is great. I especially liked a tiny scene where there is a Three Stooges film festival...and you can overhear someone saying that their favorite Stooge was Joe Besser. NOBODY's favorite Stooge was Besser...and I even believe Besser would have agreed!

The idea is promising: is someone actually trying to kill Penn (following his peculiar request), or is it all a big hoax? But the result is a mess. The script that Penn and Teller wrote is unstructured and complex, and it doesn't seem to have a discernible beginning, middle or end. There is a funny and creative scene in an airport, early on, and then the film goes downhill. The VERY last monologue we hear, however, is kind of clever... (**)

The first five minutes of this film are quite interesting when we see them in the television studio but that is the only half descent thing we see. The rest of the film is so pretentious it is unbelievable.The story is about a set of practical jokes which are not funny and half the time dont make sense and the ending is awful. The female actress turns up in the last half an hour out of nowhere and takes the film down another notch. They should have killed themselves at the beginning! Dont get me wrong i like Pen & Teller and their Bulls*** TV series is fantastic but sorry guys this stinks! 2 out of 10

A movie no Penn & Teller fan would dream of being without. The first time I watched it, I was perplexed by the oddball atmosphere - this movie just doesn't play like a typical movie. Subsequent viewings have increased my fondness for it, though, and I keep finding more and more humour in it. So much of the humour comes from realizing that the jokes are not just inserted to make us laugh, but are the natural product of a very bizarre world that these two performers are inhabiting all the time. As Teller in a park catches pigeons with his bare hands, Penn says admiringly, "You're getting really good at that. You don't even hurt them anymore." Anymore? What has been going on between Teller and the pigeons all these years? The film is full of these little glimpses into a very weird world.

First, I will admit, I don't "get" Penn and Teller's routine.

I've seen them several times and while they seem like pretty decent people, and would probably be fun to have a drink with, I don't find their brand of comedy to be all that funny.

This movie is a one-joke schtick. What happens when you ask people to kill you on network TV? A perfectly reasonable 20 minute skit could be done with this material. Instead it was turned into a dreadful two hour movie.

I saw this when it was in the theater. It was the only time in my life I went to the manager and demanded a refund. (He was nice and gave us free tix for another movie).

I have friends who adore Penn and Teller, and if you are one of these people, go see them on video. It's probably worth two bucks on discount rental night. In a theater? At anything close to going movie ticket prices? Never again!

The first time I watched this movie, I was disappointed. The laughs, it seemed, had been few and far between. After watching it again, however, some of the more subtle jokes caught my attention (in a word, Teller's facial expressions), and I found myself watching it yet a third time, and actually enjoying it. In other words, it "grew" on me.

I love P&T. But man o man whose idea was this train wreck?

Isnt Arthur Penn a respected director? Did he suddenly need the money?

The movie remids me of Howard Stern's movie in that it's really cheaply made, stupid and stars the title people.

The whole idea that these two live life by playing practical jokes on one another is just plain stupid and it falls flat really quickly.

It's just too sophormoric.

I saw them live about a year before this came out. It was a fantastic showcase of magic and included the twist of them reveling most of the tricks behind their gags. After the show, I was surprised to find both of them greeting and talking to the audience as they left the theater! And, yes, Teller was gabbing away too!

So, I was primed to see this upon release. I remember thinking the film was slow, unfunny and did I say slow? Now, for whatever reason, I rewatched it last night. It faired a tad better this time around, but it was still painfully slow.

The pranks are all really great, but mostly not plausible in real life. The airport one stood out as hilarious, but impractical. Doubly so nowadays, post 9-11. The psychic surgery prank was outstanding, but again, not practical. All of these pranks should never be tried by amateurs, as obvious things can go wrong, resulting in injury or death.

What really killed the movie for me, both times, was the dull pacing AND Penn Jillette. He just never shuts up and it gets tiring after about a half hour. It's not just the constant yammering, but what he's actually saying (mostly dated weird Libertarian stuff that doesn't hold water now). By the end, you cheer that he finally stopped (but NO! He kept yammering over the end credits! Yikes!).

Weird to see Trump's name announced every two minutes and his hotel/casino featured throughout. I guess that, at least in some circles back then, it used to mean something. Or they were probably obligated to mention/show that often in order to film there. Sigh.

In the end, it's awfully slow, sometimes funny, easily predictable (I kinda saw the ending coming a mile away) and super annoying. The high point, for some, is Teller getting a few lines at the end. My question is, why is one of America's best directors (just saw Night Moves! My GOD what a film!) having to direct this? The 80s were truly a nightmare in which we have yet to awaken from.

I got this movie for my 18th birthday, and it is a very good movie. Penn and Teller should make more movies like this. To bad it didn't make a lot when it was released, now the only way I can see them is watching thier magic shows. The ending of this movie caught me completely by surprise, I just can't describe how much I love it, I think I'll watch it again.

Penn Jillette gets a death wish literally in this hilarious comedy featuring our favorite magicians Penn and Teller. Penn announces on live national television that he wishes someone were out to kill him, and on the way to Atlantic City, Penn and Teller get into a lot of mishaps when they are just about to die a gruesome death, the 'murderers' turn out to be people they know! Laugh out loud funny!

The funniest part of the movie was when Teller passes a theater playing a Stooge marathon of Shemp episodes and people walk out angry, and one heckler passes by and says, "Personally, I'm a Joe Besser fan"! In case nobody knew, Penn and Teller are fans of The Three Stooges. Also, Penn is a huge fan of classic rock from the 1960's and 1970's! It even shows how their magic tricks are done, as well!

If you want to see a movie with Penn and Teller that will keep you laughing this one is it! It's a movie anyone will enjoy! I sure did! I give it 4 stars!

Penn and Teller is a fictional film about how inviting killers to your head on national TV can lead to potential problems, even if you are Penn and Teller.

This film embodies almost everything that is Penn and Teller, because that is what a Penn and Teller film should represent: Penn and Teller. Let's get the bad out of the way first: The acting in the film is decent and comical, but not superb - especially the actors that play the side roles. Of course considering Penn and Teller are magicians whose job is to act in a way that conceals their tricks, their acting is not bad, although it feels like something is missing, especially in the more "emotional" parts of the film.

Also, there's a slight issue with the writing. The film is sort of a mix between comedy and thriller, but the twists are generally somewhat predictable, and a lot of the humor does not cause explosive laughter. Again, the writing is just a wee bit weak, but in my opinion not the main point of the film.

What the point of the film is though is lots of Penn and Teller: The viewer gets to see plenty of magic tricks and how they are done, Penn and Teller make commentary on various forms of superstition, and deliver what is in my opinion the silliest, somewhat apologetic yet quite possibly best ending a film could ever have.

Overall, I would recommend Penn and Teller Get Killed, even if I were on national TV.

as a previous review already said about this film, if you like Penn and Teller's scthick then you'll love this film. It's bizarre, it's hilarious and most of all its one of the best bits of black comedy that's ever been committed to celluloid. The ending is so jarring you'd thunk you watched an episode of Chris Morris's Jam (an early 00's sketch show that 2 parts psychological horror and 1 part comedy) It's a laugh riot for Penn and Teller fans but for anyone else it might not make much sense. It is a hilarious film for the right mind. and if you want a break from the rest of the mediocre 80's films like mannequin, roadhouse (I do actually like roadhouse) and other such fare then it is a refreshing take in my opinion.

It's difficult to review and discuss Penn & Teller Get Killed as a typical comedy because, much like the duo it is profiling, the film attempts to subvert convention and defy the ordinary and is hard to judge on the basis of typical cinema. The film plays by its own rules, operates under the logic of illusionists, and provides the viewer with eight-nine minutes of unpredictability and ridiculousness.

We open on the set of a talk show, with magicians Penn Jillette and his silent-partner Teller hanging upside down in mid-air. The cameras themselves are upside, showing Penn and Teller allegedly sitting behind a desk on set right side up. Penn and Teller do a few levitation tricks in front of a studio audience, who obviously know the trick, and encourage them to respond enthusiastically when Penn asks, "are we live?" to assure the audiences at home that there is no camera trickery.

This is one of the many tricks Penn and Teller perform in the film, but this film isn't just a showcase for their tricks. When the gag is up, the two are interviewed on the talk show where Penn says he wishes somebody would try and kill him. What unfolds is Penn, his girlfriend Carlotta (Caitlin Clarke), and Teller going about their day-to-day lives filled with trickery and nonsense.

As stated, this is a tricky film to summarize. At times it feels more of a showcase for the duo's talents rather than a film and, mainly during its third act, it feels like a film more than a showcase. One of the issues is director Arthur Penn has a difficult time communicating the direction of the picture to the audience, and, to be fair, I think even the greatest cinematic auteur would find it a considerable challenge to do what Penn & Teller Get Killed sets out to do and do it without any reservations or confusion. The film is a satirical black comedy, and because of this, I think it has an inherently difficult time communicating itself because it would appear that it wants to make its motivations clear to the audience, which I can also understand. The film is a cult film, but makes the right move of trying to communicate itself on all levels. This way, there's none of that "singling out" process I see with some more mainstream cult films; ones that seem to try and pick and choose their audiences without giving everyone the ability to like the end product. Ironically, the fact that it struggles to make itself universally appealing is ultimately a large strength on its part.

I'm also a big fan of Penn and Teller in general, which can only help my positive feelings for this film. Their style of skeptic humor, illusionist humor, and logical discussion (used effectively on their Showtime show Penn & Teller: Bullshit!) has kept me a constant viewer of their work. It wasn't until I watched Penn & Teller Get Killed that I knew depressingly little about their stage magic and the work that they do as a duo in live shows. The film has the ability to provide you with a nice introduction to their work along with being a welcomed present for already self-aware fans.

Starring: Penn Jillette, Teller, and Caitlin Clarke. Directed by: Arthur Penn.

I enjoyed Penn & Teller Get Killed. In fact, I loved it. However, I am also very aware that it takes a certain type of person to be able to appreciate it.

The rather disjointed feel of much of it may turn you off. The scenes that don't seem to serve much of a purpose may turn you off. The anticlimax may turn you off. The dragged-out ending, or the weird pacing in general, may turn you off. The bizarre mix of seriousness and silliness may turn you off. The slightly hard-to-follow plot may turn you off. And if you're not a fan of black comedy, suffice it to say this movie is very unlikely to change your mind.

But if you do love black comedy, if you enjoy a movie that delights in mixing hilarity with actual horror (as opposed to one where events that would be horrifying are made not so with humour), if you don't think those quirks I mentioned above will ruin your ability to enjoy it, then you should definitely give it a chance. You may just love it as much as I did.

Very strange...but the film yielded some good gags. It did seem to get a bit dry in some places, though. Still...not a complete waste of time. I gave it a 10, because I would like it to survive the world's transition from vhs to dvd. Perhaps this will help. COME ON EVERYBODY! KEEP STUPID MOVIES ON THE SHELVES!