User reviews

I had read the book, and have to say the movie, for the most part, is very similar and is just done very well. Everything from the acting, to the directing etc etc, is superb. This movie is, sadly, a true story. It stands at 4 hours or so but it always keeps your interest. Farrah Fawcett loses herself in her character, and I have to say, I don't see how this movie can be watched, without the watcher coming away with a very healthy respect for Ms. Fawcett.This true life story is so disturbing, the thought has to flash through your mind whether you can sit through a 4 hour drama about it, and although of coarse some scenes are extremely difficult to watch, as you'd expect them to be, this movie is not something you can turn away from once it's on and is both shocking and horrifying.

It is directed and acted on a level as good as major big screen releases and the character development is great as well. There isn't one bad piece of acting in the movie and this Is the best I've ever seen Fawcett.

After playing TV-movie victims for years, Farrah Fawcett is terrifically good (almost surprisingly so) cast as real-life child-killer Diane Downs, who tried to convince the police she and her kids were victims one night of a car-jacker with a gun. One is tempted to go on and on about Fawcett's multi-layered portrayal of a sociopath, yet this is a long movie--four hours with commercials--and Farrah has the burden of it resting on her performance (she carries it off with gusto). Ryan O'Neal is very strong, too, playing the lover who doesn't return her affections. A sad, violent story, but told with an intense, focused energy which makes it completely absorbing and ultimately moving. Farrah does Emmy-worthy work.

Today, we've been true-crimed to death. Yet, this story was one of the firsts of it's kind and not to mention the best. Akin to Burning Bed, Fawcett rings in an absolute superb performance as she realistically and accurately portrays the sociopath known as Diane Downs. The movie carefully plots the turn of events without over dramatizing. The moving portrayal of Christie Downs (known as Karen Downs in the series) is quite haunting. Many true crime dramas leave me with a taste of ratings-desperation in my mouth. The focus of these are not feelings but instead dramatic effects. This series however was much different. What you find here is Diane's self-centeredness and apparent inability to feel sorrow contrasted with a child who, even without speaking, manages to convey a fear of her mother as well as true love for her in a very tender heart wrenching way. While this description may very well sound overly dramatic it truly isn't. This is just such a well made series. I hope you enjoy it as much as I did.

I watched Small Sacrifices again just recently after many years. Farrah Fawcett should have got an Emmy for that portrayal of Diane Downs. Her performance in this mini-series is incredible and the fact that the mini-series follows the book closely. Ann Rule's book of this horrible crime leaves you wanting more. So much that I reread the book again. Farrah should be honored for such a fabulous performance. Just watch her in the Burning Bed as a battered wife. Farrah Fawcett headlines Small Sacrifices but everybody else in the film including John Shea who plays the District Attorney and her then real-life lover, Ryan O'Neal, plays Diane Down's married lover who does not want children and would help the police convict his former lover. Ryan, John, and even Gordon Clapp are all wonderful and memorable in their roles. They do not make television mini-series like they used to anymore with cable making the movies for television. If this film was released in the cinema, Farrah would have been nominated for an Oscar for this role. She probably would have won the award!

Two thumbs up to Farah Fawcett, Ryan O'Neal and the ever talented John Shea.

So much for being a dumb blonde - Farah rocked. She took being "unfit" to a whole new level. I thought I had seen the best in her in "Extremities" but she once again showed the "acting world" that she is a force to be reckoned with. Ryan has still got the good looks and the acting to go with it.

John Shea's portrayal of the Prosecutor was RIGHT ON! He exhibited a determination that wasn't his job . . . . it simply was the right thing to do for the protection of the children.

A must have for a movie collector (it needs to be in DVD form also)!

Enjoyed viewing Gordon Clapp,(Detective Doug Welch),"Splendor Falls",'99,)(NYPDBLUE), who starred in this picture and really gave Farrah Fawcett,(Diane Downs),"The Cookout",'04, a very hard time because of things that happened to her very own children. This story is about a Diane Downs who is desperately seeking to find true love in her life and winds up going from one husband to another and plenty of one night stands. Diane claims that her very own father molested her many times and gave her very little attention except for sexual advances. This story goes into great detail about all her affairs and there is a very long trial which Diane has to encounter. Farrah Fawcett gave an outstanding performance and I wish she would perform in many more pictures.

The TV movie format has been used endlessly to depict true crime stories, from parents who kill their children, to children who kill their parents, to rape, to theft, to abuse. I myself saw two or three similar films just last week. So what makes a rather unassuming TV movie from 1989 like "Small Sacrifices" stand out so much? It's hard to say. Certainly the acting has a lot to offer. Farrah Fawcett, Ryan O'Neal, and John Shea - three well-known actors whom I was familiar with but never previously cared for - are the dramatic core of the script. They all perform well beyond expectations. Fawcett, for example, who I would've thought incapable of such depth, is alternately terrifying and emotionally unhinged. It's a breathtaking performance. The real surprise, however, is young Emily Perkins. Or not such a surprise for me, because I'd been familiar with her heartbreaking role in the last four seasons of "Da Vinci's Inquest". But even at the tender age of twelve, she is a fully realized actress of incredible range. Her testimony on the stand is so emotional that it left me in tears. This is a performance without cliché.

"Small Sacrifices" isn't yet another painful exercise in domestic unrest, like it might appear to be on the surface. David Greene seems very aware of what he wants to get out his film here, and he directs the human interaction brilliantly. It's a hard film, sure - really hard - but powerfully dramatic. One of the best of its kind.

Just when you think Farrah can play an incredibly sympathetic passive victim (the Burning Bed) or a victim turned enraged avenger (extremities) here comes a sociopathic monster you'd like to strangle for her arrogance and cruelty This is the best characterization I've ever seen from a once pretty face who turned heads with her beauty and serious ability to act. We miss her since we lost her far too early This is based on a true story and fascinating look at the antithesis of motherhood.

I don't recall if I watched this in the 80s. I loved Charlie's Angels, every teen girl tuned in weekly. And I remember The Burning Bed. But for me, Fawcett was the wrong choice here. I know a lot of people will disagree because the fans just want to adore her. But Downs was a homely looking woman with an equally uninteresting wadrobe, a sarcastic demeanor and an inability to stop talking. Yet the producers not only don't attempt to make Farrah look the part or fully characterized Diane but actually accentuate her figure and flaunt her hair always with full make-up and logs of the glamorous smile. The only acting seemed to be adding a grovely twang that I wouldn't characterize as Diane or Farrah, and a lot of eye rolling. It makes the film seem to be about Farrah. And let's face it, much like Lee Majors was the reason she got the part in Charlie's Angels, O'Neil is the reason she got this part.

I am not anti Farrah in any way but I'm the most objective review on here. Over the years, beautiful but talented actresses have bared it all to prove their acting ability - Nichole Kidman, Angela Bassette, Elizabeth Taylor, Betty Davis... But Fawcett is always playing to the camera instead of acting.

So what we get is a frame of a tragic, shocking story that we can barely tell is in this film because it's so focused on making it all about Diane in order to put Farrah in front of the camera for 90% of this endless mini series.

I know that back in the 80s it was all about getting the most viewers for as long as possible to use for advertising spots. But this was a huge story in the news and anyone could have played Diane and gotten high ratings. Heck, just having Ryan O'Neal would have bumped the ratings way up. Farrah was pigeon holed for Charlie's Angels and nite she was in the past until her new boyfriend wanted to help get her back in tv.

People forget, when she broke her contract with Charlie's Angels she was black listed from the industry; no one would touch someone they couldn't depend on. When she started dating O'Neal, he became her leverage.

But bad acting and famous hair only gets you so far. She destroyed any hope of being taken seriously when she demanded to be put on a poster practically bare in a time when soft p-orn was deeply frowned on by average American households. Things are different now, though not necessarily improved.

Farrah was used for her attraction to men and was never a serious actress. We could say that isn't her fault but this film deserved to be taken more seriously.

Like "To Catch A Killer" (about John Gacy) and "Karla" (about Karla Homolka), this lengthy television film was not made to simply entertain. Farrah Fawcett's film and television career was largely celluloid trash, but here she turns in a stellar performance alongside her real life lover Ryan O'Neal as the mother who quite cynically murdered one of her young daughters and came within an inch of murdering both the other one and her son.

This eponymous film is based on the book by Ann Rule, a friend and colleague of serial killer Ted Bundy who turned to writing non-fiction crime books after she realised the shocking truth about "The Stranger Beside Me". This book is based in turn on Diane Downs who committed her shocking crimes one dark night in May 1983 and attempted to palm them off on a mysterious stranger. Not mentioned here due to chronology is the testimony of Dan Newby who claimed the real killer was a man named Jim Haynes. Nor the fact that the father of Elizabeth Diane Downs who was accused in court of sexually abusing her as a child, remained a passionate believer in his daughter's innocence. Downs would later recant, but that accusation and her other behaviour reveal her as a clever and quite cynical manipulator of especially men.

A Change Dot Org petition several years ago calling for the release of Downs attracted only 25 supporters, and her appeals have led nowhere. No one but the gullible need have any doubts about her guilt, especially in view of the competent living witness, and that's before we mention the forensic evidence, which was also mentioned in the film, including a mock up of the murder scene that was used in the actual courtroom.

Downs has been compared with Susan Smith, who a decade later murdered her two young sons from a similar motive, but the none-too-bright Smith is not in the same league as this sensuous, highly intelligent sociopath.

Farrah Fawcett's Emmy-nominated performance is the centerpiece of SMALL SACRIFICES, a riveting, ABC mini-series based on the true story of Diane Downs, a cold-blooded woman who was sent to jail for murdering two of her three children. This teleplay presents Downs as the lonely, divorced working mother of three who appears on the outside to be a devoted and loving mother but as no qualms about putting her own needs first when the opportunity presents itself. While working at a post office, Diane begins a romance with one of her co-workers, Lew Lewiston (Ryan O'Neal)and things are going well until Diane learns that Lew doesn't like kids and has no desire to be a stepfather so Diane decides to kill her children. Fortunately, her daughter, somehow survives the brutal shooting and is taken into protective custody not only to protect her from further harm by her mother but to use her to help build a case to convict her mother. Fawcett gives the performance of her career...an icy, heartless bitch who shouts of her innocence throughout the proceedings, even though all evidence points to her and has the nerve to be baffled by the fact that her daughter wants nothing to do with her. O'Neal's role here is more in the way of stunt casting as he was Fawcett's real life romance at the time and is wasted in a thankless role, but there are two solid performances from John Shea and Gordon Clapp as the two police detectives caught in the deadly cat and mouse game of trying to slip Diane up in order to nail her for this horrendous crime. Despite it's almost three-hour length, I found this movie fascinating from start to finish, thanks primarily to a powerhouse performance from Farrah Fawcett who got the role of her career and ran with it.

... and that's not to say that the rest of the production and cast are not top notch.

The film starts with Diane Downs (Farrah Fawcett) arriving at the hospital with a bullet in her arm and her three children seriously wounded. The fact is that the middle child is already dead, but that is not known at this point. Diane tells a tale of a "bushy haired stranger" who came up to her while she was parked on a lonely road, said he wanted to steal her car, and then just shot her and her children. The police are called in to begin investigating as well as one ADA Frank Joziak (John Shea). But as the investigation continues there are inconsistencies in Diane's story and suspicion begins to fall more on her. Her two surviving children, have injuries that will last a lifetime. Robby, 3, will be permanently paralyzed from the waist down. The oldest daughter, Karen, 8, is old enough to say what happened, but she has had a stroke from blood loss and cannot speak. This may or may not resolve with time. When Diane comes to her bedside and speaks to the unconscious sedated girl, her pulse and blood pressure rise dramatically, indicating she is fearful. Why?

All of the performances were good here, especially the child actress playing Karen, whose account of what happened that night is of key importance. But Farrah Fawcett is extraordinary portraying the complex sociopath Diane Downs who wants what she wants when she wants it. She is clingy, rather scary when told No, and lies like a carpet to the point I think that she believed her lies. For example, she says she gave up medical school for her married ex-lover when she is in fact a high school dropout who couldn't concentrate long enough to get through night school.

The earliest thing I remember seeing Farrah Fawcett doing was "Murder on Flight 502" in 1975, and she wasn't very good in it. Or more precisely, she just had no presence. 14 years later her performance makes this film.

I was drawn to watching this TV film as seeing the main actors were Farrah Fawcett and Ryan O'Neal, I was misguided into thinking it would be a good evening's viewing.

I say that, not because either of these actors played their parts badly; indeed, O'Neal only has a rather small part. Having such good actors, and John Shea was rather good, it would have been befitting if the film had moulded itself to a different architecture: the so predictable style for television films made all acting concepts be limited to the same formula. Thus, frequently, Ms. Fawcett tended to overact rather than interpret the complicated characteriology of Diane Downs.

The unfolding of the story, the telling of it, and the directing was so glued to preset standardised TV formulas, that there was very little any of the actors or anybody else could have done to add more depth and realism to the job. The end result, therefore, is as disappointing as the predictability: unadventurous and trite and no surprises anywhere to help it along.