Joey gets 2 days to sell 12 cars to keep his job and keep his girlfriends happy. It gets worse. He's juggling 3 buyers when a guy with a machine gun crashes into the car dealership and takes... Read allJoey gets 2 days to sell 12 cars to keep his job and keep his girlfriends happy. It gets worse. He's juggling 3 buyers when a guy with a machine gun crashes into the car dealership and takes everybody hostage.Joey gets 2 days to sell 12 cars to keep his job and keep his girlfriends happy. It gets worse. He's juggling 3 buyers when a guy with a machine gun crashes into the car dealership and takes everybody hostage.
James Bulleit
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- (as Jim Buleit)
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This movie is worth a watch, but only if you are willing to pay attention to the myriad subtle jokes in it.
Those who think it only occasionally funny just weren't paying attention to EVERY scene with the hostage negotiation team in the restaurant, and lots of subtle jokes in the dialog between Williams and Robbins, and the phone calls out of the car dealership.
This movie took a chance with 'intelligent humor'. Not that the humor is that intelligent, it just doesn't hit you over the head with obvious jokes. It is a take off on the 'real' 'cookie cutter' hostage dramas, and the fun it makes of them is subtle. (For example, the cops' reaction, after disbelieving that Larry has brought explosives taped to his bike, when it is 'revealed' to them that he obtained them in Jersey. There is no over the top joke, but it is VERY funny if you are paying attention and have enough common knowledge to get it).
Unfortunately, there probably just aren't enough 'intelligent viewers' out there for this film to get its due. There certainly weren't among the others leaving comments about it! LOL
Those who think it only occasionally funny just weren't paying attention to EVERY scene with the hostage negotiation team in the restaurant, and lots of subtle jokes in the dialog between Williams and Robbins, and the phone calls out of the car dealership.
This movie took a chance with 'intelligent humor'. Not that the humor is that intelligent, it just doesn't hit you over the head with obvious jokes. It is a take off on the 'real' 'cookie cutter' hostage dramas, and the fun it makes of them is subtle. (For example, the cops' reaction, after disbelieving that Larry has brought explosives taped to his bike, when it is 'revealed' to them that he obtained them in Jersey. There is no over the top joke, but it is VERY funny if you are paying attention and have enough common knowledge to get it).
Unfortunately, there probably just aren't enough 'intelligent viewers' out there for this film to get its due. There certainly weren't among the others leaving comments about it! LOL
The gist of it all here, is the power of talking, of conversation and that a good car salesman can talk himself into or out of anything.
And wow, is this movie really thirty five years old?
Thirty five?
Already?
Wow.
Where does the time go?
I would've been graduating from high school right about the time this was released into theaters.
Lori Petty looks incredible here. On the verge of my first time ever setting eyes on her, in Point Break.
And Tim Robbins had already done Bull Durham by now. And Jacob's Ladder was coming out soon too.
Robin Williams. Such a legend. He's great in this.
This movie will drive you crazy as a hostage taking type film.
And it's hard to take too seriously as that.
But it's still a solid movie.
They don't make original films like this anymore and definitely not for theaters.
This movie is definitely worth a test drive.
And wow, is this movie really thirty five years old?
Thirty five?
Already?
Wow.
Where does the time go?
I would've been graduating from high school right about the time this was released into theaters.
Lori Petty looks incredible here. On the verge of my first time ever setting eyes on her, in Point Break.
And Tim Robbins had already done Bull Durham by now. And Jacob's Ladder was coming out soon too.
Robin Williams. Such a legend. He's great in this.
This movie will drive you crazy as a hostage taking type film.
And it's hard to take too seriously as that.
But it's still a solid movie.
They don't make original films like this anymore and definitely not for theaters.
This movie is definitely worth a test drive.
It's 6.5 out of 10 stars for me for this dramedy that should have stayed nearer to drama toward the end.
What's great about it: Williams' performance. I don't think people were ready, at this time of his career, for a nuanced performance, but that's what this is. He breaks into being the crazed Williams of talk shows only twice, and briefly, during this film. Otherwise he is convincing as a middle-aged car salesman with complicated relationships and the absence of a long-term plan. His excellence at sales isn't limited to cars; he can talk many women into bed, and that's his downfall.
Robbins is also good as a stupid, jealous husband with a gun.
What's not as good: the supporting characters at the car dealership were under-written. The Chinese restaurant and police captain stuff was awful. I can't stand Fran Drescher, and I can't stand her here. (If you like her, you'll like her here.) The dog she's carrying was used too much, and I realize the yappiness was supposed to heighten the tension, but mostly it made me want to look for my own gun or consider shutting off the DVD. I never did see that his sacrifice during the hostage-taking was fully motivated. (Seems drastic to be willing to die just to avoid a stressful day.)
I did like the character of the ex-wife and that of the wannabe awful clothes designer girlfriend #2, played well by Lori Petty. Also, I liked the bizarre opening scene which is in the middle of a funeral procession. There's a how-to writing book I once read that said, bring all your characters on stage with their (attributes) flying. This opening scene did just that, so kudos to Ken Friedman.
What's great about it: Williams' performance. I don't think people were ready, at this time of his career, for a nuanced performance, but that's what this is. He breaks into being the crazed Williams of talk shows only twice, and briefly, during this film. Otherwise he is convincing as a middle-aged car salesman with complicated relationships and the absence of a long-term plan. His excellence at sales isn't limited to cars; he can talk many women into bed, and that's his downfall.
Robbins is also good as a stupid, jealous husband with a gun.
What's not as good: the supporting characters at the car dealership were under-written. The Chinese restaurant and police captain stuff was awful. I can't stand Fran Drescher, and I can't stand her here. (If you like her, you'll like her here.) The dog she's carrying was used too much, and I realize the yappiness was supposed to heighten the tension, but mostly it made me want to look for my own gun or consider shutting off the DVD. I never did see that his sacrifice during the hostage-taking was fully motivated. (Seems drastic to be willing to die just to avoid a stressful day.)
I did like the character of the ex-wife and that of the wannabe awful clothes designer girlfriend #2, played well by Lori Petty. Also, I liked the bizarre opening scene which is in the middle of a funeral procession. There's a how-to writing book I once read that said, bring all your characters on stage with their (attributes) flying. This opening scene did just that, so kudos to Ken Friedman.
Robin Williams gives yet another superb performance as an egotistical car salesman who is about to confront all of his demons (ex-wife, girlfriends, Mafia buddy) in one very long afternoon when Tim Robbins crashes into the door and holds him and the customers hostage. Incredibly funny, vividly life-like with an unpredictable ending. Not one to miss.
Robbin Williams stars in this wickedly amusing and ocassionally hilarious film about a car salesman having the worst few days of his life. Williams plays Joey, a car salesman who is juggling 2 girlfriends, had to deal with his wife wanting more money, a ganster wanting payment on a gambling debt and a boss who wants him to seel 12 cars in two days or he will loose his job. On top of that We have Tom Robbins as the husband of an employee who breakes into the dealership with an automatic weapon demanding to know who has been sleeping with his wife. The film suffers from a boring first half that seems to be going nowhere fast and only has a few scattered laughs but then begins to succeed due to the great chemestry between Williams and Robbins. It may not be perfection but because of great performances from the two leads, many laughs and a heart felt ending this one is a winner in my books.
Did you know
- TriviaFran Drescher's dog, Chester, receives a film credit in the movie as "Chester Drescher."
- GoofsAlthough a Jewish funeral and cemetery are shown at the opening of the film, as evidenced by the tombstone inscriptions, flowers are seen accompanying the coffin. This is inconsistent with Jewish burial tradition, where flowers are never used in the funeral ceremony.
- Crazy creditsAt the end of the credits of the cast, it says: Oh... and Elaine Stritch as the widow
- Soundtracks(Opportunity Knocks But Once) Snatch and Grab It
Written by Sharon Pease
Published by Criterion Music Corp.
Performed by Julia Lee
Courtesy of Capitol Records
By Arrangement with CEMA Special Markets
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Details
- Release date
- Country of origin
- Language
- Also known as
- Чоловік-кадилак
- Filming locations
- 3721 Northern Boulevard, Long Island City, Queens, New York City, New York, USA(dealership showroom)
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $27,627,310
- Opening weekend US & Canada
- $6,712,079
- May 20, 1990
- Gross worldwide
- $27,627,310
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