User reviews

Outstanding acting from Brian Dennehy, Joe Pantoliano, Jeff Fahey, and Bill Paxton vaults this vigilante cop film into way above average territory. While character development is good for the good guys, it is rather skimpy when it comes to the villains. This does not detract enough to spoil the fun however. There is nice chemistry between the rogue cops, and the script though derivative is totally acceptable. It's rare to get the kind of likable performances delivered in "The Last of the Finest" from all four leads. Special mention must be made of the stunt work, because it's good, and the movie has some very unusual and exciting parts. This is a real surprise, and fans of the actors will not be disappointed. - MERK

This movie is about what you would expect just from the title and looking at the art on the DVD box. It's a bunch of expert, no nonsense drug cops who are in a war against drugs and there turns out to be corruption high up the ladder. So they have to fight against the odds to keep their war against crime going. Some surprisingly good acting by some decent actors like Dennehy and Pantoliano (spelling?), this one is worth watching if you get a chance.

"The Last Of The Finest" didn't do a great deal of business when it was first release, possibly because the studio tried to market it as an action movie (it really isn't), and Dennehy, best known for playing heavies, possibly didn't fit audience's idea of a hero. Actually, Dennehy is pretty good playing his atypical role, believable as a cop who is honest and tries to do the right thing. The supporting cast is also pretty good in their roles. But the central conflict, dealing with bad guys in high places trying to interfere with the conflicts in Central America, is pretty standard stuff. I think that if they had tried to make this more of an action-oriented movie, it would have played a lot better. It's not a bad movie, just somewhat flat as it is. You will find it more entertaining if you watch it on commercial TV, however, because the ludicrous dubbing to remove the extensive foul language is unintentionally funny.

There's a few elements to like about 'The Last Of The Finest' but also no denying it's a generic cop film with a political edge that gets fleshed out in the second half. Released in 1990, but feeling like it would have been right at home in later part of the 80's. I had high hopes for this and the many known faces in it's cast, but it gave away to a large serving of predictability.

A special unit of narcotic cops (Jeff Fahey, Bill Paxton, Joe Pantoliano) lead by Lt. Daly (Brian Dennehy) hit a suspicious meat packing plant after getting an informant tip. Not able to wait for Federal backup they go in and things turn violent with not much to show for it. They're suspended, later resign keeping up the battle as civilians when it's clear they've being blocked from government forces above who want to protect an operation of trading drugs for weapons overseas.

Dennehy gets first billing and has no problem being the likable main character, face of the movie. The fact that all his buddies are known names helps. However there isn't any fresh energy in building the story up and all the bad guys are rather bland. Cold assassins, corrupt fellow cops, so-called patriotic politicians who think they're doing the right thing at the tale end of the Cold War and the fight against communism. The real life Iran-Contra fiasco and whatnot.

Everything within 'The Last Of The Finest' trucks along towards a good vs bad finale that supplies the biggest burst of action to be found here. It's your usual mix of gunfire, explosions, setups and a feel good payoff. Fans of cop flicks and/or Dennehy will find something to like, but it's meat & potatoes formula. Intelligence gets shown at the very end mirroring how those at the very top of a political disaster never face the music in real life though.

I was pleased with the cast of reputable players. The story is one of standing up for a cause, even if you are at personal risk in doing so. In a time where violence and pain are often in the movie forefront, this movie focuses on the old fashioned good cop. Although similar plots have been done repeatedly, these guys pull it off well. Kick back and enjoy. Dennehy is a master of taking over a movie.

While I can't say "Last of the Finest" will go down as one of the most memorable films ever made, I am a bit surprised at how few reviews there are for it on this site since it is pretty decent for what it is. The movie is about a squad of four elite vice cops, who take their favorite past time of football just as seriously as do their job. They were formed to do the stuff that the ordinary cops couldn't. But when they start hitting brick walls after a failed drug bust, they begin to suspect that their superiors and possibly even some powerful players in the US government are involved in the drug trade in order to support some rebels fighting in Central America. So in order to find out the truth, they decide to resign and work outside the law. Admittedly this probably sounds similar to other films you might have seen. But the film manages to maintain it's own feel, manly due to the camaraderie and chemistry among the actors who play our heroes. You have the always enjoyable Brian Dennehy as the group's leader Frank, Joe Pantoliano as Wayne, Jeff Fahey as Ricky, and Brian Paxton as Hojo. All play their parts well and Brian Dennehy is able to shine as the one of the good guys instead of the usual heavies he's played through out his career.

And while the story may not be the most original ever written, it is one that has good dialog and also one that has an important message under the surface: Never, under any circumstances, trust your government, especially when they claim to be doing something for the common good! The film especially shows this at the very end in a sly, clever way. When you see it, you'll know what I mean. The movie does start out a little slow but at the same time you do get a chance to really know the characters and care about them. The movie also has some pretty decent villains in the form of Michael C. Gwynne as the Slimy Anthony Reece and Guy Boyd as Norringer. Like I mentioned earlier, the film seems to have gone under the radar. Perhaps it's because the market was already saturated with cop-buddy films at that time and the audience probably was getting tired of them by then. Still, if you should find yourself with nothing to do and are looking for a decent cop film, give "Last of the Finest" a chance.

The Last of the Finest, also released as Street Legal, is a fair action film from 1990, starring Brian Dennehy as Officer Frank Daly of the LAPD, and he and his fellow officers (Joe Pantoliano, Jeff Fahey and Bill Paxton) are up aganist a drug operaton headed by a US Government agent (Guy Boyd). After the investigation grows cold, Daly is forced to turn in his badge, but he takes matters into his own hands and also doesn't realize that his former police captain (Henry Darrow) is also apart of the operation. After Bill Paxton's character is killed, Daly does what any honest cop would, to bring justice back, or let the Government get away with the crime. Director John MacKenzie tries to build up a good cop story, but seems to rely mostly on tongue in check, not to mention some slow moving scenes, without action or adventure. However the ending showdown on a Los Angeles football field was pretty good, the helicopter crash looked rather authentic. But like most early 90's action films, The Last of the Finest is an average film most of us have probably seen.

This is a radical change from the movies of today that MUST have an X rated scene, lots of noise, lots of face to face rhetoric that means nothing, and who could miss the windshield that doesn't leak with 6 bullet holes.

I had viewed it many years ago, but just last week found a VHS, which really shows the changes in the movie industry. For one thing, there was no shot thru the heart and lives scenes. True, some risky theatrics with dangerous people, but not like a Harrison Ford/James Bond film bordering on Science Fiction.

They selected a group of actors for everyday-like people of lean means, who are proud to be honest.

The plot is totally believable in today's major crime activities. And it has a believable ending.

Miss-Marketed and Ignored Movie about Four Honest Cops Knee-Deep in the Stench of Political and Law-Enforcement Corruption.

Reagan-Era Blow-Back about Highly Corrupt Politicians and Leaders in the LAPD Using Drug-Money to Get Rich and Fund the "Freedom-Fighters" in Central America.

Thinly Veiled Commentary about the Iran-Contra Scandal.

The Studio seemed Nervous about the Political Aspects of this Character Study.

It's about an Elite Squad of Brian Dennehy, Joey Pants, Jeff Fahey, and Bill Paxton Uncovering Not Only Drug-Trafficking but Corruption at the Highest Levels.

The Movie was Ignored by the Studio and Given the Bum's Rush.

Did Not Screen Well with Critics (What do they know?).

The Film is a Fine Action/Drama with the Four Actors Delivering Good Character Comradery and are a Convincing Squad.

Suspenseful Story Peppered with Good Action.

Underrated and Unacknowledged Film that Deserves a Second-Look.

My review was written in March 1990 after a Greenwich Village screening.

The Iran-contra affair becomes the plot device for a farfetched and preachy co film offering Brian Dennehy an interesting star turn. Commercial prospects are bleak for this oddball Orion message picture.

Originally titled "Street Legal", "The Last of the Finest" belongs in a rarely attempted brand of pastiche film, last seen in the Watergate comedy "Nasty Habits" in which nuns led by Glenda Jackson and Geraldine Page portrayed thinly disguised members of the Nixon administration.

"Finest" is less interesting because it's one step removed. The central characters are Dennehy and his band of dedicated cops who tumble upon a bunch of corrupt characters (who parallel the Iran-contra protagonists) while working on a drug bust.

Like characters for a Don Siegel action pic (especially "Charley Varrick"), Dennehy and his loyal men Joe Pantoliano, Jeff Fahey and Bill Paxton bristle at L. A. P. D. rules and are suspended when their task force becomes overly zealous in its fight against drug trafficking. Audience immediately tumbles to the fact that higher-ups are blocking their noble cause: it's a combination of police brass and feds, working on an elaborate scheme to trade drugs for arms to supply Central American freedom fighters.

In pic's silliest plot twist, Dennehy and company too easily rip off minor drug dealers to finance their own purchase of heavy weapons to stage a three-man war against the baddies (one of Dennehy's merry men is murdered early on, as a corny motivational device). Their victory against tall odds is phony and the film's symbolism goes over the top in a climax of the drug money exploding in its cesspool hideaway, covering the baddies in excrement.

Despite the deficiencies of a script that unwisely mixes tongue-in-cheek elements with soapbox messages, Scottish director John Mackenzie keeps the pic moving and enjoyable on a strictly thriller level. Its unsubtle references to Iran-contra are more fun for film historians than action fans, leading to an ending on tv identical in purpose to the rabble-rousing conclusion of Alex Cox' similarly preachy "Walker".

Dennehy is excellent in delivering a liberal message in the form of a free-thinking independent who's tired of the expediency and greed of a system riddled with phony patriots. Guy Boyd ably leads the gang of Machiavellian villains and Aussie thesp Deborra-Lee Furness makes a good impression as Dennehy's wife.

Former Rolling Stone Mick Taylor adds punch with his guitar solos.

I saw this on TV and was disappointed in how small a role Bill Paxton had in it. He was the main reason I was interested in seeing it. The movie is not that bad, but it wasn't anything I hadn't seen before, either. If you're interested in cop dramas, this one is average.

So good. I watched this movie with Dad. Ol Dennehey delivers. Its just so good. If he weren't in it might not be worth watching despite Fahey & Stolow. Its good from beginning to the end, where the money is stashed in a most memorable place. We had the VHS i got rid of it when i got the Blu-Ray, actually come to think of it that's the VHS i gave to Mom. I heard her watching it in the other room. I shut the music off on my computer to listen to it. She said she had to shut it off it was keeping her awake. I cried when i told her Dennehy died, and she shared in the tears too. Good thing Dad passed away, he couldn't have handled it either. Dennehey - yes he truly was the last of the finest.

Like filipe furtado pointed out, this does feel very similar to the best of the hk crime films, focused on an ultimate dilemma, the central characters caught up in crime, and focusing on how they get out of it, four cops and the three that are left when one of them dies, forced to go rogue and on the run, another film about fighting outside of the law despite being hired to work within it, a great case in excellent craftsmanship coming in the mid-budget tier zone, and focusing on essential build-up, a slow, methodical film that starts out as an essential drama, where our characters' family lives are detailed and then destroyed before our eyes, which then comes up with a ton of money, and what to do with it, the screenplay co-written by miami blues director george armitrage explores this psyche of the cops, not the cops who barely give a you-know-what and just wait for their pension, the cops who fight tooth and nail because they have a family back home to protect, if they don't stop these drug runners, what is to stop these drug runners from getting drugs all the way to their kids, it is extremely violent as well, but because mackenzie worked a lot on street crime films and understated dramas, the violence here is quick and never carthartic, a helicopter explodes but at what cost? And how much death until you can finally celebrate a meaningless victory? Not an action film as detailed, but a surprisingly richly observed drama in many contexts, melancholy, and the proper character work makes this feel genuine and richly told, very few hollywood films feel as if they embody real life, but this one embodies the middleground of real world corruption and the genuine human drama that lingers through.