User reviews

The second movie of a trilogy, Axel Corti continues an excellent portrayal of the the saga of refugee Jews from Central Europe. Axel Corti did a fabulous job of blending in stock footage of New York City of the early 1940's along with original footage from a film made during the mid- 1980's.

The characters are believable and the circumstances thy find themselves appear to be true to life. The acting appears to be flawless as I found to be true in the first of the trilogy, "God Does Not Believe in us Anymore" I have not as yet viewed the third movie as yet, Welcome to Vienna, but anticipate similar quality.

The second part of Georg Stefan Troeller's magnificent 'Where To and Back' trilogy (following the excellent 'God Doesn't Believe In Us Anymore') recreates the immigrant experience in pre-World War II America with low-key but lifelike drama and emotion. The title represents a modern variation of the myth of El Dorado, naming a fabled city of gold always just out of reach over the next horizon, but unlike other films in which life in the European ghettos of New York is either romanticized or trivialized, Troeller and director Axel Corti remove the myth from the melting pot by revealing all the anguish and determination of the displaced population. Using the same straightforward style as its predecessor, the new film joins several tales of survival, confusion, love, pain and compromise, following a boatload of Austrian-Jewish refugees cast adrift in the New World, but unable to sever their ties with the Old. Troeller's reserved (but no less powerful) screenplay reveals the bittersweet truth of exile: there is no sanctuary from false hope or homesickness, and the price of optimism can be a heavy payment of despair. Familiarity with the earlier episode isn't necessary (the second film introduces an entirely new set of characters), but seeing them together adds an extra resonance and sense of continuity to both.