All Is Forgiven

Terrific show, indeed.

The writing was ahead of its time, but the show never had a chance to smooth out the rough edges. The acting was all a bit stagy and overplayed. I'm sure they would have improved if they'd even had a full season.

One of the best lines came from Terence Knox's character, Matt. He was concerned that the family never had supper together. Here's a paraphrase (most likely) of the lines:

Even the Borgias sat down to eat together....They didn't all get up, but at least they made the effort.

Having read the other comments, I have to mention two very funny scenes I still remember from this show. (I do remember also the one where everyone is humming the "Tennessee Waltz" over the intercom.) One scene I remember is when the new head writer comes aboard and meets the soap opera diva. The diva wants to get heads up on what the plots will be, so the writer, who doesn't want to get into trouble, fishes for bribes of new clothing from her by saying (roughly) "Well, you know I would give you the 16 neck, 34 sleeve shirt from my back, but I don't want to be caught with my 32 waist, 34 inseam pants down. Now I'm sure you know that if the size 12 shoe was on the other foot, I couldn't give you any information about upcoming plots." The other moment I remember fondly is where the daughter is on a curfew and explains that she couldn't get home in time for her curfew because she promised a dance to a boy, but the band played 'Stairway to Heaven' - the long version - "and (she explains), you know, you can't dance to that" so she had to wait for a song she could dance to even though she kept telling the boy "I have a curfew." Oh, another moment I remember is when the Bess Armstong character has asked the new (somewhat dim) soap opera actress to go participate in the opening of a new mall, and she runs her opening speech by Bess Armstrong which starts "Welcome to the new _____ mall. Even though shopping malls represent the worst kind of commercialism that is the ruin of our society, I welcome you." Bess Armstrong says that she didn't realize that this was an ethical point with that actress and says she'll try to find someone else whose feeling about shopping malls is a little more positive and the actress says, doubtfully, "okay, if there is such a person." The writing on this show was superb, even though the plots were sometimes a little flimsy. I would love to see episodes of this again.

In one scene, Paula and another character are dealing with some problem when a third person interrupts them (I told you that my memories were vague). Paula protests that they can't deal with the interloper's problem because they are too busy dealing with their own. "We have whales to fry!" I love that expression and occasionally use it myself. In another episode, Oliver has been a writer on the show for some time but has been very frugal with his increased salary. His co-workers encourage to splurge with some of his money and treat himself to a new car. He goes out and buys a high-end sports car that is way outside his price range. Now his friends advise him to return the car and get out of the financial obligation. "You can't just return a car like this; they won't take it back!", he protests. Nicolette Bingham, Carol Kane's character, replies in her honeyed southern accent, "Why, Oliver, if you simply inform them that you won't be making the payments, I'm sure that they will be happy to take it back."

I think of this show often and I too wish I could see it again. I thought it was very funny and had some very memorable characters. I think it was a victim of not being in a good time slot. As I recall it was on Saturday nights. It was in reruns of cable for a while after it left NBC but had some obvious cuts so the channel could add more commercial time. Cant believe it was back in 1986. So many shows are out on DVD now but I guess there is no market for a short-lived TV series of so long ago. THere are always good shows that get canned because of bad ratings or bad time slots or being bounced around to different days. IF a show doesn't grab an audience right away the axe falls and there is no hope for it.

I remember "All is Forgiven" mostly because I was going through a "aren't VCRs neat" phase, and decided it would be cool to tape all of the opening theme songs from the 1986 TV season. Since I've watched that tape a few times over the years, the cast of the show remains clear in my head.

I think the show would've grown on people, but they probably would have had to iron out the kinks between the home life and the work life (like "Barney Miller" did), because they didn't mesh very well.

One scene that stuck with me was a fight between stepdaughter Shawnee Smith and stepmother Bess Armstrong. They were fighting, and Bess thought she had the upper hand, shouting: "When you're old, I'm going to be there, dancing on your cake!" And Shawnee replied, "GOOD, because you certainly won't be able to CHEW it!" Did I mention I love Shawnee Smith? Though the "Saw" films made me see her in a whole new light.