A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immedi... Read allA group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
- Awards
- 3 wins & 4 nominations
Andrew Lord Miller
- Patient - Strait Jacket
- (as Andy Miller)
Albert Band
- Drunk
- (uncredited)
Sergio Silveri
- Asylum Orderly
- (uncredited)
Storyline
Did you know
- TriviaBarbara Crampton sold the leather dominatrix outfit she wore in this film at a yard sale.
- GoofsIn the opening scene the windows of the first floor in Dr. Pretorious' house are shattered. A little later in the movie, when the team arrives again at the "crime scene", it is clearly visible, that the window classes are still unbroken.
- Quotes
Crawford Tillinghast: It ate him... bit off his head... like a gingerbread man!
- Alternate versionsThe original UK cinema version was uncut by the BBFC (though the print submitted was the MPAA-edited R-rated version). The UK Vestron video releases were cut by 10 secs by the BBFC and edited a scene where Katherine's breasts are molested by the transformed Pretorius.
- ConnectionsFeatured in Stephen King's World of Horror (1986)
Featured review
Scientists create a resonator to stimulate the pineal gland (sixth sense), and open up a door to a parallel (and hostile) universe. Based on a story by H. P. Lovecraft.
I first saw this film a few years ago (maybe 2009) at a film festival in Chicago, but it apparently did not stick with me well. I neither wrote a review at the time (which is a rarity) nor did I remember much beyond the very skeleton of a plot when I revisited it again (2013). Perhaps because, sadly, it is not among the better films out there.
This is the sort of movie a horror fan wants to love: based on Lovecraft, directed by Stuart Gordon, starring Jeffrey Combs, Barbara Crampton and Ken Foree. Even the producers are noteworthy -- Brian Yuzna and the Band family when they were till in their prime. The opening credits are a veritable horror hall of fame. And seeing Combs interact with Foree is timeless fun and entertainment.
John Carl Buechler's effects need to be praised. They have been compared to Rob Bottin's "The Thing", which I think is fair. But Buechler often gets the short shrift, perhaps considered inferior to Bottin, Robert Hall, John Vulich, KNB and others... look at these effects and tell me he is not among the greatest effects artists out there. Ted Sorel, not typically associated with horror, did extremely well, too, and should be recognized -- horror fans can also check him out in "Basket Case 2".
But the film leaves something to be desired. While the concept of opening another dimension is very cool (and classic Lovecraft), and the focus on the pineal gland is a good way to address that (as one character remarks, the gland has been a metaphysical mystery at least since the days of Descartes), it seems like screenwriter Dennis Paoli did not adequately find the right way to adapt a seven-page story into an 85-minute film.
The film remains strong for the first half, but after that the audience (or at least me) grows weary, wondering how many times the group can return to the attic, or how many times a machine can be destroyed and still work. And then the story spirals off in a very strange direction, as if it suddenly picked up another script to get directions from. If this could have been condensed to 60 minutes, it probably would be a masterpiece, but instead it sort of lingers as Stuart Gordon's red-headed stepchild.
So, in short, die-hard horror fans are going to love (or at least enjoy) this film, seeing their favorite stars on screen (sort of a sequel to "Re-Animator" -- with three cast members, a director, producers, writers and even Miskatonic University returning). For the rest of the viewing public, this is not going to be a top pick...
I first saw this film a few years ago (maybe 2009) at a film festival in Chicago, but it apparently did not stick with me well. I neither wrote a review at the time (which is a rarity) nor did I remember much beyond the very skeleton of a plot when I revisited it again (2013). Perhaps because, sadly, it is not among the better films out there.
This is the sort of movie a horror fan wants to love: based on Lovecraft, directed by Stuart Gordon, starring Jeffrey Combs, Barbara Crampton and Ken Foree. Even the producers are noteworthy -- Brian Yuzna and the Band family when they were till in their prime. The opening credits are a veritable horror hall of fame. And seeing Combs interact with Foree is timeless fun and entertainment.
John Carl Buechler's effects need to be praised. They have been compared to Rob Bottin's "The Thing", which I think is fair. But Buechler often gets the short shrift, perhaps considered inferior to Bottin, Robert Hall, John Vulich, KNB and others... look at these effects and tell me he is not among the greatest effects artists out there. Ted Sorel, not typically associated with horror, did extremely well, too, and should be recognized -- horror fans can also check him out in "Basket Case 2".
But the film leaves something to be desired. While the concept of opening another dimension is very cool (and classic Lovecraft), and the focus on the pineal gland is a good way to address that (as one character remarks, the gland has been a metaphysical mystery at least since the days of Descartes), it seems like screenwriter Dennis Paoli did not adequately find the right way to adapt a seven-page story into an 85-minute film.
The film remains strong for the first half, but after that the audience (or at least me) grows weary, wondering how many times the group can return to the attic, or how many times a machine can be destroyed and still work. And then the story spirals off in a very strange direction, as if it suddenly picked up another script to get directions from. If this could have been condensed to 60 minutes, it probably would be a masterpiece, but instead it sort of lingers as Stuart Gordon's red-headed stepchild.
So, in short, die-hard horror fans are going to love (or at least enjoy) this film, seeing their favorite stars on screen (sort of a sequel to "Re-Animator" -- with three cast members, a director, producers, writers and even Miskatonic University returning). For the rest of the viewing public, this is not going to be a top pick...
Details
- Release date
- Countries of origin
- Language
- Also known as
- El perfil del diablo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,500,000 (estimated)
- Gross US & Canada
- $1,261,000
- Opening weekend US & Canada
- $514,417
- Oct 26, 1986
- Gross worldwide
- $1,261,000
- Runtime1 hour 25 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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