Directed by
Ron Howard |
Writing Credits
Edwin Blum | ... | (story) and |
Lowell Ganz | ... | (story) & |
Babaloo Mandel | ... | (story) |
Lowell Ganz | ... | (screenplay) & |
Babaloo Mandel | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
Deborah Blum | ... | producer |
Lowell Ganz | ... | associate producer |
Tony Ganz | ... | producer |
Ron Howard | ... | executive producer |
Jan R. Lloyd | ... | associate producer |
Babaloo Mandel | ... | associate producer |
Music by
Thomas Newman |
Cinematography by
Donald Peterman | ... | director of photography (as Don Peterman) |
Editing by
Daniel P. Hanley | ... | (as Daniel Hanley) |
Mike Hill | ... | (as Michael Hill) |
Casting By
Karen Rea |
Production Design by
James L. Schoppe | ... | (as James Schoppe) |
Art Direction by
Jack G. Taylor Jr. |
Set Decoration by
John H. Anderson | ... | (as John Anderson) |
Costume Design by
Betsy Cox |
Makeup Department
Janis Clark | ... | hair stylist |
Janet Flora | ... | makeup artist |
Ric Sagliani | ... | makeup artist |
Production Management
Ralph Haiek | ... | production executive: Argentina |
Neil A. Machlis | ... | production manager |
Carlos Olveira | ... | production manager: Argentina |
Eduardo Ostrogovich | ... | production executive: Argentina |
Second Unit Director or Assistant Director
Tony Ganz | ... | second unit director |
Janet G. Knutsen | ... | second assistant director |
Jan R. Lloyd | ... | first assistant director |
Américo Ortiz de Zárate | ... | first assistant director: Argentina |
Aldric La'auli Porter | ... | second assistant director |
Claudio Reiter | ... | second assistant director: Argentina |
Art Department
Nigel A. Boucher | ... | lead man |
Guy Bushman | ... | assistant property master |
Luis Camaño | ... | art department: Argentina |
Steven M. Levine | ... | property master |
Charles R. Lipscomb | ... | lead man |
Wil Masisak | ... | set designer: neon lighting |
James F. Orendorff | ... | construction coordinator |
Sound Department
Clint Althouse | ... | boom operator |
Michael J. Cerone | ... | re-recording mixer |
Richard S. Church | ... | sound mixer |
Anthony J. Ciccolini III | ... | supervising sound editor |
Marko A. Costanzo | ... | foley artist |
Harriet Fidlow | ... | sound editor |
Robert Hein | ... | sound editor |
Michael Jacobi | ... | adr editor |
Dennie C. Modes | ... | cable person |
Jeffrey Stern | ... | sound editor |
Dick Vorisek | ... | re-recording mixer |
Special Effects by
Ricardo Lanzoni | ... | special effects: Argentina |
Stan Parks | ... | special effects |
Oscar Pastorino | ... | special effects: Argentina |
Stunts
Allan Graf | ... | stunts |
Ted Grossman | ... | stunts |
Brian Imada | ... | stunts |
Jeff Imada | ... | stunts |
Mike H. McGaughy | ... | stunts (as Mike McGaughy) |
Kenny Searle | ... | stunts (as Kenneth Searle) |
Camera and Electrical Department
Dana Altomare | ... | second assistant camera: New York |
Eddie Barber | ... | camera operator |
Adger W. Cowans | ... | still photographer |
Glenn David | ... | best boy grip |
Richard Dow | ... | dolly grip |
Peter Eco | ... | director of photography: New York |
Juan José Fernández | ... | key grip |
Mel Kekuewa | ... | electrician |
Gábor Kövér | ... | first assistant camera: "b" camera |
Norman Lang | ... | electrician |
Jeffrey Laszlo | ... | camera operator: New York |
Ted Lichtenheld | ... | first assistant photographer: Argentina |
Kal Manning | ... | gaffer (as Wright K. Manning) |
Nick McLean | ... | director of photography: second unit |
Keith Peterman | ... | camera operator |
Scott Rathner | ... | second assistant camera: New York |
Calmar Roberts | ... | first assistant camera (as Calmar King Roberts Jr.) |
Waverly Smothers | ... | best boy grip |
Calvin Sterry | ... | key grip |
Ken M. Suzuki | ... | best boy electric |
Casting Department
William H. Bartman | ... | extras casting coordinator |
Glenn F. Haines | ... | casting assistant |
Clayton Hill | ... | extras casting: Pittsburgh |
Sharon Hill | ... | extras casting: Pittsburgh |
Costume and Wardrobe Department
Thomas C. Dickason | ... | costumer: men |
Daniel J. Lester | ... | costume supervisor: men |
Marisa Urruti | ... | costumer: Argentina (uncredited) |
Editorial Department
Guy Barresi | ... | assistant film editor |
Terry Haggar | ... | color timer |
Mary McGlone | ... | assistant film editor |
Roger Tweten | ... | assistant film editor |
Location Management
Michael John Meehan | ... | location manager (as Michael Meehan) |
Music Department
Peter Afterman | ... | music supervisor |
Tony Bongiovi | ... | special music consultant |
Kenneth Karman | ... | music editor |
Michael Boddicker | ... | musician: synthesizer (uncredited) |
Script and Continuity Department
Carline Davis-Dyer | ... | script supervisor |
Lillian O. MacNeill | ... | script supervisor (as Lillian MacNeil) |
Transportation Department
Joel Marrow | ... | transportation coordinator |
Gustavo Oldán | ... | transportation: Argentina |
Stewart Satterfield | ... | transportation captain |
Kenny Searle | ... | transportation captain (as Kenneth V. Searle) |
Additional Crew
LeAnne Baker | ... | production assistant |
Pater Beshar | ... | production assistant |
Bruce Carter | ... | production assistant |
Peggy Coleman | ... | production assistant |
Brad Dechter | ... | source arrangements |
Maria-Julia Herrero | ... | assistant to production executives: Argentina |
Louisa Marie | ... | assistant: Mr. Howard |
Eric Myers | ... | unit publicist |
Sylvie Nante | ... | production secretary: Argentina |
Brad Peterman | ... | production assistant |
Evangelina Rivera | ... | production assistant |
Gary Rocklen | ... | title designer |
Quico Rovira-Beleta | ... | Castilian Spanish translation & adaptation |
Nico Sarudiansky | ... | production assistant (as Nicolas Sarudiansky) |
Nina Saxon | ... | title designer |
Margie Walker | ... | production assistant |
Gayle Wurthner | ... | production assistant |
Luis A. Sartor | ... | production coordinator: Argentina (uncredited) |