Finally, a mainstream film from the 1980s which did something a little different and notably more substantial than the usual masala fare. Harmesh Malhotra's musical fantasy Nagina is no different in the way it's directed or acted, of course, and it's ridden with absurd action scenes and some of the occasional, unfunny comedy. But, where it scores is in the subject matter and the reference to Hindu mythology through the serpent-like, shapeshifting Naga protagonist. This folkloristic element, which the entire film revolves around, elevates its artistic merit considerably, especially at a time when no commercial film dared to waver from formula.
Indeed, that's what makes Nagina a consistently engaging and entertaining film. The story is captivating right from its start, and the writing manages to keep everything gradual, intriguing and unpredictable. Does everything in the film live up to the good premise? Certainly not, filmmaking-wise it leaves a lot to be desired, but here's a film where its fantasy and fairytale-like style allow much of the absurdity that would otherwise be an immediate letdown. Even the well-known, exaggerated delivery fits the mystical narrative. One is left wishing better technology had been in place at the time, as it would have made the film so much better.
Sridevi, an actress so extraordinary in her ability to communicate with and through the camera, is the perfect choice for this snakewoman role. She is everything that makes Nagina what it is. And boy, what a dancer she was. Her electrifying performance to the climactic "Main Teri Dushman" sequence is the film's artistic pinnacle in terms of how well it's shot, choreographed, and danced by Sridevi. Rishi Kapoor does well in the hero-filler role, but the character actors enjoy greater roles. Sushma Seth is very good as the shocked mother, and Amrish Puri is another example of perfect casting as the wide-eyed snake-charming villain. A nice, nice Hindi film, indeed.
