A New York art gallery curator starts a torrid love affair with a suave stranger who keeps pushing her boundaries.A New York art gallery curator starts a torrid love affair with a suave stranger who keeps pushing her boundaries.A New York art gallery curator starts a torrid love affair with a suave stranger who keeps pushing her boundaries.
- Awards
- 4 nominations
Storyline
Did you know
- TriviaDirector Adrian Lyne used emotionally manipulative tactics on Kim Basinger during the shooting to elicit the performance he wanted from the somewhat new actress, which Basinger later criticized harshly. For example, Lyne did not allow Mickey Rourke and Basinger to talk to each other off-set. The two were kept isolated from each other and Lyne would tell Basinger rumors about how Rourke intended to make her like or dislike him so that she would carry that attitude into the scene. Lyne would also offer Rourke performance notes, but Basinger none, in order to unnerve her. In a very unusual and expensive move along these lines, Lyne shot the film sequentially, so that Basinger's actual emotional breakdown over time would be effectively translated to the screen.
- GoofsWhen John turns on his stereo to play Joe Cocker's "You Can Keep Your Hat On" for Elizabeth's striptease, the speaker switch on the power amplifier is in the off position.
- Alternate versions117 minute uncut and unrated European version is available on DVD.
- ConnectionsEdited into Die Geschichte des erotischen Films (2004)
- SoundtracksThe Best Is Yet To Come
Performed by Luba
Written by Graham Lyle and Terry Britten
Courtesy of Capitol Records, Inc.
Produced by Narada Michael Walden for Perfection Light Productions
Featured review
This memorable sexual drama is an adaptation of a novel by Elizabeth McNeill. Kim Basinger stars as a character named Elizabeth, a divorced art gallery worker. One day, she chances to meet John (Mickey Rourke), a charming young Wall Street financier. She finds out that he likes to play sexual games, and realizes that she's vulnerable to his manipulations. Ultimately, she finds this strange relationship taking dominance in her life.
"Nine 1/2 Weeks" is a largely two character film that is not degrading or "pornographic" as some people might have you believe. It's actually rather restrained, and even in its full length uncut version is never overly concerned with nudity or depravity. This may come as a disappointment to some potential viewers, but most of the time it's concentrating on detailing the evolution of this sex-based relationship.
Unfortunately, we never get to know our two principals all that well. But since she has more to work with, Basinger definitely comes off better. Rourkes' character forever remains an enigma. Also, for a film running close to two hours, it doesn't seem to have all that much story going for it.
The sex scenes will stick in the mind, even if most of them aren't particularly imaginative. The exception is the notorious "food" sequence, which was later parodied in "Hot Shots!". But the choice of song in the sequence kind of kills the mood.
Basinger looks positively ravishing throughout - the camera loves her - and she delivers an appealing performance. Familiar faces turn up - Margaret Whitton, David Margulies, Christine Baranski, Karen Young, Julian Beck, Dan Lauria, Ron Wood of The Rolling Stones, etc. - but the supporting cast has little to do in the grand scheme of things.
Fairly interesting but not all that successful, this marked a stepping stone for former actor Zalman King (who co-wrote and co-produced); he went on to a prominent career as a soft core auteur.
Six out of 10.
"Nine 1/2 Weeks" is a largely two character film that is not degrading or "pornographic" as some people might have you believe. It's actually rather restrained, and even in its full length uncut version is never overly concerned with nudity or depravity. This may come as a disappointment to some potential viewers, but most of the time it's concentrating on detailing the evolution of this sex-based relationship.
Unfortunately, we never get to know our two principals all that well. But since she has more to work with, Basinger definitely comes off better. Rourkes' character forever remains an enigma. Also, for a film running close to two hours, it doesn't seem to have all that much story going for it.
The sex scenes will stick in the mind, even if most of them aren't particularly imaginative. The exception is the notorious "food" sequence, which was later parodied in "Hot Shots!". But the choice of song in the sequence kind of kills the mood.
Basinger looks positively ravishing throughout - the camera loves her - and she delivers an appealing performance. Familiar faces turn up - Margaret Whitton, David Margulies, Christine Baranski, Karen Young, Julian Beck, Dan Lauria, Ron Wood of The Rolling Stones, etc. - but the supporting cast has little to do in the grand scheme of things.
Fairly interesting but not all that successful, this marked a stepping stone for former actor Zalman King (who co-wrote and co-produced); he went on to a prominent career as a soft core auteur.
Six out of 10.
- Hey_Sweden
- Dec 8, 2015
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- 9 1/2 Weeks
- Filming locations
- 101 Spring Street, New York City, New York, USA("Spring Street Gallery")
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $6,735,922
- Opening weekend US & Canada
- $328,804
- Feb 23, 1986
- Gross worldwide
- $6,740,470
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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