Chris Taylor, a neophyte recruit in Vietnam, finds himself caught in a battle of wills between two sergeants, one good and the other evil. A shrewd examination of the brutality of war and th... Read allChris Taylor, a neophyte recruit in Vietnam, finds himself caught in a battle of wills between two sergeants, one good and the other evil. A shrewd examination of the brutality of war and the duality of man in conflict.Chris Taylor, a neophyte recruit in Vietnam, finds himself caught in a battle of wills between two sergeants, one good and the other evil. A shrewd examination of the brutality of war and the duality of man in conflict.
- Won 4 Oscars
- 24 wins & 16 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Storyline
Did you know
- TriviaAccording to Oliver Stone, he intentionally cast Tom Berenger and Willem Dafoe against type. Berenger was mostly famous for playing good guys, while Dafoe had primarily played villains up until then. Both men received Oscar nominations for their work.
- GoofsWhen the men are playing cards, one of the men is looking at a Playboy from March 1971, despite the film taking place in 1967.
- Quotes
[Refering to Vietnam]
Chris Taylor: Somebody once wrote, "Hell is the impossibility of reason." That's what this place feels like. Hell. I hate it already, and it's only been a week. Some goddamn week.
- Alternate versionsTV version has much of its dialogue redubbed and shots refilmed, replacing such lines as "He thinks he's Jesus F---in' Christ!" with "He thinks he's George Freakin' Washington!"
- ConnectionsEdited into A Tour of the Inferno: Revisiting 'Platoon' (2001)
- SoundtracksAdagio for Strings
Written by Samuel Barber
Arranged and Conducted by Georges Delerue
Used by arrangement with G. Schirmer, Inc.
Platoon focuses on the moral decay of soldiers in American units, and how this contributes to their inability to fight their Vietnamese enemies. Charlie Sheen sums up this theme with his on-the-nose voiceover, "We did not fight the enemy, we fought ourselves... and the enemy was in us."
Vietnam War-movies tend to be even harder to watch than most war flicks, as the lines between the "heroes" and "villains" are blurred more than in any other dramatized period of warfare in recent human history. In wars like World War II, which are widely known for being as black and white as military conflicts have become, the contrasting features between the heroic forces we are meant to root for and their opposing enemy platoons are well defined. That is almost never the case with the United States-North Vietnamese/Vietcong conflict in Vietnam during the overarching Cold War.
That is not to say that most wars throughout human history have not been many shades of grey, with the winners and losers not always corresponding with the righteous and evil. But because of the guerrilla nature and infamous legacy of the Vietnam War itself - namely, the immense public protest against American involvement - the Vietnam War remains by far the most unpopular war in modern American history. With that said, most of the film is fantastic, from the aforementioned narrative to the grim lightning of the southeast Asian jungles that emphasize the film's tone, to the poignant, melancholic score.
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- Feb 1, 2018
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Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $138,530,565
- Opening weekend US & Canada
- $241,080
- Dec 21, 1986
- Gross worldwide
- $138,545,632
- Runtime2 hours
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1