An employee undergoes involuntary robotic transformation, programmed as a killing machine that must destroy anything in proximity due to the company's secret weapons project.An employee undergoes involuntary robotic transformation, programmed as a killing machine that must destroy anything in proximity due to the company's secret weapons project.An employee undergoes involuntary robotic transformation, programmed as a killing machine that must destroy anything in proximity due to the company's secret weapons project.
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Storyline
Did you know
- TriviaCatherine Disher's debut.
- Quotes
Carl Lehman: God damn it, I'm not Carl! I don't know who I am. I'm a machine. I... I can't feel, I can't touch. I'm not human!
Lauren Lehman: I love you!
Carl Lehman: You can't love this.
[Carl removes his helmet, exposing his brain]
Comparisons aside (which on the other hand James Cameron's 'Terminator (1984)' could've been an influencer to it), it's standard b-grade ho-huh that I didn't find it all that exciting or gripping in it's bland story-telling (which had too many daft moments in a wonky script) and uniformed visuals. Director Jean-Claude Lord's (who was also behind the 1982 slasher 'Visiting Hours') handling is crudely makeshift and the pacing can get blotchy, but the grimy atmosphere and cold-blooded violence (at least the deaths are creative) seems to fit. However the premise had something original to work with, but the way Lord went about it wasn't. At times it seemed to get too mushy with some unwanted details, where I wished it kept to a more straight-forward, but harrowing revenge exploitation path.
Iconic cult actress Pam Grier appears as a hired gun to destroy the cyborg, but even her firebrand presence isn't all that flammable. David McIlwraith cruises through his part as the scientist turned machine. Richard Cox is perfectly snake-like in his performance, but the pick of the bunch is Teri Austin's gallant turn. The always dependable Stan Winston vividly crafts out the space-suit wearing cyborg and make-up FX with great care, and is one of the film's major highlights. Paul Zaza's music score starts off effective, to only go on to be mainly forgettable.
- lost-in-limbo
- Nov 22, 2008
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Details
Box office
- Budget
- $4,210,000 (estimated)
- Gross US & Canada
- $12,000
- Gross worldwide
- $12,000