IMDb RATING
5.7/10
3.2K
YOUR RATING
10 short films by 10 different directors, set to arias by different composers.10 short films by 10 different directors, set to arias by different composers.10 short films by 10 different directors, set to arias by different composers.
- Awards
- 1 nomination
Christopher Hunter
- Assassin (segment "Un ballo in maschera")
- (as Chris Hunter)
Storyline
Did you know
- TriviaOrson Welles agreed to direct one segment, and asked for a contract to be sent to him in Los Angeles. He died before signing the contract, which had been sent, according to producer Don Boyd, to an address that turned out to be the funeral parlor in which he was laid out. Boyd is still unsure whether this was Welles' final joke.
- GoofsBuck Henry extinguishes his cigar in the bathroom and, moments later, while on the phone his cigar is lit and he is smoking it.
- Quotes
Jeune Fille: [Armide segment] He looks like he's made for love. He hasn't found my eyes charming enough. He hasn't found my eyes charming enough.
Jeune Fille: O how I'd love to hate him.
- Alternate versionsAmazon Prime has what seems to be an extended version, running 96 minutes.
- ConnectionsFeatured in Siskel & Ebert: Who Framed Roger Rabbit/Aria/The Great Outdoors (1988)
- SoundtracksUn Ballo in Maschera (extracts)
Music by Giuseppe Verdi
Performed by Leontyne Price, Carlo Bergonzi, Robert Merrill, Shirley Verrett,
Reri Grist with R.C.A. Italiana Opera Orchestra and Chorus
Conducted by Erich Leinsdorf
segment "Un Ballo in Maschera"
(extracts - "Prelude", "Re dell' abisso", "Di che fulgor che musiche", "la rivedra nell'estasi",
"Ebben si t'amo", "Mezza notte" and "O giustizia del fato")
Featured review
Definitely worth watching.
Ten different directors each present a segment based on their favorite opera aria. You don't need to be an opera lover to watch this film. (Although, of course, if you hate opera, you're really going to have a bad time with this!)
Not surprisingly the segments range from brilliant to only fair. Most of the fuss seems to be over Godard's contribution -- whether you think he's brilliant or pretentious, his segment won't change your mind.
Some of the pieces have a clear narrative; others are more a montage of connected images.
None of the pieces is more than 10 minutes or so; if you're not happy with what's on the screen, wait for the next segment, and think about how much culture you're soaking up.
Keep your eyes open for performances by Buck Henry, Beverly D'Angelo, Elizabeth Hurley, Briget Fonda, Tilda Swinton, and John Hurt. (The Buck Henry segment alone is worth the price of admission).
Ten different directors each present a segment based on their favorite opera aria. You don't need to be an opera lover to watch this film. (Although, of course, if you hate opera, you're really going to have a bad time with this!)
Not surprisingly the segments range from brilliant to only fair. Most of the fuss seems to be over Godard's contribution -- whether you think he's brilliant or pretentious, his segment won't change your mind.
Some of the pieces have a clear narrative; others are more a montage of connected images.
None of the pieces is more than 10 minutes or so; if you're not happy with what's on the screen, wait for the next segment, and think about how much culture you're soaking up.
Keep your eyes open for performances by Buck Henry, Beverly D'Angelo, Elizabeth Hurley, Briget Fonda, Tilda Swinton, and John Hurt. (The Buck Henry segment alone is worth the price of admission).
- How long is Aria?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Abaris ou les Boréades
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,028,679
- Opening weekend US & Canada
- $7,580
- Mar 20, 1988
- Gross worldwide
- $1,028,679
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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