IMDb RATING
8.0/10
3.7K
YOUR RATING
Examines the human relationship with food by showing breakfast, lunch, and dinner.Examines the human relationship with food by showing breakfast, lunch, and dinner.Examines the human relationship with food by showing breakfast, lunch, and dinner.
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Did you know
- TriviaThe "instruction card" in the Breakfast segment appears to actually be an instructions-for-entry form for an unidentified international animation festival. Although the text is partially erased and obscured, you can make out references to entries, storyboards, VHS and U-Matic videotape, ability to compete, authorship, and dates (November 1991-November 1992 and an October submission deadline).
- GoofsDuring breakfast, when the man wipes his face with a napkin, his glasses disappear.
- ConnectionsFeatured in L'Oeil du cyclone: Cannibalisme, réalité ou fantasme (1995)
Featured review
Food is like a surreal comedy horror that comments on humanity's relationship with food, all through the lens of Jan Svankmajer's filmmaking lens of stop-motion and live-action mixing, making up for some truly fever-dream-like stories! For a short film it's got a lot of story in its three brief sequences: Breakfast, Lunch, and Dinner.
Food is probably one of the truest films about dining, and possibly one of the greatest criticisms of communism encouraging people 'eating off each-other' (at least that's my interpretation of the Breakfast segment); Lunch's critique of classism in that regard is also very sharp, and Dinner's indulgence of 'eating your own body parts' is comically dark stuff at its finest.
The 1990s were really a remarkable time for stop-motion cinema and Food was something of a radical film in a post-Wallace-&-Gromit world (A Grand Day Out was released in 1989). Also it was an achievement for the Czech Republic finally breaking free from its communist trappings and restrictions on filmmaking.
Food is good stuff; it's plentiful and satirical on what it's covering, and shows the cross-quadrant world of dining and how every experience says something about the consumer (and their priorities) and what they do to get by.
Food is a 4/5 star film. 8/10 IMDb points. It's not for everyone, but it certainly says a lot about all of us. It's like a cerebral stop-motion film. And a good one at that.
Food is probably one of the truest films about dining, and possibly one of the greatest criticisms of communism encouraging people 'eating off each-other' (at least that's my interpretation of the Breakfast segment); Lunch's critique of classism in that regard is also very sharp, and Dinner's indulgence of 'eating your own body parts' is comically dark stuff at its finest.
The 1990s were really a remarkable time for stop-motion cinema and Food was something of a radical film in a post-Wallace-&-Gromit world (A Grand Day Out was released in 1989). Also it was an achievement for the Czech Republic finally breaking free from its communist trappings and restrictions on filmmaking.
Food is good stuff; it's plentiful and satirical on what it's covering, and shows the cross-quadrant world of dining and how every experience says something about the consumer (and their priorities) and what they do to get by.
Food is a 4/5 star film. 8/10 IMDb points. It's not for everyone, but it certainly says a lot about all of us. It's like a cerebral stop-motion film. And a good one at that.
- Johnny-the-Film-Sentinel-2187
- Jan 15, 2024
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