Hard Boiled

Chow Yun Fat, toothpick in mouth, a gun in each hand. That's all of the plot you need to know. Hard Boiled was my first John Woo movie and, in my opinion, his best. No other action movie comes close to this. In fact, this is THE best pure action epic ever filmed. Upon viewing it, I immediately fell in love with Woo's style and his star. It's full of the most stylized gunfights ever seen and Chow Yun Fat is the definition of cool. The full blown finale defies description. Someone once called it an action fan's wet dream. There's not much more I can say because actions speak louder than words. So go see the movie.

If you want action then this is the film for you. John Woo is at his peak before moving to Hollywood and toning things down.

Chow Yun Fat plays inspector "Tequila" Yuen of the Royal Hong Kong Police Force who is investigated gun smuggling amongst the local Triads. His partner is killed in an opening gunfight in a tea house when they interrupt a gun deal. This opening scene is just a taster of what is to come, each gun fight is bigger than the one before; the final confrontation is more of a battle than a mere gun fight as Tequila and Tony, an undercover cop, battle against the psychopathic Johnny and his henchmen.

Like most action films one has to suspend one's disbelief as people shot accurately while driving motor bikes or diving through the air, and guns don't run our of ammunition as often as they should. Unlike most western action films our heroes aren't bullet proof and the largest death toll isn't amongst evil henchmen but is instead innocent bystanders either caught in the crossfire or killed in cold blood by Johnny and his men. Another difference is that our hero seems to be an ordinary man neither a muscle-bound hulk nor a martial arts expert.

The action is all brilliantly choreographed as one would expect from a John Woo film and the acting seemed good through out, especially from Chow Yun Fat and Tony Leung in the two lead roles.

This review was based on watching the film in Cantonese with English subtitles.

An action film at heart. The story of gun smuggling is just a backing just big enough to support the relentless action scenes.

Motorcycles exploding in mid-air, cars blowing up, shotguns, pistols, submachine guns, bombs...it's all here.

They all make for some of the best action sequences ever filmed. A good mix of the gritty and realistic with the improbable and totally fake. Though I think that the ending is bit too much. But what can you expect from Woo aside from a molotov cocktail of intense explosive action and violence?

Action and cult movie fans are advised to watch this film, however others might be turned off by it. 7/10

Rated R: intense strong violence

If you're the average IMDB reader, you probably enjoy a good action movie every now and then, but you approach action films with a certain caution and skepticism (I can't blame you, even though I am an action junkie myself). If you're that kind of viewer, the score I would give (for you) for Hard-boiled is a 6.5. To you, this is a prototypical "good" action movie -- intense, perfectly executed, original action, shown to the tune of a forgettable and occasionally insulting story.

To action junkies, this movie is an easy 9, because the only thing that really matters is that the action is superb and the other elements, if not stellar, don't detract enough from the action to really make a difference.

Splitting the difference, we get an 8/10 -- an outstanding score.

Hard-boiled is the ultimate John Woo / Chow-Yun Fat collaboration. Chow plays an uncompromising Hong-Kong cop who "works" together with an undercover cop (an EXCELLENT Tony Leung) in the triad gun-running organization. Now, when I say "works," I mean "launches thousands of bullets, slugs, and explosive projectiles into HUNDREDS of mafioso baddies." This film has a RIDICULOUS amount of gunplay. Pretty much everyone you see on screen dies at some point. Those that don't die often come perilously close to dying, before getting up and moving on as if nothing had happened. The gunmen in this film have magical powers that enable them to fire about 100 rounds from a Beretta clip without having to reload. And the top good guys seem only vaguely concerned about the loss of innocent life -- at a teahouse, or a large hospital -- except for tiny baby life, of course -- as long as they get to kill the top triad guy. And the story... well... not incoherent, but completely implausible at many points.

Realistic? NO. Is the story good? NO. Is this relevant? Not particularly. You see, one watches a John Woo movie for two things: Strong lead characters; strong lead characters shooting their way to success in surreally choreographed gunplay scenes. "But what if I don't want to watch a movie just for that?" Well, this one forces you to! If you can stand action at all, you'll be glued to the screen the entire time. Chow is a good actor, and Tony Leung is probably even better here -- they make the obligatory story sequences compelling, and when they start firing their weapons, you can't take your eyes away. Slow-motion highlights bullets, explosions, and plaster and sparks flying every which way, even as the actors and stunt men acrobatically move through the air while evading enemy fire. It's a little hard to describe how great this really is, so you just have to take my word for it. Suffice it to say that no one does gunplay like Woo, although everyone and their mother tries. (James Cameron's technique with heavy weapons and muscular guys is the other way to do gunplay, and is great in its own, more limited right.) If you're a fan of Face/Off, an American John Woo movie that actually does not suck, you know what to expect -- but multiply that by 100.

The story and realism are not good, but this makes no difference. Suspend disbelief, and go with the flow, and you're treated to prime-quality action. There ARE however, elements of this film that drag it down quite a bit. Most of them, to me, concern Woo's depictions of violence. It's obvious the man revels in blood. Several times, you see blood spurt copiously and unnaturally -- onto a wall, a desk, even a man's or baby's face. While the action is generally frantic and quick, these shots are slow, deliberate, and in-your-face. Why? To cater to our basest instincts, like a cheap slasher film. With action scenes and character acting done so well, it's embarrassing to watch such gratuitous gore added into the mix. But that's not all! The script's "good" characters are not morally corrupt: You can see them actively trying to avoid other cops or innocent bystanders. This is superficial. The characters aren't corrupt; the final script is. At least 50 innocent people, including patients at a hospital, die violently. The film doesn't display this as a horrific event, but rather as part of the scenery, cannon fodder; the film even gets pretty despicable amusement from this, particularly in one scene involving a baby (don't worry! the baby is not hurt).

Technically speaking, the movie is perfect. Aesthetically speaking, the same is true, with the exception of the music, which is extremely cheesy at times (the sax that suddenly kicks in during "emotional" moments is unbearable -- is that some kind of HK movie thing, or what?).

Such negatives are distracting. Your ability to ignore such distractions will ultimately determine if you give this a 5 or a 9. Were it a little more humane, I'd give it a 9. As it stands, I give it: 8/10.

Master of Action John Woo delivers once again with his hard-hitting, action-packed thriller `Hard Boiled,' starring Chow Yun-Fat as a veteran cop known as `Tequila,' Hong Kong's answer to San Francisco's own `Dirty Harry.' In this one, an undercover officer infiltrates a gangland Triad dealing arms, and when a rival gang threatens to take over, Tequila joins in the melee, and once it begins the action never stops until the last of the credits have rolled off into the recesses of the darkened screen. Along the way there are tests of loyalty, mistaken identities and a staggering display of superbly choreographed violence. There's a couple of plot twists, but it's a rather straightforward story, and as usual, Woo melds it with the action with his trademark style and perfection. The action sequences are incredibly well staged and delivered, but so exceedingly violent that it passes beyond reality at times (especially during the climax) into a somewhat surreal state of being, only to be ultimately drawn back in again by the grounded core of the story. It's a fine line that Woo treads successfully time after time in an arena in which many other `action' directors have foundered. A consummate professional, Woo knows exactly what he wants and what works, and he doesn't quit until he gets it. Among the directors of the `action' genre, he is quite simply the best there has ever been. As the somewhat jaded and `hard Boiled' cop, the charismatic Chow Yun-Fat demonstrates that if Jackie Chan can team up with Chris Tucker, he most certainly could find a place at Eastwood or Gibson's side. He has the attitude and the look that make his character credible, which helps anchor Woo's art in reality, albeit a rather violent one. As with the `Dirty Harry' or `Lethal Weapon' movies, it gives the audience someone to whom they can relate and root for. And it's all buoyed with symbolism and metaphor and Woo's impeccable sense of timing and deft and sparing use of slow motion, which in his hands becomes an extremely effective tool. The supporting cast includes Tony Leung Chiu Wai (Alan),Teresa Mo (Teresa Chang), Philip Chan (Superintendent Pang), Hoi-Shan Kwan (Mr. Hui) and Philip Kwok (Mad Dog). The true brilliance of Woo's films lies in the fact that he never sacrifices story for action, but instead blends the two together to create a whole that is artistically rendered (his action sequences are something akin to visual poetry) and substantial, rather than having an action film that-- like so many others of the genre-- is hollow inside. Like his earlier film, `The Killer,' which also starred Yun-Fat, `Hard Boiled' pushes the envelope and will keep you on the edge, right along with the characters in the film, right until the very end. As with all of Woo's movies, this one is a satisfying foray into the intense, cutting edge `Action' world of one of Cinema's Master directors, and a must-see for any true film buff. I rate this one 9/10.