Two strangers meet on the road and travel through Nevada on motorcycle to find an elusive spot where they can dump another man's ashes.Two strangers meet on the road and travel through Nevada on motorcycle to find an elusive spot where they can dump another man's ashes.Two strangers meet on the road and travel through Nevada on motorcycle to find an elusive spot where they can dump another man's ashes.
- Mr. Andrews
- (as J.D. Cullum)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDavid Carradine was originally supposed to reappear towards the end, but he walked off the movie before the original intended ending was shot, and hence the ending had to be re-written without him.
- Quotes
Joe Mosely: [the Sheriff is roughly restraining Sam by forcing his face on the ground with his boot] Officer, let him up. He's not hurting anyone.
Sheriff Quentin Durango: [lets Sam go] But he could be. He bears a sinister resemblance to a vicious criminal that's been marauding the area.
Joe Mosely: And since when is it a crime to look like somebody?
Sam: Hey, what'd the guy do anyway?
Sheriff Quentin Durango: Unlawful repast and remove.
Sam: What?
Sheriff Quentin Durango: Dine and dash. I'm gonna let you go with a warning this time.
Joe Mosely: He didn't do anything.
Sheriff Quentin Durango: [aims a gun at Joe] You don't realize what's happening, do you? 'Cause if you did, you'd be shittin' in your shoes, wouldn't you? Quaking with fear? I want ya to look around, just look around, and tell me what you see. A society that's obsessed with feeling good and happy. But underneath that moronic veneer lurks a thirst for blood. Yes, my friend, an invidious potential for lawlessness and despair; existential and otherwise. The sooner you weasels open your eyes to the hideous truth, the sooner you wish you were dead.
Sam: [pause] That guy is insane.
- ConnectionsReferenced in Fight Club (1999)
- SoundtracksBeer, Gas, Ride Forever
Performed by John Doe, Tony Gilkyson and D.J. Bonebrake
Written by John Doe
Produced by John Doe and Tony Gilkyson
Engineered by Tom McAuley
Published by Warner, Chappell Music, Faith Hope and Charity Music (BMI)
Courtesy of DGC Records
Thus begins a very feeble attempt at a road movie. It was made by those who never did it themselves, but still think it would be a cool idea. It's the same people who like the idea of 'rebelling' yet have no idea what to rebel against. It has all the bad road movie cliches with none of the substance. It's too contained with none of the ruggedness. The quirky story threads and 'hype' philosophy are simply attempts to cover up it's own hollowness.
There is some introspection involving looking at the 60's through 80's eyes. It shows how Generation X loves the allure of the 60's and wants to emulate it, yet has no real understanding of what it was about. It also shows how the aging boomer still longs for the open road even though he has now become apart of that dreaded responsible class that still needs to hold down a job. Yet all this is only done in minute spurts with the rest of it drowned out by a trendy existentialism that just doesn't work.
John Doe, the lead actor, aptly fits his name. He is very boring and transparent. The 'celebrity' appearances are nothing more than tired walk ons by fading 60's icons. Horowitz is the only one that manages to give a interesting performance. His youthful energy seems sincere and lively.
It's all very flatly shot and cheap looking. It looks like it should have gone straight to video. It also has some real stilted moments and bad acting too. This thing has the audacity to bill itself as THE EASY RIDER of the 90's even though it doesn't come close. It is pure imitation. Watching the real thing would be better or even watching some of the lesser known road pictures of that era.
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Details
Box office
- Gross US & Canada
- $147,724
- Opening weekend US & Canada
- $11,066
- Mar 29, 1992
- Gross worldwide
- $147,724
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.85 : 1