A maverick dancer risks his career by performing an unusual routine and sets out to succeed with a new partner.A maverick dancer risks his career by performing an unusual routine and sets out to succeed with a new partner.A maverick dancer risks his career by performing an unusual routine and sets out to succeed with a new partner.
- Won 3 BAFTA Awards
- 19 wins & 20 nominations total
Storyline
Did you know
- TriviaFran's house was a set built on to an existing railway station. In the most expensive shot in the entire film, a train was hired to pass by the house twice. Once, a real food inspector came onto the set and demanded paperwork because he thought it was a real shop.
- GoofsWhen Shirley Hastings finally rips the calendar pages off in anger shouting, "It was his year," some of the pages underneath also show days marked off and the Pan-Pacific date circled in red.
- Crazy creditsAt the end of the film credits on VHS, a message appears saying "And the dancing continues...", and then it plays the video that was made at the time for John Paul Young's Love Is In The Air, the video having been made to go with the film's release.
- SoundtracksLove Is In The Air
Vocal by John Paul Young
Written by Harry Vanda & George Young
(c) 1978 J. Albert & Son Pty Ltd
by Courtesy of Albert Productions
Featured review
Long before the visually flamboyant director Baz Luhrmann gave us the blockbuster "Moulin Rouge", he made his debut with this quirky Aussie dancecom. The spirit of "Strictly Ballroom" is very campy, tongue-in-cheek and outright parodic, mercilessly skewering the pretentious world of ballroom dance competitions in a way that makes us wonder what planet this film was shot on.
Immediately you might be reminded of the hilarious Christopher Guest mockumentaries (Spinal Tap, A Mighty Wind, etc), but Baz gives this production an extra little push over the cliff. Unapologetically departing from reality, he hits us with a hyper-saturated visual feast, coupled with the fact that the story is set in the 1970s, taking us to the edge of absurdist fantasy. The presentation is almost claustrophobic, in that the entire story takes place on basically just 3 sets: the dance school, the girl's home, and the competition arena), and yet the magnificent use of colorful sets, elegant camera work, and large spaces makes us feel like we're in some sort of bizarre Aussie Wonderland. That's the Terry Gilliam (Brazil) part.
And if that blend isn't bizarre enough, get this. The plot itself is rooted in a very cute John Hughes-ish teen rebel story (Sixteen Candles, Ferris Bueller), thus appealing to our inner misfit youth. The combination is a real treat, and if any of these elements interest you, I guarantee you'll have a wild ride.
The dancing and choreography is absolutely stunning. Paul Mercurio ("Scott") definitely has moves that would make Fred Astaire tip his top hat, and Baz allows for a few long segments so we can take it all in. At the same time, the dance segments don't interrupt the pacing and flow of the story. Somehow it all blends together seamlessly. I have to say, dance, comedy and surrealism is an unlikely mix, but it comes together brilliantly. That's something I haven't seen since the days of Jerry Lewis directing.
"Strictly Ballroom" is one of the most entertaining and engaging movies about dancing I've ever seen. If you enjoy this flick, definitely check out "Razzle Dazzle", another hilarious Aussie dancecom, which also features the lovely Tara Morice ("Fran") but in a role I guarantee you wouldn't recognize her in if I hadn't told you.
Immediately you might be reminded of the hilarious Christopher Guest mockumentaries (Spinal Tap, A Mighty Wind, etc), but Baz gives this production an extra little push over the cliff. Unapologetically departing from reality, he hits us with a hyper-saturated visual feast, coupled with the fact that the story is set in the 1970s, taking us to the edge of absurdist fantasy. The presentation is almost claustrophobic, in that the entire story takes place on basically just 3 sets: the dance school, the girl's home, and the competition arena), and yet the magnificent use of colorful sets, elegant camera work, and large spaces makes us feel like we're in some sort of bizarre Aussie Wonderland. That's the Terry Gilliam (Brazil) part.
And if that blend isn't bizarre enough, get this. The plot itself is rooted in a very cute John Hughes-ish teen rebel story (Sixteen Candles, Ferris Bueller), thus appealing to our inner misfit youth. The combination is a real treat, and if any of these elements interest you, I guarantee you'll have a wild ride.
The dancing and choreography is absolutely stunning. Paul Mercurio ("Scott") definitely has moves that would make Fred Astaire tip his top hat, and Baz allows for a few long segments so we can take it all in. At the same time, the dance segments don't interrupt the pacing and flow of the story. Somehow it all blends together seamlessly. I have to say, dance, comedy and surrealism is an unlikely mix, but it comes together brilliantly. That's something I haven't seen since the days of Jerry Lewis directing.
"Strictly Ballroom" is one of the most entertaining and engaging movies about dancing I've ever seen. If you enjoy this flick, definitely check out "Razzle Dazzle", another hilarious Aussie dancecom, which also features the lovely Tara Morice ("Fran") but in a role I guarantee you wouldn't recognize her in if I hadn't told you.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Австралійське танго
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- A$3,000,000 (estimated)
- Gross US & Canada
- $11,738,022
- Opening weekend US & Canada
- $145,977
- Feb 15, 1993
- Gross worldwide
- $11,759,033
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.85 : 1
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