User reviews

This film, the directorial debut of Nora Ephron, is a very interesting film that has a strong opening and a good ending, but goes a bit astray in the middle.

The dialogue is very sharp and witty, and there are many lines that are some of the more pointed ones in Ephron's filmography (she cowrote the film with her sister from a book by Meg Worlitzer). Julie Kavner is ideal as the mother turned stand-up comic, Samantha Mathis convinces as a sullen teenager, and young Gaby Hoffman is utterly charming. Their utterly convincing mother-daughter dynamic as the film opens is enthralling and compulsively watchable, and the early scenes kept me with a smile plastered to my face.

Problems arose a bit in the middle when Kavner's character went off on a comedy trip to LA, and as such was mostly absent from a section of the film. But then came the big misstep. Most of this movie feels like this type of film that mothers can watch comfortably with their teen and tween daughters, and then all of a sudden is an admittedly funny *(through its sheer awkwardness), but surprisingly graphic and extended teen bedroom scene that seems to have drifted in from an entirely different film. As this is the first (and last) scene of that type in the film, it throws things into a precarious state for a while, because this is not the type of film that seemingly gave any hint of heading that way.

But to the film's credit, it does get back on track with closing sequences that might be expected, but they do ring true, and give all three leads time to shine. They also feature some fresh material for Caroline Arron, and a funny disagreement scene between Kavner and Dan Aykroyd over it's a Wonderful Life.

What makes the movie worth watching is its honest look at the type of sacrifices that happen when somebody hits the big time, its three wonderful performances, and also that it gives Kavner a rare leading part which is nice to see. There are also 3 pretty good Carly Simon songs to top things off, so while not a perfect film, it is worth a look.

Single mom Dottie Ingels (Julie Kavner) sells cosmetics in a department store and dreams of being a big comedian on the Tonight Show. She lives in Queens with her two daughters Erica (Samantha Mathis) and Opal (Gaby Hoffmann) in Aunt Harriet's house. When Aunt Harriet died leaving everything to Dottie, she sells everything to move to NYC. She works her way in small bars. She gets Arnold Moss (Dan Aykroyd) as her agent or at least his assistant Claudia Curtis (Carrie Fisher). She starts traveling and the girls are left at home.

The big problem is that I don't find Julie Kavner funny in this or that she has a funny act. This movie is desperate for somebody with standup experience. She needs an act that is actually funny. Samantha Mathis is playing an Annie Hall type as a teenager. The standup life seems so unrealistic. If I could ignore her standup, this could be a cute Nora Ephron movie especially considering that this is her directorial debut. It would be much better to concentrate on Erica's POV which has the possibility of skipping more of the mom's act.

This is a not so good flick about an aspiring and unfunny stand up comedienne. There is a great little subplot involving the Sam Mathis character and her dopey boyfriend. Ending in a very funny and daring love scene. I would have like to have seen a whole film about the Sam Mathis daughter character and the boyfriend instead. The rest of the film, the script, direction, etc. are the just awful.

Mix every cliché known to cinema, add a dash of sub-par acting, and cringe every 7 seconds. Lather, rinse, repeat. The plot is weak, the characters are self centered, immature and dense. Also, completely static. The soundtrack... who decides on things like this? They should be banished. The moral of this story is something everyone over the age of six already knows, and at best it is just a simple reminder, nothing fantastic. You might as well watch the hallmark channel. Its only saving point was getting to hear Marge Simpson the entire time, and afterward you will want to drown this movie with the first six seasons. Everything, literally everything, ends unresolved as the movie comes to a close. The climax, breakdown, and ending happen in the last ten minutes of film. Boring, unnecessary secondary characters fall off without a trace after they serve the bleak purpose of providing a few one liners a crap screenplay writer couldn't fit into the actual premise otherwise. The budget was small to begin with, and when the money ran out, everyone threw their hands up in the air and threw together a few sure-fire movie tactics for endings, and the happiness of its last few scenes temporarily overshadow the hour and a half crapfest, and if your lucky, those feelings may just last long enough to make you forget about it.

I just watched this movie for the third time. I chose to watch it on Mother's Day because this is about as realistic a tale about mother-and-daughter bonding and growing pains as you will ever see. Julie Kavner is nothing short of amazing as Dotty, a stand-up comic from Ozone Park, Queens, waiting for her chance to make it to the big time. But, life necessitates tradeoffs. As her career takes off, Dotty is unable to spend much time with her kids who grow resentful. And with her older daughter Erica (an excellent performance by Samantha Mathis) now in the awkward early teen years, everything Dotty does is a personal embarrassment to Erica.

The direction is a bit on the claustrophobic and episodic side. Aside from experimenting with the number of different ways to show polka dots, this is not a visually impressive film, nor is it meant to be.

But on its own terms, it is sweet, warm, winning, and true.

The gritty Meg Wolitzer novel Ephron's script is based on is far darker than the cinematic end result, but that doesn't keep this movie from being a sweet, subtle and empathetic (to _all_ its characters, even the potential caricature of a paper-gnawing agent played by Dan Aykroyd) story. It's also as much of a love letter to New York as Woody Allen's "Manhattan" or "Everyone Says I Love You." This isn't a typical Ephron movie the way "Sleepless in Seattle" or "You've Got Mail" are, whatever you might think of them; it's about the genuine trauma of adolescence, the complexities of trying to be a grownup when you're still figuring yourself out, and--transcending the cliche of "the tears of a clown"--the sadness that often lurks behind the most successful lives in comedy and the sacrifices comedians make to get there. The soundtrack by Carly Simon is an extra treat. Highly recommended.

A charming little movie directed and co-written by the brilliant Nora Ephron. Well drawn characters, inventive script and first-class acting throughout by an ensemble led by Julie Kavner and featuring Carrie. Fisher and Dan Aykroyd. With unusual insight and intelligence, it follows the show business career of a department store cosmetologist, would-be comedienne and single mother and the father who abandoned the children. Few films so realistically and gently portray the tensions in the lives of very good mothers and really good children as they struggle to balance the needs of school, family and career, and not always succeeding. It is easy to identify with these characters and to root for their success.

This movie has a funny script by Nora and Delia Ephron, (You've Got Mail). Linda Obst (One Fine Day, Hope Floats) is the producer. The music is by Carly Simmon, which is great. Here we have all the ingredients for a good chick movie! Perhaps the lack of box office success it had was because of timing. It was released before Nora and Delia, and Obst were really known in the industry. If it was released today, it would get all the attention. It a really good movie.

Dottie Ingels, Julie Kavner (Forget Paris, Jake's Women) is a single parent. She has two daughters, Erica Ingels, Samantha Mathis (Little Women, The American President) and Opal Ingels, Gaby Hoffmann (Sleepless in Seattle). They live with their Aunt Martha Ingels, Caroline Aaron (Deconstructing Harry ) until Martha dies and leaves them the house which they sell. Dottie can now pursue her dream of becoming a stand up comedian. Aunt Martha had died while she was shopping, she literally shopped until she dropped. No one could figure out which outfit was really hers and as the body went out of the store the alarm went off because the outfit still had the price tag on. Erica plays the critical teenager growing up with a somewhat realistic but by the same token negative view on things. Opal is the little one always trying to cheer things up. The kids are absolutely adorable. Their dialogue makes me laugh! They keep saying: did too, did not, did too, did not? Dottie wears those off-beat outfits, all polka dots. They are small at the beginning of the movie and their get bigger as she gets more famous. Favorite quotes:" Don't chew you hair, sweetheart". Life lesson: Everyone in the world is two phone calls from everyone else in the world you just need to know who the phone calls are." "Sometimes the audience was so dead that they were wearing toe tags." "Dad said that we were going to fidgety like mom...Opal says. Later Erica says it is not fidgety like mom. It is frigid. Opal: do you think that mom is cold in bed"? I recommend this fun movie. It is a feel good movie. I enjoyed watching it.

I loved this movie when it first came out, and the 3 or 4 times that I have seen it since then. I really identified with the single mom with two kids trying to balance life and work. I was doing the same thing then! It reminded me that if you can find something funny about a difficult time in your life, you may be more able to get through it. Family is everything to Dottie and her kids, and the still unresolved issues at the end are fine, since life usually just continues and not every problem can be resolved at the same time. I recommend this movie to anyone who is trying to balance family and a career and a love life! It made me cry and laugh at the same time!

With a staunch history of detesting "chick flicks," I as SO prepared to dislike this film, but then I found myself drawn in with a giant smile on my face, not because it is especially funny, but for the disarming ad utterly charming performances of the two youthful leads Samantha Mathis and Gaby Hoffman. Certainly, the situation is a well-worn one that I need not relate here, but it's execution is uniquely underplayed, giving the characters and film a believably real tone and feeling. You'll find yourself, as did I, falling hopelessly in love with the girls, wanting to hug and protect them, and making sure it all turns out okay for them.

If you have the opportunity, to not deny yourself the pleasurable experience this film provides.

This would be a great movie to watch during a rainy night in, or whenever. A movie about family bonds, specifically a loving single mom and her two daughters. The movie focuses around this family and their ups and downs.

The mother quits her sales job as she tries to make it as a stand-up comic. However, as she gains popularity, she accidently puts her family-life becomes second to her career.

The movie has some awkward moments, especially for Erica as she's an awkward teen girl. A little *too awkward*, iykyk. I don't see how that scene is PG-13 appropriate. I guess it's different times now.