User reviews

As good as crime fiction on film gets, whether theatrical or made-for-television. Lynda La Plante's writing is at a peak here, with sharp dialog, vividly drawn characters and narrative that captures and won't let go until the end. It's grim, seedy, violent and sad---a real slice of vice unit life and of those they interrogate or pursue. Helen Mirren, as Jane Tennison, has rightly received top honors for her work in the Prime Suspect series, but here she excels even herself. An incredibly detailed characterization you won't forget. But she's not alone when it comes to accolades. Every supporting member is terrific, and there are some future stars to see: Jonny Lee Miller, Peter Capaldi, Mark Strong, Ciarán Hinds, Danny Dyer, James Frain, the incredible David Thewlis! And let's not forget the great Tom Bell, as Tennison's nemesis Bill Otley. All of it brilliantly directed by David Drury. Absolutely essential viewing crime procedure aficionados and anyone else.

Set at the height of the AIDS epidemic, this adaptation of Lynda La Plante's story is a potent assessment of just how vulnerable people were horrifically exploited in London in the early 1990s. Taking up her new post with the vice squad "DCI Tennison" (Helen Mirren) is charged with looking into the tragic death (in a fire) of young boy who turns out to have been a high-class rent boy. The investigation soon broadens as she encounters "Vera" (a striking effort from Peter Capaldi), "Jackson" (David Thewlis) and Ciarán Hinds (the sinister, almost malevolent Parker-Jones) and exposes a corrupt network of sexploitation that involves young men/boys and an establishment all too willing to turn a blind eye - or, indeed, to actively participate. David Drury has taken a gritty, punchy script and turned it into a compelling drama that shines a light on not just the seedier side of the sex industry, but also on bullying and gender issues that resonate even more profoundly thirty years later. Mirren has made the role her own, her strength of character dealing with her own team - frequently disdainful, homophobic or just plain disinterested as well as with the wonderfully odious Hinds is enthralling. Thewlis is great as the thuggish enforcer and there are a couple of really uncomfortable-to-watch cameos from Jonny Lee Miller and James Frain as victims of these atrocious abuses of trust and power. I don't know that it is my favourite of these, but it is certainly the most plausible in terms of depicting the brutal, thoughtless and shameless treatment of susceptible young men.

Prime Suspect 3 is probably the grittiest of the Prime Suspects, in my opinion. While "The Lost Child" is disturbing, and Prime Suspect 1 is heartbreaking, Prime Suspects 3 delves into an examination of the world of London "rentboys," young male prostitutes hired mainly by other men. This may be the one which deals most sensitively with the ever-present personal life conflicts of DCI Tennison's co-workers and cohorts, and it doesn't hold back on letting us know just how intense some of those personal issues are. The cast is huge, the murder itself unbelievably complex, and the resolution is probably the most jarring of any of the movies' last fifteen minutes (always the best part of any murder mystery). Helen Mirren is DCI Tennison to a tee, and of the Prime Suspects, this might well be my favorite.

Absolutely loved the first 'Prime Suspect' series. It was to me some of the best television to grace my television set. 'Prime Suspect II' was every bit as good, the two are about equal in terms of quality, for the same reasons as before.

'Prime Suspect III' was watched with high expectations when seeing all the 'Prime Suspect' series over-time since reviewing the first series last year. Those expectations were not just met but also surpassed. It has all the things that made the previous two 'Prime Suspect' series so great, and stands out even more because of the characterisation which was even richer and because of the story and its heavier themes than before.

It is stylishly and cleverly filmed, with slick editing and atmospheric lighting, and there is a consistently wonderful atmosphere throughout. It is a dark and gritty atmosphere, 'Prime Suspect' in general is both those things story-wise and visually but 'Prime Suspect III' is one of the stronger examples, while also being effectively claustrophobic. It is very hard to forget the music score too. The scripting, like its predecessor, is some of the best there is of any mystery/detective drama, being superbly constructed and intelligent.

The story is 'Prime Suspect' at its darkest, most hard-hitting and grittiest for the intense subject matter alone, but in some ways also at its most honest, intricate and emotional. It is a complex story that keeps one guessing right up to the end while also being easy to follow. The interrogation scenes are some of the most harrowing of the whole 'Prime Suspect' franchise, both intensely shocking and even brings tears to the eyes.

Jane Tennison continues to be an interesting character, the character and the depiction of the police force was very ahead of the time back in the 90s and holds much fascination now even if not so novel.

Helen Mirren gives a typically magnificent performance in the lead, and she has one of her best supporting casts of all the 'Prime Suspect' series that include Peter Capaldi and Mark Strong in early roles and a standout turn from Tom Bell as oily Sergeant Otley. Excelling also are David Thewlis, who has never been more thuggish, and Ciaran Hinds at his most mysterious.

In conclusion, along with the previous two 'Prime Suspect' series, 'Prime Suspect III' is the franchise at its best. 10/10 Bethany Cox

The original 'Prime Suspect' was one of the finest pieces of TV dramas, ever created. Again in part three Helen Mirren, teams up with the brilliant Tom Bell (as Sgt. Bill Otley). Another fab English actor pops up as the prime suspect David Thewlis. Just a shade under the classic and original vision.

At first, we had a hard time understanding the accents, but by the second episode we caught up and enjoyed it a great deal. Then again, we were watching a home-taped VHS copy, so the sound was a little muted.

The acting and the writing were excellent.

DCI Jane Tennison (Helen Mirren) breaks up with her boyfriend Jake Hunter. He's married and an author of a serial killer book. She's starting a new job and finds old nemesis Sgt. Bill Otley (Tom Bell). They investigate an arson-murder involving underage rent-boys and a cross-dressing cabaret. Thuggish James Jackson (David Thewlis) is the prime suspect. Edward Parker-Jones (Ciarán Hinds) is the club owner. The clientele and police involvement threaten to be a scandal.

Helen Mirren is the lead. This show can never be bad with her driving the boat. This time Otley is back but he's somewhat domesticated. The vicious sexism is no longer there. The case is lascivious and dirty. This is solid TV police drama but nothing compared to series 1 part 1.

The director did a superb job pulling PS 3 together. There are many twists and turns and unexpected endings. This shows the fullness of human nature in graphic, dark but jarring peeks into a modern police investigation. It also is a thought provoking portrayal of how powerless we often are to bring about meaningful change in erasing the root causes of such crimes from our communities.

The interjection of the investigation teams personal and sexual lives adds to the drama and richness of PS 3. The beginnings of life, childhood interrupted and the degradation of some of humanity is well portrayed. The dialogue is often excellent and you have to listen to some of the questioning sessions carefully to pick up nuances that become important later. The resolution is not as expected leaving the audience with a lot to think about about the rent boy issue today.

Mirren again bucks the system and the old boy network. the crusty Sergeant Bill Otley also surprises -- sometimes hard and occasionally "soft" when faced with the grit and horror of the crimes they are investigating.

There is no sugar coating hear. Highly recommended.

Everything everyone is saying about this one is true. One thing to add: it's a lot for a single sitting. It runs almost four hours. People couldn't have had an option when it was transmitted on telly - they had to wait for the subsequent episodes - but when you rent or purchase it now you can't be forced into that option - and you'll find it nigh on impossible to break things off at the hour or two hour mark - it's just too good as everyone says.

Perhaps the best news is that Lynda La Plante is back. Episode two wasn't bad - but it wasn't La Plante's writing and it didn't have her magical hand on it. This one does. It's as if she took all the stuff she found out worked in the first episode, concentrated it, and flung it back. Everything is deeper, grittier, gorier.

There are seven huge episodes in this opus, all told twenty two hours of viewing. So to single out any one episode and say it's 'best' is going to be difficult, but taking only the first three it's not hard to see which excel more than others, and this one has to rank right at the very top.