Benny & Joon

I really identify with this movie, and with Joon. I myself am mentally ill (in fact, disabled by it). I don't think it matters that her mental illness is unspecified... so many mental illnesses overlap in real life, and often DO go unspecified even if the person is counselling.

I am mentally ill and (as birds of a feather flock together) know many people who are also mentally ill. As for it being representation of what it's really like to be or live with a mentally ill person, you can't really lump such an experience together. Mentally ill people vary just as much as "normal" people do.

Some of the details in this movie are great. They depicted Joon as a rounded character, a creative, sensitive, intelligent person. This is often the case with mentally ill people. I love the eccentricities of the characters. I think the details, writing, and everything about this movie are just wonderful. I've seen it many times.

Most people who I know who have seen this movie adore it. I think it's great.

I had one of the worst days in my life as I came home to see this promising movie. And yet at the beginning as I heard the Proclaimers with "500 Miles" (I don't know why)I felt better. I knew this film was gonna be something very special. And it kept what it promised. This is the perfect movie if you feel terribly down.

I personally think this film is amazing in the style that is incorporated in this film. By this films style i mean a deeper meaning, and style maybe is not even the right word to explain what i mean. (Style) is probably the wrong word but anyway, the meaning behind that word that i am using is the innocence used in this film to triumph over the prejudice towards people who are not considered normal, in this case meaning Joon and Johnny depp's character in this film. Also the power to interest me and a story that keeps it's innocence. They really should make more films like Benny and Joon! To promote the equal judgment of all people. I am really happy i saw this wonderful film.

BENNY & JOON seems, at its heart, to be an allegory about the different ways people can be out of touch with their fellow human beings, and the ways in which that dischord can be healed.

Benny owns an auto shop and takes care - both financially and physically - of himself and his sister Joon after the death of their parents. Other than weekly poker games, Benny's is a life of servitude, and this is the source of his isolation. He longs to be free to have other relationships, but is wracked by guilt at the idea of leaving Joon in anyone else's care.

Joon is an artist and is also mentally ill, a schizophrenic who has good and bad days and who depends on Benny to provide routine in her life. She has run out every housekeeper to be found in town, but cannot function without assistance and supervision. The film does a superb job of differentiating between mental illness (from which Joon clearly suffers) and stupidity (which is not a problem she faces).

Into their lives comes Sam, a cousin of one of Benny's poker buddies. Through a clever conceit, Sam moves in with Benny and Joon. Sam is undereducated, partially illiterate but a comedic genius who studies Charlie Chaplin and Buster Keaton, knows catalogs of old movies, and has perfected the art form (kudos to Depp for the grace and conviction of this part of his performance). Like Keaton and the great silent film stars, Sam rarely speaks to communicate, and this combined with his illiteracy condemns him to be considered stupid as well. The great sneaker quality of Depp's performance is to show that Sam is always watching, always listening, and that he's no dim bulb by any stretch.

In Sam, Joon finds a person who makes her laugh, lives by his own rules, and cares for her deeply. In Joon, Sam finds a woman who appreciates him as he is, but he also knows a relationship with her is taboo. In a particularly revealing scene, he asks Benny, as one man to another, "How sick is she?" We know he is wrestling with his feelings for her, but Benny does not, and his offhanded answer comes across as callous and almost mocking.

While the handling of Sam and Joon's budding relationship may seem trite, and the humor applied to Joon's illness might seem cruel, in my experience the people who make those judgments know little about living day to day with a mentally ill - not to be confused with unintelligent - human being. There is deep and abiding truth in the idea that laughter and love can cure the incurable; people who seemed unable to function before can make great strides when they are shown trust and respect. And although the psychiatric issues were glossed over in this film, it has at its core an honest message of hope. One of my favorite films, for Depp and Masterson's outstanding performances and a true depiction of imperfect people on the journey to becoming whole. 9/10

I doubt that I can add much to all the good things said about this film. Acting is superb, as is writing and direction, which keep the story from ever seeming "cute". It is never condescending about mentally ill; I love line where Joon corrects Benny's score keeping of a ping-pong game:" the mentally ill can count, you know". Both serious and comic, like life. Imagine, a good film without violence, drug life, car chases or sex. See it.