Directed by
John Whitesell |
Writing Credits (WGA)
Paul W. Shapiro | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
Elliot Abbott | ... | executive producer |
Amy Lemisch | ... | associate producer |
Gary Marsh | ... | producer |
Penny Marshall | ... | executive producer |
Debbie Robins-de La Bouillerie | ... | producer (as Debbie Robins) |
Music by
Hans Zimmer |
Cinematography by
Tom Priestley Jr. |
Editing by
Wendy Greene Bricmont |
Production Design by
Bill Groom |
Art Direction by
Sarah Knowles |
Set Decoration by
Lynn Wolverton-Parker |
Costume Design by
Erica Edell Phillips |
Makeup Department
Janis Clark | ... | key hair stylist |
Jane Galli | ... | key makeup artist |
Cyndi Reece-Thorne | ... | key makeup artist |
Production Management
Chantal Feghali | ... | post-production supervisor |
Ronald G. Smith | ... | unit manager |
Second Unit Director or Assistant Director
Tony Gittelson | ... | first assistant director |
Roee Sharon | ... | second assistant director |
Art Department
David H. Allen | ... | property master (as David Allen) |
Wren Boney | ... | first assistant props |
Don 'Tex' Clark | ... | set dresser |
Melissa Feinberg | ... | assistant property master |
Patricia Garrity | ... | set dresser |
Ted Haigh | ... | graphic artist |
Keith A. Kropf | ... | head painter |
Maureen Kropf | ... | foreman |
Tim Stadler | ... | painter |
Sheri Watson | ... | set decoration buyer |
Joe Wood | ... | construction coordinator |
Sound Department
Patrick J. Foley | ... | sound editor |
Don Hall | ... | supervising sound editor |
Don H. Matthews | ... | sound mixer |
Thomas A. Payne | ... | sound utility |
Dennis C. Salcedo | ... | boom operator (uncredited) |
Special Effects by
Bill Doane | ... | special effects |
Stunts
Kurtis Epper | ... | stunts |
Jack Gill | ... | stunt coordinator |
Mark Stefanich | ... | stunts |
Camera and Electrical Department
Richard Foreman Jr. | ... | additional still photographer |
T. Sano Kwong | ... | grip |
Mollie S. Mallinger | ... | second assistant camera |
Gary Muller | ... | first assistant camera |
Andrew Priestley | ... | second assistant camera |
R. Bruce Prochal | ... | chief rigging technician |
Peter Sorel | ... | still photographer |
Michael T. Travers | ... | best boy grip |
Joseph F. Valentine | ... | camera operator |
Costume and Wardrobe Department
Christine H. Scott | ... | costumes |
Editorial Department
Brent Brooks | ... | assistant editor |
Deborah Cichocki | ... | assistant editor (as Deborah Zimmerman) |
Travis Dultz | ... | apprentice editor |
Marianne Urioste | ... | apprentice assistant film editor |
Scot Deer | ... | telecine colorist (uncredited) |
Richard Garibaldi | ... | home video mastering colorist (uncredited) |
Music Department
David Campbell | ... | conductor / music arranger / orchestrator |
Laura Perlman | ... | music editor |
Jeffrey Pollack | ... | music consultant |
Jay Rifkin | ... | music mixer |
Christine Cholvin | ... | assistant music editor (uncredited) |
Nick Glennie-Smith | ... | composer: additional music (uncredited) |
M.B. Gordy | ... | musician: percussion (uncredited) |
Christopher Ward | ... | composer assistant (uncredited) |
Script and Continuity Department
Adell Aldrich | ... | script supervisor |
Transportation Department
Gregory Dultz | ... | driver |
Additional Crew
Maureen 'Mo' Crutchfield | ... | first assistant accountant |
William d'Anthony | ... | ad and publicity department: Columbia Pictures Corporation |
Wayne Fitzgerald | ... | title designer |
Michael G. Kehoe | ... | craft service (as Michael Kehoe) |
Rock LeRoy | ... | caterer |
Bill Pugin | ... | coach: American Sign Language |
Karen Shaw | ... | production coordinator |
Sally Jo Sousa | ... | animal trainer: cat |
Eden Ashley Umble | ... | unit publicist |
Sally 'Kalei' Davis | ... | Marilyn Monroe nude body double (uncredited) |
Jack E. Herman | ... | extras set coordinator (uncredited) |