User reviews

"The Fugitive" is one of those movies that you may already have seen a dozen of times, but which still seems to surprise every time that you watch it. I don't know what it actually is that makes this movie so good, but it sure works. It's probably the combination of a good script, good acting and the abundance of action that's always present, but never exaggerated.

The movie is about a doctor who's wife has been murdered by a one-armed man. He's innocent but is accused of the murder and convicted by court. He will get a lethal injection soon, but as he is transfered to another jail, the bus in which he is transported with some other inmates, crashes. He knows to escape and is determined to find his wife's murderer, but has to try to stay out of the hands of the police. The result is an interesting cat-and-mouse game between him and the police that never allows your attention to fade away.

The story is perhaps not exceptional, but thanks to the good directing and acting and the constant action and tension, this movie really delivers everything that you can expect from it. I give it an 8.5 - 9/10.

The Fugitive is a complex thriller with every detail playing a significant role in the outcome of the movie. It's the story of a conspiracy surrounding Dr. Richard Kimble, a surgeon who is on the run while U.S Marshal Samuel Gerard tries to find an explanation of why Kimble was framed for the murder of his wife. The movie has a sticking nature to it, every detail in the actors face will prove that Harrison Ford and Tommy Lee Jones deserve every praise they have received for their performance.

Based on the 1960's Television series, this movie does not disappoint. It makes the watcher want to go back and view the original series to see how it compares.

This is a fine vehicle for Harrison Ford made even more agreeable by a clever, somewhat tongue in cheek performance by Tommy Lee Jones as a US Marshall out to have a good time getting the bad guy, even though the bad guy might not be so bad, and even though that's irrelevant, but hey, don't think so much and get me some coffee and a chocolate donut with those sprinkles on top, ya hear?

This is also a Hollywood producer's orgasmic dream with a chase scene beginning in the first reel and lasting throughout. It is based on the 60s TV show of the same name, but gets its premise from a true crime story, that of Ohioan Dr. Sam Shepherd who actually went to jail for murdering his wife in the 50s. He too claimed to have fought off the real killer, but the forensic evidence and his personality were against him. Here we have Harrison Ford as the good doctor, and it doesn't take a Hollywood genius to tell you that the most popular leading man of the late twentieth century ain't about to play the kind of guy who murders his loving wife.

Ford does a stand-up, competent job, saving lives and patting kids on the head as he plunges through sewers and off the top of a towering waterfall, steals an ambulance, survives a bullet wound and a bus wreck, etc. His fans will be pleased, but Tommy Lee Jones steals the show (and got a Best Supporting Oscar for his trouble) as a clever, wise-cracking good ole boy who has a lot of fun leading the posse. I wonder if he or director Andrew Davis invented the spin because without it, this wouldn't be half so good.

This is not to be confused with, nor is it a remake of The Fugitive from 1947 starring Henry Fonda and directed by John Ford, a cinematic gem of an entirely different sort.

See this for Tommy Lee Jones who has made a career out of turning oh-hum parts into something special.

Nothing is more thrilling to see than two characters with superior intelligences, pitting their wits against each other. A thriller does not require a great deal of plot or techno-babble to be involving or complex, although many distributors of blockbusters today seem to think so. For these reasons, "The Fugitive" is a huge blessing for a movie critic such as I. I was just thrilled by the excitement, the performances by Harrison Ford and Tommy Lee Jones, and the whole Hitchcockian aura that this sensational film delivered. Even though we have been seeing too many films based on television series come out lately, "The Fugitive" is certainly not one of those that we can add to that routine bushel.

Ford is Dr. Richard Kimble, a vascular surgeon who is wrongfully accused for the brutal murder of his wife (Sela Ward), and therefore sentenced to be executed. After escaping from a bus crash/trash collision, he finds himself running from the Chicago police and especially the U.S. Marshall service, led by Lt. Gerard (Oscar-winner Tommy Lee Jones). At the same time, Kimble attempts to prove his innocence and in turn discover who did kill his wife. What ensues is a tangled web of medical conspiracies, along with a search for a notorious "one-armed man." As I have stated, this is a simple plot that requires no superficial decoration.

Ford, who has always been a less dramatic presence in movies and more of a subtle but affected persona, fits the part of Kimble perfectly. With this role, the last thing required is a melodramatic actor that sticks out like a sore thumb. Ford casually settles into the role of the man on the run, bringing intelligence and style to a less ostentatious character. Jones, who has never really been considered a headliner until now, creates a character that is extremely humorous but also calmly diligent. His only goal is to carry out the task he is assigned to, and nothing will stand in his way, least of all a rivaling police force or Richard Kimble himself. One of the fascinating Hitchcockian elements of the film is how it allows its audience to not be able to take sides. We are constantly rooting for both Ford and Jones when either of them come into perspective. We familiarize with both of them and are amused by both equally. The film's finale, which I won't dare give away, satisfies both sides of this rooting coin.

I have not previously been a fan of the director Andrew Davis's work, but with this entry, he certainly has sparked my interest. With such films as "Under Siege," "Code of Silence," and "Above the Law," he has been able to work with action stars that are both larger than life (Seagal, Norris). Here, he uses more intrigue and atmosphere to reach his audience, building suspense and excitement through simple film tools rather than things blowing up or guns going off (However, there is a phenomenal opening crash scene to boot). With quick pacing, a never-a-dull-moment storyline, and great actors, "The Fugitive" ranks itself as one of the best action films of this decade, and definitely one of the best films of 1993. Rating: Four stars.

There is a kind of magic when a superb cast, a truly gifted director, and a literate script with equal parts 'over-the-top' action, riveting suspense, and rich characterization, come together. The end result attains a luster that only grows through the years, as new audiences, through DVD and VHS, experience the same excitement we felt, viewing it on a theater screen. In the last decade, only a handful of suspense films could be called 'great'...and on top of the list is THE FUGITIVE.

Based on the popular David Janssen TV series, the film faithfully follows the same premise; a doctor is accused of his wife's death, but escapes before his execution, and tracks down the 'one-armed man' responsible for the murder, as a driven law officer attempts to recapture him. Being a big-budget film, however, the scale of everything is expanded...Dr. Richard Kimble is now a brilliant vascular surgeon, at a major Chicago hospital; the handicapped killer is a dirty ex-cop working on orders from crooked board members of a billion-dollar pharmaceutical firm; and the lawman is no longer a solitary police lieutenant, but a deputy United States Marshal, and his team of agents! While some fans of the original series complained that the 'intimacy' the series had was lost, director Andrew Davis only used the 'bigger' aspects as plot elements, placing the focus, wisely, on the dual stories of Kimble's search, and Gerard's pursuit.

Despite the esteem the film has achieved over the years, Harrison Ford has gotten a bad rap for his very understated performance as Richard Kimble. While Tommy Lee Jones certainly had a far flashier role (earning him an Oscar as 'Best Supporting Actor'), Ford's intent wasn't to play 'Indiana Jones', but a man whose whole life was dedicated to his career as a surgeon, and his wife (played, in flashbacks, by the lovely Sela Ward). Seeing his wife brutally murdered devastated him (his scene in the police interrogation room, going to pieces, was largely improvised on the set, and displays some of his finest acting). His search for the killer was not the confident quest of an action hero, but based on uncertain, spur-of-the-moment decisions made by a desperate man, whose medical background was his only tool. Fear does not lend itself to flashy theatrics...

Jones, as Marshal Sam Gerard, on the other hand, was a seasoned veteran, the best at what he did, and pursuing a fugitive was 'old hat' for him. With a confidence bordering on arrogance, he ordered people about like chess pieces, multi-tasked without breaking a sweat, and still could charm with a wicked smile and sarcastic remark. Of COURSE he wins the audience's heart!

Featuring some of the most spectacular action scenes ever recorded on film (the train/bus wreck that frees Kimble, the dive off a dam into the churning maelstrom of the reservoir), as well as two slam-bang fistfights when Kimble finally gets 'justice', THE FUGITIVE still is remembered primarily for the suspenseful Jones/Ford 'cat-and-mouse' chase, cross-country, and the grudging respect that grows between them...which, ultimately, was what the TV series was best remembered for, as well.

There is magic, here!

This a one of the best thriller/suspense/action films I have ever watched, and I've seen tons of them for almost 50 years. It "endures" because it is just as entertaining on the sixth viewing as it is on the first.

Of course it helped it was based on a TV show that people my age watched religiously every week, so the plot if familiar and many of us wanted to see how the movie would stack up to the TV program. Well, as good as the TV series was, this was far better. Two scenes alone: the train wreck and Harrison Ford taking a swan dive - were worth the price of the film. Great stuff.

The story has been discussed by many so let me just add how much I appreciate the sound in this movie. When this film first came out on VHS, I used the opening moments as a demo model for various surround systems. The DVD has enhanced that as well as the picture.

The film has just the right amount of action scenes, very interesting characters and a storyline complex enough to bring you back for multiple viewings to totally understand it. Ford, of course, is the star with Tommy Lee Jones a close second, but the more you watch this, the more you appreciate EVERYONE'S acting in this movie.

And, by the way, filmmakers take note: here''s another example how you can make an "edgy" modern-day crime film without a ton of unnecessary f-words.

Arnold and Sly are great action heroes. Their characters are always larger than life. Rambo and Rocky are household names and The Terminator and films like Commando are great partly because of Arnold's physical presence. But as good as they are, I don't think they can hold a candle to Harrison Ford. Sure he is in great shape, but have you ever seen an actor take average guys and make them so real that you want to know them? Take your pick, Han Solo, Indy and even his character in Six Days and Seven Nights was an adventurer. Add Richard Kimble to that list. As Kimble, Ford is perfect. He is the wronged man that has to avenge his wife's death and clear his name at the same time. He is so great in this film and I'm sure that's why so many people went to see this film at first. But I think what kept them coming back was Tommy Lee Jones. We'll get to him in a minute.

Andrew Davis proved here that he is one of the best action directors in the business today. Along with Under Siege, he showed us that he is an efficient artist that knows how to keep the action flowing. He never seems to let up with his relentless pursuit of the perfect scene. But since the film did so well and everyone pretty much knows what it is about, let's talk about the true strength of the film, and that would be Tommy Lee Jones.

" I don't bargain." " Well that's odd!"

His portrayal of Samuel Girard is an exercise in how to make the audience relate and understand a character. He starts off as a manic perfectionist. He is obsessed with capturing Kimble and that is all that matters. But as the film proceeds, you can sense his unease, his wonder and his ethos. You can tell by a simple expression that he is beginning to solve a crime and not just chase a criminal. And the turning point to me was his simple scene where he says " You know Devlin and McGregor made 4 and one half billion dollars last year? That company's a monster. " It is all in his face. He knows that Ford is innocent but he still has a job to do. It is Jones that makes this film so much fun. And I didn't think that there would be a more worthy recipient of best supporting actor in '93 than Kilmer in Tombstone, but Jones' work here was well deserving of his Oscar.

The Fugitive belongs on every top 100 list and if the AFI wasn't so enthralled with older movies, they would see that films like this are more worthy than some of the mediocrity that graces their findings. This is an incredible film.

This excellent film details the adventure of a man's search for his wife's killer and to clear himself of her murder. Harrison Ford is the hero and wanted man and on the run to escape capture by a determined U.S. Marshal in one thrilling scene after another. A spectacular train wreck with a bus of prison-bound felons gets the action underway at which point Tommy Lee Jones enters the picture and takes over the film by sheer force of personality and doesn't let go. Harrison, a resourceful type, stays just ahead of Jones in this taut cat-and-mouse thriller and adroitly leaves just enough clues for the police as he closes in on the killer. Ford and Jones are well matched here in one of the best urban crime mysteries ever filmed. Cast and Chicago locations add realism to a great story.

This was a decent action/detective movie with good pacing and good acting all around. My main problem with the movie centers around the holes in the plot: while it's suggested, it's never clearly stated why Helen was murdered; the fudged clinical trials of the drug all being ultimately controlled by one doctor seems rather unlikely; the number of times Kimble goes unrecognized by people who should know him on-sight (even without the beard) goes beyond the realm of unlikely into the realm of ludicrous; Kimble's skill at creating a false pass and faking out people who work at the hospital also seems rather lame. I'm sure I could come up with more if I watched it again.

In the end, it was a good enough movie to be enjoyable, but some very basic believability issues marred the overall story. Obviously the 90% or so of users who rated this movie better than I did will disagree with me on this, but I have a hard time understanding why this movie is so highly-rated. It was okay, but I don't feel any pressing need to watch it again at any point.

The Fugitive is the biggest heart-pounding thriller I have seen in a while (and the best one this decade). The story revolves around Dr. Richard Kimble, played by Harrison Ford to pythagorean procision. Kimble is accused of killing his wife and is chased all over Chicago by Marshalls while looking for his wife's one armed killer. One of these Marshalls is Samuel Gerarg (Tommy Lee Jones terrific and Oscar nod performance) who after a while believes he is innocent.

Spectacularly done in the tradition of crime/drama thrillers with Ford and Jones working better together than ever before. I found this film to be the best film experience of the early 90's, and hopefully you will too. A++

Well, looking back on this movie it is pretty decent, but not one of the better ones I have seen (I have worked as an extra on a few movies and sadly, none of them were all that great).

The plot was OK, but hate to say it the acting was a bit stilted and somewhat over the top.

I do have to agree with the "tounge in cheek" comment on the performance by Tommy Lee Jones. It is subtle, but the irony is there.

I was in a few scenes but the "Convention Dinner" scene where they end up chasing the Fugitive through the hall was pretty realistic (if you discount the fact that you have to repeat it 5, 6 or 20 times) and Tommy Lee had this scary-intense aura about him.

You can see me - I am the redhead who flips around in her seat a moment before he and the other guy leave the room and continue their battle. Funny sidebar - during one of the repeat takes Ford tripped over the leg of my chair and nearly fell face down. A PA (producton assistant)came over and gave me a dirty look and told me to move my chair in further(duh).

This one scene took all night to film ( extras arrived at about 8pm and left somewhere around 7 the next morning). I would never choose to do this as a profession.

If you ever decide to be an extra, bring a good novel or some homework with you to read during the 4-5 hours of down-time that usually is the norm, and expect to be there for 10 - 14 hours.

No wonder movies cost millions to make.

Back in the 60s I tuned into ABC TV on Tuesday night to see how David Janssen as Dr. Richard Kimble would once again escape the clutches of the law. Kimble was a convicted murderer who escaped execution in a train wreck. Once out Kimble searches for a one armed man he saw leaving his home where his dead wife was who can clear him. Searching for single wing and avoiding the cops was what was behind every episode for four years.

That's still in the film, but it's a more complex motive behind the killing and it involves Kimble's colleagues in the medical field. Harrison Ford who is now Richard Kimble is as resourceful as Janssen was on television. What is a change is instead of the very dour Barry Morse as Lt.Gerard the pursuer and a lone hand pursuer we have good old boy Tommy Lee Jones who is in command of a unit of Fugitive chasers. The voluble and quotable Jones earned himself a Best Supporting Actor Oscar for what he did here.

The tension is good and crackling throughout and both Ford and Jones have their moments. Ford and Jones are evenly matched as adversaries. As the pursuer Jones could easily have been made to look like Wile E. Coyote as Morse was sometimes over the run of the TV series.

Also Joe Pantoliano has some good moments as Jones's 2nd in command. He has some droll lines.

This is one case where a movie adaption of a classic television series did not make you wax nostalgic for the series.

In 1963 "The Fugitive" was first broadcast as a 50-minute television drama. The program, starring David Janssen, soon developed into an important cultural phenomenon. When its grand finale aired in 1967, it became the most-watched episode of any series in American TV history. No wonder lots of Hollywood studios wanted to make their own version of the show. But unfortunately, the movie screenplay had to spend five grueling years in development hell first.

In the film a young surgeon, Dr Richard Kimble, is wrongly accused of murdering his wife. When the bus that is supposed to take him to prison collides with a freight train, Kimble manages to escape. He is then relentlessly pursued by a determined US marshal.

It turned out to be cheaper to use a full-size locomotive (at around $200,000) instead of shooting the train crash utilizing miniatures. Due to the tight budget, however, it was impossible to rehearse the scene. The director therefore had to get everything right in a crucial one-shot deal. The wrecked train and bus are (incidentally) still major tourist attractions in Dillsboro, North Carolina.

The cat-and-mouse game between the unjustly accused man and the law officer tracking him down is extremely scary. It was also, as is well known, Alfred Hitchcock's favorite cinematic theme. In "The Fugitive" the two lead roles are played by Harrison Ford and Tommy Lee Jones. And not surprisingly, they are absolutely perfect as Dr Kimble and his nemesis, the stubborn US marshal.

The movie exceeded most professional forecasters expectations, topping the box office in its first weekend. It then continued to be the number one picture in the US for seven weeks. And not only that. "The Fugitive" was also the first major American film to be screened in the People's Republic of China in over a decade.

Despite the fact that it was nominated for Best Picture and Tommy Lee Jones' performance took supporting actor, The Fugitve is a middling time killer with a dull Harrison Ford, a mediocre script, and a predictable outcome. An unnecessary film adapted from the 60's TV series, the direction lacks flair, and the locations and cinematography are standard television quality. The TV series had the advantage of a introducing various settings and characters as Dr. Richard Kimble fled the law and recognition. In the film, the action is repetitive and fugitive Kimbel's continued access to the hospital where he once practiced stretches both credulity and patience. In truth, for me it all just didn't really matter and the film seems somewhat overblown. There are a few good scenes, and the perennial interest in seeing the wrongly accused prevail held my attention.

For a good "chase" film, you can't beat 'The Fugitive'. Not all films taken from TV series manage to make it to the big screen with a style of their own and a story worth telling. Exceptionally fine performances by Harrison Ford and Tommy Lee Jones are the icing on the cake. The picture scores on all levels: photography, music, editing, script and performances. The bus/train crash at the start is a spectacular piece of filmmaking that gets the story off to a good start with powerful urgency. While you're rooting for Ford all the way, as the doctor wrongly accused of the murder of his wife, you sometimes find yourself in the shoes of the crafty, quirky detective with a sense of humor (Tommy Lee Jones) who is relentless in his pursuit. The battle between the pursued and the pursuer is the dominant theme and it is carried off with great wit and style.

As absorbing as any action drama of the '90s. I would have been happy if Harrison Ford, as well as Jones, earned an Oscar for his earnest and highly physical performance. Highly recommended.

Harrison Ford is "The Fugitive" in this 1993 version of the popular television series. The film also stars Tommy Lee Jones as Gerard, Sela Ward, Julianne Moore and Joe Pantoliano. For you young 'uns out there, "The Fugitive" TV show starring David Janssen was based on the 1954 Sam Sheppard case, the subject itself of 10 books and two movies. Dr. Sheppard. accused of murdering his wife, claimed to have seen a "bushy-haired man" at the scene. It was a landmark case, resulting in the creation of the "change of venue" motion.

The film "The Fugitive" keeps the basics: Dr. Richard Kimble, en route to prison to await execution for the murder of his wife (Ward), escapes after a terrible accident. On his trail from the beginning is a U.S. Marshall, Sam Gerard. Both men have way above average intelligence, so while Gerard is able to get close, Kimble always eludes him. After stealing clothes, shaving his beard and dying his hair, Kimble goes to the hospital where he worked and gets into the computer database to find the one-armed man. He knows he injured the man's arm in a fight, and repair of the arm would have necessitated a visit.

This is a real on the edge of your seat thriller, with an absolutely spectacular beginning sequence that grabs the audience and doesn't let go. In the TV series, the one-armed man is an intruder; here, a different storyline has been added, and it's quite good. One of my favorite parts occurs when Kimble, disguised as a janitor at the hospital, overhears an incorrect diagnosis for a young boy. Because the ER is so busy and there is no one available, he's asked to take the child to another floor. While doing so, he conducts his own quick examination and writes a change of orders; the boy ends up in surgery. The OR doc (Moore) catches Kimble looking at the child's x-ray, and when she learns the boy never arrived at his destination, alerts security. Gerard asks her later, "What happened to the boy?" "He saved his life," Moore says.

Both Ford and Jones are at the top of their games and very well matched, Jones bringing a lot of humor to his role as the determined Gerard. Ford looks a little like the Ape Man in the beginning with all the facial hair; as Kimble, he's sympathetic and his desperation and determination are more internalized than Gerard's.

It wasn't until 1998 that DNA evidence finally exonerated Sheppard, who was released in 1966 after a retrial (in the original trial, the judge told reporter Dorothy Kilgallen that Sheppard was guilty). Sheppard died in 1970, his life ruined. Fifty years after the case, it continues to influence courtroom proceedings and inspire books and films. This "Fugitive" is particularly excellent.

The Fugitive is a modern classic - it takes the moral obligations of the law as well as a falsely accused 'fugitive' and melds them together into an action packed, beautifully scripted, intense thriller, which exceeds the watchability and originality of any other. I definitely recommend.

Seeing the Nick Love big screen version of THE SWEENEY I was struck as to how cynical the marketing was . It could be any high octane thriller set around a bunch of bank robbers in London with a crime squad led by a rough diamond cop trying to bring the crooks to book . In other words it's simply called THE SWEENEY because it's got a ready made market for people who fondly remember the original TV show . This is pre-dated by this big screen version of the television show of THE FUGITIVE which features Harrison Ford playing a character called Dr Richard Kimble being pursued by a cop called Gerard in a film that is nothing more than a cynical exercise in trying to cash in on a half remembered TV show from yesteryear . That is not to say it's a bad film as such but anyone expecting anything along the lines of the TV original won't recognise this film as sharing anything in common with the David Janssen series

As it stands if you like loud , brash , action packed muliplex entertainment then you'll certainly enjoy this movie . The downside is that you have to take the rough with the smooth and this comes in the form of plot contrivance . Interestingly the original court case is skated over and the audience never given a reason why Kimble is found guilty of the murder of his wife . Of course sharing the name of the TV series THE FUGITIVE and a character played by Harrison Ford in 1993 the audience know Kimble must be innocent but even so the evidence must have been rather damning . Being a contrived plot means that in order for the story to progress more and more ludicrous things involving good luck/bad luck has to happen which strains credibility when you stop to think about anything . The shark is well and truly jumped relatively early in the film where Kimble takes a dive of a dam falling several hundred feet in to a waterfall which must contain several thousand tons of water and surviving

This sequence ties in with the protagonist's nemesis US Marshall Samuel Gerard who has the almostsupernatural ability to be one step ahead of the other characters . Kimble disappears in a blocked off tunnel ? He's obviously escaped down a drain . He jumps off the top of a dam ? He's obviously survived the fall . He looks through some garbage and concludes Kimble is using a false ID One almost hopes Gerard does something credible such as throw his hands up and say " Hey guys the trail has gone cold " but I guess that would mean less tension and excitement in a film that merely exists to wretch up tension and excitement to a multiplex audience . A fact reflected in its massive box office takings

After just filing a review for a 2019 film stating dont watch more than once its pleasing to review a movie thats over 25 yrs old and still packs a punch.

Indi as been accused and he didn't do it.

Full of the very best early 90s SFX and a great Tommy Lee Jones performance this should still be viewed by any and all born after 1990, do it now

This movie is the typical plot of a man who is innocent and is then wrongfully charged with murder. Harrison Ford plays this man - a doctor, who supposedly kills his wife. Right away the movie sets it up where you really care for Ford.. and you want his justice served. The cops are of course dumber than dumb - Ford just shaves his beard - and dyes his hair.. and can walk around conducting his own investigation. While the movie is well done given the above scenario, there came a point where I thought: "OMG" how much longer can this plot line be played out? We all know what is going to happen in the end anyways! It seem to me that better editing (shortening) would have made this movie much better. As it is, it takes too long to wrap up. About 2/3rds the way through I got bored.

Long before there was CGI, special effects, and a barrage of movies based on comic books, there was movies based on good acting with solid storytelling and precise editing.

The Fugitive is a timeless classic that gets better with each watch. You'll like it the first time you see it, but it will get more and more likable with each subsequent view.

Tommy Lee Jones stands out and delivers a crisp performance, nailing every layer, note, and nuance of his character. Deservedly, he won the Academy Award. Harrison Ford, at the peak of his box office star pull, also gives one of his all time career best performances as Dr. Richard Kimble, a man on the run.

From start to finish, The Fugitive barely lets up. Though at sometimes simplistic, intelligent layers peak through the story, and the common action scenes still feel fresh, original, and necessary. The score is excellent, editing great. A classic.

9/10

This movie had been made with lots of profession both in front and behind the camera. The directing is subtle and nice and the performances by the actors are excellent.

Really the best thing about "The Fugitive" is the acting, in particular Tommy Lee Jones. Basically his performance alone is what makes the movie work well and makes the story believable enough to be captivated by it. No wonder he won an Oscar for this, it's his best role till date and his character is an highly memorable one. Harisson Ford plays a boring average man which work well for his character and the movie. Other actors worth mentioning are Joe Pantoliano and Jeroen Krabbé.

Still "The Fugitive" is not a movie I enjoy watching. The story, especially towards the end gets a bit too complex and perhaps even ridicules. I don't know but for some reason it doesn't really blend in with the rest of the movie, that was just basically a tense chase between Dr. Kimble and the U.S. Marshals. I think an action/thriller movie like this should be made just for pure entertainment were not a lot of thinking is required. Yes, although I still find it a good and recommendable movie I still tend to call this movie an overrated one.

The movie is filled with some tense and memorable chase and action sequences that alone are reasons enough to go and watch this movie. The whole train/bus crash at the beginning is already regarded a bit as a classic action sequence that is well known to everybody.

Worth watching mainly because of Tommy Lee Jones and the nice action and chase sequences. However if you expect this to be a simple entertaining action flick, think again, you're better of watching another movie.

7/10

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An adaptation of a famous TV series, "the fugitive" was a blockbuster when it was launched in 1993. Did I enjoy it? Yes and no... We deal with a spirited action movie, led without any dead times and with a well-balanced performance. I was told that Tommy Lee Jones almost stole the show from Harrison Ford. Honestly, I didn't have this impression.

But "the fugitive" is also a movie without any major surprises and where you can detect a lack of inventiveness because it confines itself to the usual rules of the detective movie: a man wrongly accused of a crime he didn't commit, a will to discover the real culprit, police on his tail, a predictable progression sprinkled with stirring chases. Furthermore, the script, which is sometimes repetitive doesn't exclude unlikelinesses and the end makes the whole conventional.

Nonetheless, Andrew Davis knows his job and "the fugitive" remains a spectacular and watchable movie but also too much superficial to call it a masterpiece.