Gypsy

I like the Rosalind Russell version a lot(I perhaps prefer it just a tad) and Russell in it, but this Gypsy has a lot to recommend. It is not quite on par with the musical itself(neither film version is) which is a masterpiece of character and music, but it has its spirit, heart and charm. The spirit is droll and sincere and the story has so much heart to it. The music is wonderful and the lyrics positively delight. The production values are kitsch, bright and colourful. While I prefer Malden and Wood in their respective roles in the 1962 film, Peter Reigert(though his singing leaves a lot to be desired) and Cynthia Gibb are truly charming and entertaining, and Christine Ebersole steals all her scenes. If there are any preferences I have at all over the 1962 film, it is the staging and choreography, which is less clunky and moves more effortlessly, and Bette Midler's singing, Russell's was raspy and off-key sometimes whereas Midler's is big and brassy. Midler is just superb as Mama Rose, although Russell was superb also Midler's Mama Rose is truer to what Mama Rose should be like. Overall, a fine Gypsy. 8/10 Bethany Cox

I loved this production of "Gypsy" so much that when my audiocassette of the Ethel Merman production got ruined I replaced it with a CD of the Midler "Gypsy." Bette Midler has the fire to do justice to this demanding role, and her supporting cast seemed agreeable to let her shine. But the highlight of the film for me was "You Gotta Have a Gimmick." The three strip women as a group are a comic delight.

Bette Midler stars in this production of the much loved musical that starred Ethel Merman on Broadway and Rosalind Russell in the film version.

Everyone knows the plot. Mama Rose (Midler) is the ultimate stage mother who pushes her two daughters onto any stage she can find. Eventually Baby June becomes a Vaudeville star with sister Louise in the background. Years later and with Vaudeville dying, June runs off, leaving Mama and Louise to fend for themselves.

After years of being a flop, they land in Burlesque and Louise reinvents herself as Gypsy Rose Lee and becomes a star stripper. But the mother never lets go, living her dreams through her kids. Baby June, by the way, went on to become June Havoc.

Midler is terrific as Mama Rose with Cynthia Gibb as the grown Louise and Peter Riegert as Herbie. The bawdy strippers played by Christine Ebersole, Linda Hart, and Anna McNeely shine in the "You Gotta Have a Gimmick" number.

There's also Edward Asner, Tony Shalhoub, Andrea Martin, Michael Jeter, and Jeffrey Broadhurst as Tulsa.

It's a show biz world that doesn't exist anymore, and this great show with music by Jule Styne and lyrics by Stephen Sondheim immortalizes it with much love. The show is gritty and grimy and ballsy and a pleasure to behold. And brava to Bette Midler!

People will always debate if this movie was better or worse than the one with Natalie Wood. I liked both. But I think the Bob Mackie costumes in this one added to the appeal. My favorite costume is the one with the stripper that lights up. Bette is a good as Mama, but I think I liked Natalie Wood's version of Gypsy is better. I wish I could have seen the original on Broadway with Ethel Merman. I think that this movie is supposed to be closer to the Broadway one than the other movie was. If anyone has some time on their hands I would say to watch both versions of this movie back to back and compare. This version was just shown on the "Movies!" TV channel tonight (12/26/23)

This is one of the best TV productions of a musical ever. I have heard the Merman cast album, the Angela Lansbury album, I have seen Tyne Daly live, and I've seen the Rosalind Russell movie countless times. I think Bette is if not the best, then tied with the best. She captures not just the bravura, but also the pathos of Mama Rose. I was never a Natalie Wood fan, so I really enjoyed Cynthia Gibb, in what is arguably her best role. Everything from the costumes to the sets to the supporting performances is wonderful. The three strippers, led by the always-dependable Christine Ebersole are hard to top. There was supposed to be a TV production of Mame a few years back, with Cher, but I think Bette would be the best bet (pun intended) for Auntie Mame.