IMDb RATING
6.5/10
4.4K
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Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.
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A rare movie to find. If you find it, you are one of the few.
I think that this is a good movie for sexually confused teenagers to watch. I think that some kids can connect with it and know that they are not the only ones out there who have the same situations occur in their life as in this movie. Some good issues are brought up in this movie. Some real stereotypes are stepped on in this movie. This movie lets kids know that it's okay to be something other than hetero.
I think that this is a good movie for sexually confused teenagers to watch. I think that some kids can connect with it and know that they are not the only ones out there who have the same situations occur in their life as in this movie. Some good issues are brought up in this movie. Some real stereotypes are stepped on in this movie. This movie lets kids know that it's okay to be something other than hetero.
This is the first film from Gregg Araki, the man who made "Doom Generation" and "Nowhere". Like those films, the theme is the end of the world and features a backdrop of industrial music (Ministry, My Life With the Thrill Kill Kult, 16 Volt, etc.). The only difference is the lack of budget and big name actors (no Rose McGowan or John Ritter). We follow the lives of a group of gay and lesbian teenagers over the course of roughly two weeks. We see their struggles against oppression, their personal lives. An AOL user would summarize this films as "Buttsecks? O RLY? Ya RLY." but that's just ignoring the overall themes to focus on the more distasteful aspects of the film. If you're ans Araki fan or want a new experience, check this film out. It's not nearly as weird as his other films (no aliens or talking decapitated heads), but it will warp your perception of the world. And the end, while very abrupt, leaves something of a lasting effect.
My fourth Araki. Another of his 90s End-of-the-World series. Again, here James Duval is front center with his group of rag-tag not-your-average LGBTQ misfits akin to John Hughes clique. Unlike the strawberry tinged life of those 80s cliques, this kids have to face isolation, sexual identification and familial rejection where being out is still also being out there.
I love how film's tackle this LGBTQ teenager's problems. Especially, the character's talking about being thrown out or cheating and such, which given the time it was made, handled with care and compassion. It was after all, the 90s. AIDS death was still on the uptick. Its nice to see how they have each other's back even with some of stuff.
Stylistically, it is very lofi, no budget vibes. You could feel the indie-ness of the film. Its rough and almost scratchy which makes me remember those Waters and Warhol films. And with the additional talking heads, made it have that documentary feel.
Overall, this was a very interesting watch. A great time capsule of a troubling time. When out is also being out there alone with other alike. Excited to watch Nowhere soon.
I love how film's tackle this LGBTQ teenager's problems. Especially, the character's talking about being thrown out or cheating and such, which given the time it was made, handled with care and compassion. It was after all, the 90s. AIDS death was still on the uptick. Its nice to see how they have each other's back even with some of stuff.
Stylistically, it is very lofi, no budget vibes. You could feel the indie-ness of the film. Its rough and almost scratchy which makes me remember those Waters and Warhol films. And with the additional talking heads, made it have that documentary feel.
Overall, this was a very interesting watch. A great time capsule of a troubling time. When out is also being out there alone with other alike. Excited to watch Nowhere soon.
I saw this film in 1995 at the ICA in London, and it blew me away - and it still does today. Mostly because it treates the characters as genuine real PEOPLE,
and without stereotypes. Even in today's age of "will and grace" crap, it still holds up as ten times more genuine.
A lot of people complain that nothing much happens - but that's what these
characters are destined to do- nothing much. They're problem is that they can't find a place to hang out, to fit in, to find others like them. They are nihilistic outcasts, and because they're gay in 1993, they're even more outcast - but
partially by themselves. This film shows this better than any film I've seen since...
-ken
and without stereotypes. Even in today's age of "will and grace" crap, it still holds up as ten times more genuine.
A lot of people complain that nothing much happens - but that's what these
characters are destined to do- nothing much. They're problem is that they can't find a place to hang out, to fit in, to find others like them. They are nihilistic outcasts, and because they're gay in 1993, they're even more outcast - but
partially by themselves. This film shows this better than any film I've seen since...
-ken
I've been watching Gregg Araki's movies out of chronological order and I think this has really adversely affected the way I'm seeing them. Being a big fan of the surreal, campy, pop art-y 'Doom Generation' and 'Nowhere' has meant that I've found his earlier more realistic movies difficult to enjoy.
'The Living End' is one of his more conventional movies but at least it attempted some character development and a story-line. Unfortunately, 'Totally F***ed Up' doesn't have enough of either. It has plenty of anger sure, but it's semi-documentary look at disenfranchised gay teens fails to hold the interest throughout. It has a few good moments, but overall I had to fight to keep involved.
The one really good thing about it is that it introduces the charismatic James Duval, who Araki would utilise better in his following two movies. Too bad his subsequent career has mainly seen him relegated to bit parts in (the no brainer) 'Independence Day' and (the admittedly enjoyable) 'Go'. He deserves better.
So, if you didn't find much to enjoy in 'Totally F***ed Up' don't let it turn you off Araki completely. He far surpasses this in 'Doom Generation' and especially his most accomplished movie to date 'Nowhere' - a true 90s classic that deserves a larger audience!
'The Living End' is one of his more conventional movies but at least it attempted some character development and a story-line. Unfortunately, 'Totally F***ed Up' doesn't have enough of either. It has plenty of anger sure, but it's semi-documentary look at disenfranchised gay teens fails to hold the interest throughout. It has a few good moments, but overall I had to fight to keep involved.
The one really good thing about it is that it introduces the charismatic James Duval, who Araki would utilise better in his following two movies. Too bad his subsequent career has mainly seen him relegated to bit parts in (the no brainer) 'Independence Day' and (the admittedly enjoyable) 'Go'. He deserves better.
So, if you didn't find much to enjoy in 'Totally F***ed Up' don't let it turn you off Araki completely. He far surpasses this in 'Doom Generation' and especially his most accomplished movie to date 'Nowhere' - a true 90s classic that deserves a larger audience!
Storyline
Did you know
- TriviaFirst part of Gregg Araki's Teenage Apocalypse Trilogy. The other two parts are The Doom Generation (1995) and Nowhere (1997). James Duval stars in all three films.
- Quotes
Patricia: Let me tell you what the problem with the stupid fucking world is. All the stupid people are breeding like mad having tens and tens of kids, while the cool people aren't having any! So, the population just keeps getting stupider and stupider! I mean, it's no wonder the whole world's going down the toilet.
- ConnectionsFeatured in Beyond Clueless (2014)
- SoundtracksMotorskill
Written by 16 Volt, Eric Powell (uncredited)
Performed by 16 Volt
Published by Ink Head
Courtesy of Eric Powell & Reconstriction
- How long is Totally F***ed Up?Powered by Alexa
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Box office
- Gross US & Canada
- $101,071
- Gross worldwide
- $101,071
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