Convicted felon Nikita isn't going to jail; she's given a new identity and trained, stylishly, as a top secret spy/assassin.Convicted felon Nikita isn't going to jail; she's given a new identity and trained, stylishly, as a top secret spy/assassin.Convicted felon Nikita isn't going to jail; she's given a new identity and trained, stylishly, as a top secret spy/assassin.
- Awards
- 6 wins & 17 nominations
Patrick Pérez
- Flic pharmacie
- (as Patrick Perez)
Stéphane Fey
- Président tribunal
- (as Stephane Fey)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe first scene Nikita appears in was the first scene Anne Parillaud shot. Despite having only one line Luc Besson had Parillaud deliver nearly a hundred takes. Parillaud later found out that he used the second take in the movie.
- GoofsThe cameraman is reflected in the bathtub when Marie takes a bath after returning from the embassy.
- Alternate versionsThe English dubbed version featured John Tremaine as the voice of Tchéky Karyo's character Bob.
- SoundtracksLittle Night Music
(translated as "La Petite Musique de Nuit")
Music by Wolfgang Amadeus Mozart (as Mozart)
Performed by the Scottish Chamber Orchestra / Conducted by Raymond Leppard
Courtesy of Erato
Featured review
'Josephine' in her little black dress, crouched in a hotel kitchen, HUGE smoking hand-cannon swaying in her delicate little paws, not entirely sure what she's doing......equals my all-time favourite movie poster and an enduring image of a wonderfully crafted, absorbing study of love, penance and obligation. Throw in a funky, pulsing score and you have a modern classic. The film is generally slow-paced save for a couple of genuinely exciting and achingly cool set-pieces and is more an examination of Marie's transformation and rehabilitation than anything else. If you want consistent, high-octane thrills then look elsewhere because this beautiful film packs an emotional rather than physical punch. Anne Parillaud as 'Marie' (Nikita/Josephine) in the lead role is breathtaking and her failure to feature since in any picture of note baffles me. She is the centrepiece of the film: aggressive, fragile, tactile, ugly, beautiful, cold, efficient, she runs the gamut of human emotion and in doing so lingers on as one of the most complex and memorable female characters in recent movie history. Time is a central character here; much as in Gaspar Noe's 'Irreversible' it is all-powerful and destroys everything, good and bad. It's passage is portrayed regularly, symbolic of Marie's simultaneous progress and rehabilitation. The lighting here is also effective, giving the film an almost washed-out feel. Hollywood again take note, this is a REAL film about love and pain of the most excruciating kind: of having no control, identity or direction and hurting those about whom you care the most. A must-see.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Nữ Sát Thủ Nikita
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- FRF 50,000,000 (estimated)
- Gross US & Canada
- $5,017,971
- Opening weekend US & Canada
- $44,047
- Mar 10, 1991
- Gross worldwide
- $5,018,604
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