The story of runaways living in Venice, California, under the threat of a psychotic cop who is a serial killer of prostitutes.The story of runaways living in Venice, California, under the threat of a psychotic cop who is a serial killer of prostitutes.The story of runaways living in Venice, California, under the threat of a psychotic cop who is a serial killer of prostitutes.
J Bartell
- Officer #1
- (as J. Bartell)
Jeni Anderson
- Watch Girl
- (as Jenni Anderson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKatt Shea said in an interview that she researched the film by talking to several homeless person who she hung out with for awhile. She met a girl who was a heroin addict and that's who she used as a basis for Dawn.
- Crazy creditsSix characters from one scene are named "troglodyte".
- ConnectionsFeatures Galaxy of Terror (1981)
- SoundtracksDawn's Theme
Performed by Elizabeth Daily (as E.G. Daily)
Music by Aaron Davis
Lyrics by Andy Ruben
Mixed by Jeff Mar
Featured review
Christina Applegate stars as, Dawn, a heroine-addicted teen-prostitute fighting for survival on the streets of Venice, whose narrow escape from a psychotic cop (Ed Lottimer) armed with an explosive home-made gun and bent on raping and slaughtering runaways, initiates a bloody pursuit through the hardened world of homeless teens.
After thwarting her attempted rape and murder, Dawn befriends Sy (David Mendenhall), a naive middle-class teen runaway and aspiring musician, who's chosen a temporary life on the streets for seemingly artistic inspiration. Dawn takes Sy under her wing and gives him a guided tour of her world, along the way their friendship of mutual dependence blossoms into youthful love.
Dawn introduces Sy to an interesting array of characters. Most notably Bob (Patrick Richwood) a heroine dealer and eccentric metaphysical philosopher obsessed with the palindromic nature of his own name and its relation to his existence. Also look for a pre-Nog Aron Eisenberg for those Deep Space 9 fans, and 2nd Unit photography by Janusz Kaminski.
"Streets" is a compelling look at the lives of the forgotten and abandon children forced into early adulthood combined competently with gripping psycho-killer action. The violence is superb Corman-esquire exploitation with a nice amount of gore, mostly due to the killer's use of a special gun capable of blasting material into oblivion. However one of the more violent executions is entirely off screen accompanied by a descriptively muffled bang.
The performances are convincing and Katt Shea's direction is outstanding. There are many inventive sequences that utilize techniques that are often misused by others. There is a first-rate use of off screen sound and dialogue, especially Bob's rants, plus a gorgeous temporal ellipsis that brings the audience from one time to the next within the same space. When watching this I was struck how the image of the motorcycle cop hunting down the innocence of a child is something that we've assigned almost icon status to the villain in Terminator 2, however this film demonstrated that same notion of a symbol of protection and justice twisted into the complete opposite -and a couple years before James Cameron's version.
This film is so underrated why is it not on DVD???
After thwarting her attempted rape and murder, Dawn befriends Sy (David Mendenhall), a naive middle-class teen runaway and aspiring musician, who's chosen a temporary life on the streets for seemingly artistic inspiration. Dawn takes Sy under her wing and gives him a guided tour of her world, along the way their friendship of mutual dependence blossoms into youthful love.
Dawn introduces Sy to an interesting array of characters. Most notably Bob (Patrick Richwood) a heroine dealer and eccentric metaphysical philosopher obsessed with the palindromic nature of his own name and its relation to his existence. Also look for a pre-Nog Aron Eisenberg for those Deep Space 9 fans, and 2nd Unit photography by Janusz Kaminski.
"Streets" is a compelling look at the lives of the forgotten and abandon children forced into early adulthood combined competently with gripping psycho-killer action. The violence is superb Corman-esquire exploitation with a nice amount of gore, mostly due to the killer's use of a special gun capable of blasting material into oblivion. However one of the more violent executions is entirely off screen accompanied by a descriptively muffled bang.
The performances are convincing and Katt Shea's direction is outstanding. There are many inventive sequences that utilize techniques that are often misused by others. There is a first-rate use of off screen sound and dialogue, especially Bob's rants, plus a gorgeous temporal ellipsis that brings the audience from one time to the next within the same space. When watching this I was struck how the image of the motorcycle cop hunting down the innocence of a child is something that we've assigned almost icon status to the villain in Terminator 2, however this film demonstrated that same notion of a symbol of protection and justice twisted into the complete opposite -and a couple years before James Cameron's version.
This film is so underrated why is it not on DVD???
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Details
- Release date
- Country of origin
- Language
- Also known as
- Straßen des Schreckens
- Filming locations
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,510,053
- Opening weekend US & Canada
- $86,708
- Jan 21, 1990
- Gross worldwide
- $1,510,053
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