To stall a witch plotting to eat him, a boy reads her horror tales dealing with a collegian's resurrection of a mummy, a murderous cat, and an artist's pact with a gargoyle.To stall a witch plotting to eat him, a boy reads her horror tales dealing with a collegian's resurrection of a mummy, a murderous cat, and an artist's pact with a gargoyle.To stall a witch plotting to eat him, a boy reads her horror tales dealing with a collegian's resurrection of a mummy, a murderous cat, and an artist's pact with a gargoyle.
- Awards
- 1 win total
Debbie Harry
- Betty (segment "The Wraparound Story")
- (as Deborah Harry)
Storyline
Did you know
- Trivia"Tales from the Darkside: The Movie" is considered by many fans and Tom Savini himself to be the 'official' "Creepshow 3". Following the success of Stephen King and George A. Romero's Creepshow (1982), Laurel Entertainment (Creepshow & Creepshow 2 (1987)'s production company) toyed with the idea of a Creepshow television series. After several negotiations and changes (due to rights holders etc.), the decision was made to change the title for the series to "Tales from the Darkside" (to be helmed by none other than Creepshow director and Creepshow 2 screenwriter, George A. Romero). After the series' great success, just roughly three short years after Creepshow 2 hit theatres, Tales from the Darkside: The Movie came to fruition in 1990 as the successor to the original two Creepshow installments, sharing many of the same crew as the Creepshow installments.
- GoofsIn preparing to cook Timmy, Betty remarks that she could never do long division and asks aloud how much is 75 divided by 12. When Timmy answers and asks why, she indicates that she is trying to determine his cooking time. But if she is, she must multiply 75 by 12. (The answer is 900, or 15 hours.)
- SoundtracksTales from the Darkside (Original Theme)
Composed by Donald Rubinstein (as Donald A. Rubinstein) and Erica Lindsay
Featured review
Preparing for a dinner party, a witch starts to cook a young boy for the party, and when is told what will happen to him, decides to stall for time by telling her three stories while a local priest searches for a way to stop the whole thing.
The Good Stor(ies): Lot 249-Receiving a special package, a professor enlists several friends to open his newest prize, lot 249 from a special auction that contains the remains of an ancient Egyptian mummy, and becomes obsessed with trying to bring it to life using the magical scrolls sent along with it. Went a string of murders around their college campus appears to have them befuddled, they learn the secret of why the lot was bid on and try to get away from it. This is a light and breezy tale, mostly centered around the mummy's antics, as the few killings are quite eerie and creepy. The attack in the dorm, which includes the graphic killing where it removes the brain with a wire hanger through the nose, and a later one inside a living room is really great. The special effects on the mummy are great, making it look effectively rotten and crumbling, and it's destruction scene is great, playing that off as well. It ends predictably, but that's a minor after-thought here.
The Bad Stor(ies): Cat from Hell-Summoned to a giant mansion, a hit-man finds that his charge wants him to kill a cat. Surprising and a little befuddled over the request, he explains that the creature has had a long-standing habit of killing those in its path, including the former inhabitants of the house. Left alone to deal with it, he finds that killing the cat isn't the easiest assignment of his career. This here had a lot of potential, with an intriguing story and some really inspired ideas, notably the idea of the cat's motive for coming back. The flashback scenes are good fun, and the fact that a major attack sequence is shot through the cat's POV is really great. The main thing that stops this one is that it's way too long. The majority of the segment consists of the two talking about what the cats' done to deserve the punishment, taking a lot of drama out of the chase. The conclusion is also foretold from the beginning, which all of the stories consists of and makes it feel really uninspired.
Lover's Vow-Trying to create new artwork, a struggling artist is told by his agent that his work can no longer be represented through his agency. Walking through an alley, he runs into a strange woman out alone in the night and offers help. Becoming obsessed with a strange creature he saw that spared his life for the secrecy of its existence, he allows it to become his sole desire to his own detriment. What really hurts this one is the inordinate amount of cheese on display. The design of the gargoyle, with the large eyes, big mouth and intricate designs on the side of his head, make it more cute than fearsome. The easily determinable rubber used for the creation makes it another strike. There's also the fact that it takes way too long to get to its really good parts, concentrating on the romance angle way too much, and the way they get together also is a little unbelievable. As with the others, the ending is way too predictable and doesn't really get the chance to become the possible shock it could've had.
Rated R: Graphic Violence, Graphic Language, Brief Nudity and children-in-jeopardy.
The Good Stor(ies): Lot 249-Receiving a special package, a professor enlists several friends to open his newest prize, lot 249 from a special auction that contains the remains of an ancient Egyptian mummy, and becomes obsessed with trying to bring it to life using the magical scrolls sent along with it. Went a string of murders around their college campus appears to have them befuddled, they learn the secret of why the lot was bid on and try to get away from it. This is a light and breezy tale, mostly centered around the mummy's antics, as the few killings are quite eerie and creepy. The attack in the dorm, which includes the graphic killing where it removes the brain with a wire hanger through the nose, and a later one inside a living room is really great. The special effects on the mummy are great, making it look effectively rotten and crumbling, and it's destruction scene is great, playing that off as well. It ends predictably, but that's a minor after-thought here.
The Bad Stor(ies): Cat from Hell-Summoned to a giant mansion, a hit-man finds that his charge wants him to kill a cat. Surprising and a little befuddled over the request, he explains that the creature has had a long-standing habit of killing those in its path, including the former inhabitants of the house. Left alone to deal with it, he finds that killing the cat isn't the easiest assignment of his career. This here had a lot of potential, with an intriguing story and some really inspired ideas, notably the idea of the cat's motive for coming back. The flashback scenes are good fun, and the fact that a major attack sequence is shot through the cat's POV is really great. The main thing that stops this one is that it's way too long. The majority of the segment consists of the two talking about what the cats' done to deserve the punishment, taking a lot of drama out of the chase. The conclusion is also foretold from the beginning, which all of the stories consists of and makes it feel really uninspired.
Lover's Vow-Trying to create new artwork, a struggling artist is told by his agent that his work can no longer be represented through his agency. Walking through an alley, he runs into a strange woman out alone in the night and offers help. Becoming obsessed with a strange creature he saw that spared his life for the secrecy of its existence, he allows it to become his sole desire to his own detriment. What really hurts this one is the inordinate amount of cheese on display. The design of the gargoyle, with the large eyes, big mouth and intricate designs on the side of his head, make it more cute than fearsome. The easily determinable rubber used for the creation makes it another strike. There's also the fact that it takes way too long to get to its really good parts, concentrating on the romance angle way too much, and the way they get together also is a little unbelievable. As with the others, the ending is way too predictable and doesn't really get the chance to become the possible shock it could've had.
Rated R: Graphic Violence, Graphic Language, Brief Nudity and children-in-jeopardy.
- kannibalcorpsegrinder
- May 11, 2015
- Permalink
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $16,324,573
- Opening weekend US & Canada
- $5,028,096
- May 6, 1990
- Gross worldwide
- $16,324,573
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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What is the Canadian French language plot outline for Tales from the Darkside: The Movie (1990)?
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