69
Metascore
19 reviews · Provided by Metacritic.com
- 100NewsweekDavid AnsenNewsweekDavid AnsenCreepily beautiful, acted with relish, Barton Fink is a savagely original work. It lodges in your head like a hatchet. [26 Aug 1991]
- 100Rolling StonePeter TraversRolling StonePeter TraversStimulating entertainment, as rigorously challenging and painfully funny as anything the Coens have done. But it's necessary to meet the Coens halfway. If you don't, Barton Fink is an empty exercise that will bore you breathless. If you do, it's a comic nightmare that will stir your imagination like no film in years.
- 90VarietyVarietyScene after scene is filled with a ferocious strength and humor. Michael Lerner's performance as a Mayer-like studio overlord is sensational.
- 88The Globe and Mail (Toronto)The Globe and Mail (Toronto)This hip morality tale is by no means perfect - it's not the masterpiece "Miller's Crossing" was - but it is stylish, intelligent, witty and more than slightly creepy.
- 88Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertA black comedy in the tradition of David Lynch, Luis Bunuel and the Coens themselves...an assured piece of comic filmmaking.
- 80Chicago ReaderJonathan RosenbaumChicago ReaderJonathan RosenbaumVery competently mounted and acted (there are also juicy parts for Judy Davis, Tony Shalhoub, and Jon Polito), this is basically a midnight-movie gross-out in Sunday-afternoon art-house clothing--an intriguing novelty that revels in effect while oozing with cryptic signifiers.
- 75Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanBarton Fink has an atmosphere of languid comic anxiety (it's like a cross between "Eraserhead" and "Angel Heart"), and it's fun to watch, if only because you have no idea what's coming next.
- 70TV Guide MagazineTV Guide MagazineUltimately, however, the look, sound and feel of this macabre comedy fail to support any coherent theme...Much is denigrated, but little affirmed.
- 60Washington PostDesson ThomsonWashington PostDesson ThomsonLike the mysterious, bound package Goodman gives Turturro (the contents are never revealed), the Coens isolate a small area of interest, bind it with psycho-atmospheric finesse, then wait for something significant to emerge. Even after a second viewing of this movie, it doesn't.
- 10The New RepublicStanley KauffmannThe New RepublicStanley KauffmannBilled as a comedy, but it could also be billed as a drama, a satire, an allegory, or a film (partially) noir. It wouldn't matter, or help... Not since Robert Altman has any American filmmaker been as overrated as this pair. [30 Sept 1991]