A mysterious man returns to his former hometown to take revenge on the locals who murdered his parents when he was a boy.A mysterious man returns to his former hometown to take revenge on the locals who murdered his parents when he was a boy.A mysterious man returns to his former hometown to take revenge on the locals who murdered his parents when he was a boy.
Henry Kendrick
- Al
- (as Henry 'Hank' Kendrick)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Goofs(Around 81 minutes) the kid walks into Kate's room with his right arm by his side but in the next shot, the arm is on the door jamb.
- ConnectionsReferences Psycho (1960)
Featured review
My review was written in April 1991 after watching the movie on Live video cassette.
C. Thomas Howell makes the transition from teen heartthrob to screen tough guy with okay results in "Kid", a routine vengeance melodrama that is being released directly to the video market Stateside.
Lesle Bohem's well-designed but highly derivative script recalls elements of Eastwood Westerns as well as John Sturges' "Bad Day at Black Rock".
Howell breezes into the small town of White Brush in a mythic cloud of dust. As flashbacks reveal, he returned to avenge his parents' murder by so-called respectable townsfolk.
Howell is a convincing antihero who systematically kills the villains in creative ways. He falls in love with young dreamboat Sarah Trigger whose father predictably turns out to be one of the murderers.
Blessed with a good cast, including reliable R. Lee Ermey as a particularly hissble sheriff, film sufers from an unconvincing finale. Also annoying is Tim Truman's repetitive music that fails in its attempt to conjure up Ennio Morricone's grandiose Western scores.
C. Thomas Howell makes the transition from teen heartthrob to screen tough guy with okay results in "Kid", a routine vengeance melodrama that is being released directly to the video market Stateside.
Lesle Bohem's well-designed but highly derivative script recalls elements of Eastwood Westerns as well as John Sturges' "Bad Day at Black Rock".
Howell breezes into the small town of White Brush in a mythic cloud of dust. As flashbacks reveal, he returned to avenge his parents' murder by so-called respectable townsfolk.
Howell is a convincing antihero who systematically kills the villains in creative ways. He falls in love with young dreamboat Sarah Trigger whose father predictably turns out to be one of the murderers.
Blessed with a good cast, including reliable R. Lee Ermey as a particularly hissble sheriff, film sufers from an unconvincing finale. Also annoying is Tim Truman's repetitive music that fails in its attempt to conjure up Ennio Morricone's grandiose Western scores.
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