An aspiring model moves to New York City and meets a man during a photo shoot who helps her get an apartment in one of the buildings he manages. He then keeps hitting on her but she keeps re... Read allAn aspiring model moves to New York City and meets a man during a photo shoot who helps her get an apartment in one of the buildings he manages. He then keeps hitting on her but she keeps rejecting him. Out of spite, he sends two men to assault her. She is left disfigured and is ... Read allAn aspiring model moves to New York City and meets a man during a photo shoot who helps her get an apartment in one of the buildings he manages. He then keeps hitting on her but she keeps rejecting him. Out of spite, he sends two men to assault her. She is left disfigured and is further traumatised when she has to fight justice for herself at the trial.
- Doctor #1
- (as Louis Lotorto)
- Ad Executive
- (as Mark Vincent)
Featured reviews
Hanson, finally having had enough and bent on moving out, results in Roth enlisting two childhood cronies to corner her in an alley and....well, if you don't know the case, I'll let you see for yourself. The result is a graphically painful change to her life and career, at times leaving her the perpetrator and he the victim. We're for once treated to detailed courtroom scenes to one of these cause-celebres, though much is still left out dealing with the real-life racism and character attacks that Hanson endured off-screen.
Strong supporting cast for a TV flick, including journeyman Midkiff, and Stephen Tobolowsky, nailing his role as your prototypical scumbag defense lawyer. Most notably though is Baltz as the unhinged obsesser. He perfectly portrays how superficial Roth's "love" for Hanson was, which he could no more define than "You're beautiful". Pollak is somewhat understated as Hanson, but livens up after the attack occurs.
At times the film falls into usual TV-movie traps in terms of overdone music and soap opera-ish romantic situations. Biggest botch comes from the very beginning, revealing Hanson's ordeal first, and then flashing back to events prior. It not only ruins the story for a first-time observer, but creates an awkward tone to the film, segwaying from early brutality to schmaltzy music over a montatge. But for a decent retelling of Hanson's shocking tragedy, it brings the goods. Though a difficult film to find that rarely airs on television anymore.
Anyways... The movie is boring. Stale. And empty.
I'm not sure why such a story Recieved attention and a boring movie. Many women go through stalker events so where are their movies? I'm pretty sure their stories are way more interesting then this boring empty movie and story which I think is hash.
Please don't watch this.
Storyline
Did you know
- TriviaJuanita Jennings's debut.
- Quotes
Marla Hanson: I'm from Missouri. Independence.
Eric Warner: Figures.
Marla Hanson: Broken home. I'll spare you the sob story. The morbid details of an unhappy childhood. I always wanted to get to New York. I always knew I belong here. I just... I wanted something different. I wanted to break out. Not end up like my mother, broke. With a house full of kids and nowhere to go.
Eric Warner: Why modeling?
Marla Hanson: Make-believe, I guess. The glamor, romance, dress-up, your hair blows in the wind. Create your own perfect little world. At least, that's how I always felt about it.
Eric Warner: It's all illusion. Smoke and mirrors.
Marla Hanson: Exactly. It sure beats the hell out of real life.
[smiles]
Details
- Release date
- Country of origin
- Language
- Also known as
- If Looks Could Kill: The Marla Hanson Story
- Filming locations
- Production company
- See more company credits at IMDbPro