User reviews

This is a good drama with a very touching ending.Pierce Brosnan does one of his best roles ever as friend of "Mr.Johnson",a Nigerian who sees himself as englishman.The way this film ends makes it big.

See this but take a few tissues if you are soft hearted. 7 out of 10

The title character in Bruce Bereford's film is a native clerk in British West Africa (circa 1923), who becomes alienated from his own people after ingratiating himself with his English masters. He likes to say he's a true English gentleman in his heart, but the color of his skin tells a different story, and for all his delusions of civilized grandeur he can't see that a civil servant is, by any other name, still a servant. There's much to admire here: clearly a lot of care and attention went into the film. But although it captures superbly the heat and light of the African veldt, the story is surprisingly dark, despite Bereford's best efforts to minimize the discomfort of his audience. The servant Johnson is made to seem entirely innocent of any wrongdoing (even after being totally corrupted by colonial British culture), and his white overlords are, likewise, not portrayed with any ambivalence. Up to a point, at any rate: Pierce Brosnan's final, chilling act of grace isn't likely to send moviegoers home in an upbeat frame of mind.

"Mister Johnson" is, first and foremost, a comedy. I must say this, because it's far too light-headed to be a serious dramatic film. Although, whatever the case, I can't say it's the most compelling story. The title character (played by Maynard Eziashi) isn't as sympathetic as the script might intend him to be. He steals, he cheats, he tries his best to be an Englishman, all to much self-detriment.

From a artistic standpoint, as well, this is not an especially engaging tale. Bruce Beresford has displayed a lot of subtlety in other films, but there's something about "Mister Johnson" that falls quite flat for me. I wanted to like it, because I nearly always enjoy Beresford's films. In the end, it's the performances by Eziashi and Brosnan that make this worth watching. They create characters you can get into, even though lacking a script that deserves it.

This is a wonderful film that captures the flavor of working in the African bush more accurately than any film I've seen. The gentle cultural clash between Mr. Johnson and the road builder (Pierce Brosnan) is exactly as I've experienced it with so many workers. And Mr. Johnson's downfall caused by his inner conflict (being pulled from his traditional roots down into the beguiling but unaffordable Western abyss) could have been the autobiography of too many African funtionaires I've known.

Every so often you come acrooss a movie that at first you have no intention of watching and at a glance it seems as though it couldn't possibly interest you but it just pulls you in, takes you to another time and your hooked, Mister Johnson is one such film. The story takes place in West Africa 1920 while the british empire is still in partial control of the land and it's survival of the fittest so to speak. Native men work all day virtually as slaves for pennies and a select few that were lucky enough to be educated and get a good start in life treat the rest worse than the white colonists in an attempt to gain favor with the British. Mister Johnson is a movie about a fluke of a man, educated, sly, cunningly crafty, sharp as a tack and a black man living in a hard time and place. Mister Johnson is a movie about a man who tries so hard to be British he forgets who his people really are, he breaks his back time and time again bending over backwards for the British but ultimately gets no real reward except his satisfaction in believing he's one step closer to being and englishman. This movie looks so real and the characters are so vivid and realistic you sometimes ahve to close your eyes for a second or so to remember your not there with them. In my view Mister Johnson is someone we can ALL relate to, a man obsessed with being a bigshot in a town of nobody's and he will do anything to achieve it.

Mr Beresford has taken what I consider to be his usual film making approach to this poorly adapted screenplay from an excellent and workable novel. Mr Johnson is NOT a comedy, neither does it rely upon comedic aspects in its story line. Mr Johnson is a drama, sadly robbed of its drivers.

The great problem with this film is the miscasting of two leading men, and the inability of the director to accurately shape the story, and to direct the individual performances. the character of Mr Johnson, is lacking in complexity and dimension, and Mr Brosnan's work is rather like a mimicry of every British colonial character ever sent up by any music hall comic or TV sketch comedy ever produced.

The basic story is heartrendingly powerful, and the false world of Mr Johnson, fueled by his childlike desire to fulfill its requirements, should be the powerhouse of the whole undercurrent of the madhouse of British Imperialism, and the blind faith of those who attempted to live up to the impossible standards of its, so called, civilization.

The novel hits the gong, but this screenplay, the miscasting, the absence of storytelling and of basic theatrical direction, robs Mr Johnson of its magic.

Mister Johnson tells the tale of a young Nigerian man whose dishonesty and desire to please others lead to his downfall. He's lost--thinking he must be British to be a real man, for that is what he hears the British imperialists say. He doesn't understand the intrinsic worth of his African identity, and in his attempt to become more and more British, he loses everything he loves. The plot itself is sad but not entirely original. The movie's charm is in its setting--central Nigeria--and its use of the Pidgin and Hausa from that region. As one who grew up there, I was thrilled with their correct usage of terms and expressions. The cinematography is excellent, and I appreciate the genuineness of the movie itself. Sad but worth watching.

Every so often you come across a film that is so accurate in it's depiction of life and the character of the people you forget it's a movie and it takes you to that place in time and you become one of the people, Mister Johnson is that film plus 100. Mister Johnson is an accurate look into the life of a man who is torn between the color of his heritage and his longing to be an English gentleman. Mister Johnson is a man who forgets his ethnic heritage and calls his own people ''ignorant'' and ''savage'' but holds the people who treat his with the lowest respect, namely the British officials and colonists in the highest honor. He is an example of the brainwashing given to many many people of color over the centuries by the Whites, making them forget who they are, where they came from, and making them have an alien thirst for white culture. But Mister Johnson is more than that..oh yes indeed. He is a crafty little man who's high intelligence gets him into trouble with the British offocials. He has a thirst for english traditions and a longing for the white man's riches and acceptance but I do not believe he even knows why. This is a great film depicting the harsh life of a man too smart for his own good in a time where his skin color and an intellect that large was the biggest threat in the mind of white colonists. Sadly this film leaves you wanting more, wanting a deeper look into how Mister Johnson came to be they way he is.

The cinematography was truly lovely, it's natural colors blended with the story telling so thoroughly, I sat in the dark fascinated by this syncopation. The film has a huge cast, and filming in the African sun, it had to be a difficult.

I loved the talent. Every character was real.

I loved the story --the collision of two cultures at the beginning.

Most of all I love the character of Mister Johnson as portrayed by Maynard Eziashi. His behavior seemed typical of the era. And African villagers seemed so gentle and accepting of foreign intrusion. Maybe it was that way in the beginning.

Joyce Cary wrote a very sweet, sort of tragic story. I wish all films contained this truth, warmth and humanity.

Poignant exploration and depiction of a person with dreams and aspirations. Not your typical film. Based on novel by Joyce Cary (very good novel) and pretty much sticking to the book's plot etc., this story should touch your feelings fairly deeply and perhaps make you think about the illusions (delusions) and impossibilities that drench many people's lives. Beresford (Driving Miss daisy, Breaker Morant) directs tautly and beautifully. Watching this film should make you a wiser, deeper person--don't miss it. (will probably have to buy copy from Amazon or ebay or perhaps from netflix.) Set in Africa, colonial theme is important. Moreover, racial dimension (protagonist is black) makes the story edge towards the politically incorrect. The hero's skin color is significant, but he is not a victim of racism--at least not in liberal's knee-jerk way.

A British colony in West Africa creates a monster in the local black man who succumbs to the western greed and uses it to better his life so as to live like the rich whites do. A convincing performance by Maynard and a surprising one from Brosnan. Wonderfully shot and gently directed by Master Beresford.

This is the only film I've seen about Africa, made by whites, wherein the hero was actually a Black African. Imagine that. It's a moving film, well directed by Mr. Beresford, that tells the tragic story of an ambitious African man whose dreams exceed his reach. It features terrific performances by Maynard Eziashi, Pierce Brosnan, and Beatie Edney, with fine work by Peter James and Herbert Pinter.