Directed by
| Steve Rash | ||
Writing Credits (WGA)
| Tony Spiridakis | ... | (story) & |
| Joseph W. Savino | ... | (story) |
| Tony Spiridakis | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| Stuart Benjamin | ... | executive producer |
| Patricia Churchill | ... | associate producer |
| Taylor Hackford | ... | executive producer |
| Stuart Oken | ... | producer |
| Russell Smith | ... | producer |
| Tony Spiridakis | ... | associate producer |
Music by
| Joe Jackson | ||
Cinematography by
| Amir Mokri | ... | (as Amir M. Mokri) |
Editing by
| Patrick Kennedy | ||
Production Design by
| Edward Pisoni | ||
Art Direction by
| Okowita | ||
Set Decoration by
| Marcie Begleiter | ... | (as Marcie Dale) |
Costume Design by
| Linda M. Bass | ||
Makeup Department
| Richard Arrington | ... | key makeup artist |
| Bonita DeHaven | ... | second makeup artist |
| Peggy Nicholson | ... | key hair stylist |
| Rita Ogden | ... | makeup artist: New York |
Production Management
| Mark A. Baker | ... | assistant production manager |
| Patricia Churchill | ... | unit production manager |
| Eva Fryer | ... | unit production manager: New York |
Second Unit Director or Assistant Director
| Bob Carmichael | ... | second unit director (as Robert Carmichael) |
| Martha M. Elcan | ... | second assistant director |
| Taylor Hackford | ... | second unit director |
| Timothy J. Lonsdale | ... | second assistant director |
| Joel Tuber | ... | first assistant director |
| Carla Zackson | ... | additional second second assistant director |
Art Department
| Russell Berg | ... | property master: New York |
| Frank DeCurtis | ... | set dresser: New York |
| Guido DeCurtis | ... | lead man |
| Anne E. Elias | ... | scenic artist |
| Martha Fishkin | ... | property master: bridge sequence |
| Ellen Freund | ... | property master |
| Edward Garzero | ... | scenic artist: New York |
| Teri Lane | ... | assistant props |
| Joseph Musso | ... | production illustrator |
| Elaine O'Donnell | ... | set decorator: New York |
| Chris Snyder | ... | construction coordinator |
| Catherine Tambini | ... | assistant art director |
| Joseph Torres | ... | set foreman |
| Ron Woods | ... | property master |
| Denis Zack | ... | set dresser |
| J. Bryan Holloway | ... | carpenter (uncredited) |
| Brick Mason | ... | storyboard artist (uncredited) |
| Aryeh Richmond | ... | art department: production assistant (uncredited) |
| John L. Wood Jr. | ... | carpenter (uncredited) |
Sound Department
| Bill W. Benton | ... | re-recording mixer |
| Thomas Brandau | ... | sound mixer |
| David Cunningham | ... | sound recordist |
| Carlos Delarios | ... | re-recording mixer |
| Edward J. Hernandez | ... | sound re-recording engineer |
| Michael J. Kohut | ... | re-recording mixer |
| Fernando Kral | ... | sound recording engineer |
| Thomas J. O'Connell | ... | foley mixer |
| Kurt Peterson | ... | sound transfer |
| Kay Rose | ... | supervising sound editor |
| Victoria Rose Sampson | ... | supervising sound editor |
| Dan Sharp | ... | sound re-recordist |
| Steve F.B. Smith | ... | stereo sound consultant: Dolby |
| Edward M. Steidele | ... | foley artist |
| Ross Taylor | ... | foley artist |
| Jerome R. Vitucci | ... | boom operator |
| Ian Wright | ... | boom operator (as Ian C. Wright) |
Special Effects by
| Wilfred Caban | ... | special effects |
Stunts
| Doc D. Charbonneau | ... | stunts |
| Frank Ferrara | ... | stunt coordinator |
| Phil Neilson | ... | stunts |
| Mike Weis | ... | stunt rigger (as Michael Weis) |
| Don Charles McGovern | ... | stunt double (uncredited) |
Camera and Electrical Department
| Robert M. Andres | ... | key grip |
| Anthony F. Balderrama | ... | first assistant camera |
| Nico Bally | ... | grip |
| Sam Bender | ... | gaffer: bridge sequence |
| Denise Brassard | ... | second assistant camera |
| Jim Bridwell | ... | rigger: bridge sequence |
| Bob Carmichael | ... | camera operator: second unit (as Robert Carmichael) / director of photography: additional photography (as Robert Carmichael) / second unit cinematographer |
| Renato Di Giuseppe | ... | camera operator |
| Ken Ferris | ... | second assistant camera: bridge sequence |
| Robert Gantz | ... | gaffer |
| Drew Gold | ... | camera production assistant |
| Hardy James | ... | key grip (as C. Hardy James) |
| Kent H. Jorgensen | ... | dolly grip |
| Bob Marshak | ... | still photographer: New York |
| J. Michael Muro | ... | steadicam operator (as James Muro) |
| Vern Nobles Jr. | ... | assistant camera: bridge sequence (as Vern Nobles) |
| Rick Raphael | ... | steadicam operator |
| Sky Rockit | ... | second assistant camera (as Mark Anderson) |
| Patrick Sheetz | ... | best boy grip |
| Paul Sibley | ... | rigger: bridge sequence |
| Suzanne Tenner | ... | still photographer |
| Tom Voelpel | ... | best boy electric |
Casting Department
| Eve Battaglia | ... | casting associate: New York |
| Sylvia Fay | ... | extras casting associate: New York |
| Julie Hutchinson | ... | additional casting: Los Angeles |
| Barbara Shapiro | ... | additional casting: New York |
Costume and Wardrobe Department
| Barbara Hause | ... | wardrobe supervisor: New York |
| Emelle Holmes | ... | set costumer |
| P. Kay Morris | ... | costume supervisor |
| Marcia Patten | ... | wardrobe assistant: New York |
Editorial Department
| Gena Bleier | ... | second assistant editor |
| Joseph Boren | ... | apprentice editor |
| Gary Burritt | ... | negative cutter |
| Jonathan Chibnall | ... | assistant editor |
| Doreen A. Dixon | ... | director of post-production |
| William Pine | ... | color timer (as Bill Pine) |
| Mary Ann Skweres | ... | first assistant editor |
Location Management
| Mark A. Baker | ... | location manager |
| Lauri Pitkus | ... | location assistant |
| Daniel Strol | ... | location assistant |
Music Department
| Sharon Boyle | ... | music supervisor |
| Monty Byrom | ... | composer: additional music |
| Tom Carlin | ... | music editor |
| Mason Cooper | ... | composer: additional music |
| Richard Ford | ... | musician: bass (as Rick Ford) |
| Gary Goetzman | ... | music supervisor |
| James Harrah | ... | composer: additional music |
| Brian Rawlings | ... | composer: additional music |
| Sandy K. Tanaka | ... | music coordinator |
| Jim Weidman | ... | music editor |
| Carlton Kaller | ... | music editor (uncredited) |
Script and Continuity Department
| Annette Haywood-Carter | ... | script supervisor |
Transportation Department
| Fritz Braden | ... | transportation captain |
| Kevin Flynn | ... | driver |
| Thomas Reilly | ... | transportation coordinator: New York |
Additional Crew
| Steve Anker | ... | office production assistant |
| Martha Appel | ... | production assistant: New York |
| Kathleen Caton | ... | production coordinator |
| Françoise Charlap | ... | script supervisor: bridge sequence |
| Tim Christenson | ... | set production accountant |
| Billy Crawford | ... | production assistant |
| David Dreishpoon | ... | craft service: New York |
| Ethan Gussow | ... | production assistant |
| Chappy Hardy | ... | unit publicist |
| Richard Hartmann | ... | production assistant |
| Tony Kono | ... | production assistant: New York |
| Joshua Levinson | ... | production assistant / production assistant: New York |
| Lorenzo Marchessi | ... | stand-in |
| Nancy Meshkoff | ... | video: bridge sequence |
| Cheryl Ann Mironczuk | ... | assistant production coordinator |
| Jane E. Russell | ... | publicist |
| Arden Sampson | ... | dialect coach |
| Mark Schmidt | ... | production assistant: New York |
| Richard Sirianni | ... | production assistant |
| Melissa Smith | ... | director of operations |
| Neal Thompson | ... | title designer |
| Tony Trimarco | ... | location accountant: New York |
| L.J. Van Cleave | ... | post-production accountant |
| Robb Wilson | ... | runner |
| Karen Wolfe | ... | assistant accountant: New York |
Thanks
| Scott W. Anderson | ... | special thanks |
| Daniel R. Padgett | ... | special thanks |