Directed by
| Avi Nesher | ||
Writing Credits (in alphabetical order)
| Avi Nesher | ... | (screenplay) (as Patrick Highsmith) |
| Avi Nesher | ... | (story) (as Patrick Highsmith) |
| Peter Sagal | ||
Cast (in credits order) complete, awaiting verification
Produced by
| Pascal Borno | ... | executive producer |
| Olivier Gruner | ... | associate producer |
| Denis Hann | ... | line producer |
| Kathy Jordan | ... | co-producer |
| Avi Nesher | ... | producer |
Music by
| Roger Neill | ||
Cinematography by
| Peter Fernberger | ||
Editing by
| Michael Schweitzer | ||
Casting By
| Ed Mitchell | ||
| Robyn Ray | ||
Production Design by
| Gary Randall | ||
Art Direction by
| Sean Culhane | ||
Costume Design by
| Daniel J. Lester | ||
Makeup Department
| Ralph M. Abalos | ... | hair stylist (as Ralph Abalos) |
| Eryn Krueger Mekash | ... | special makeup effects (as Eryn Krueger) |
| Cass McClure | ... | special makeup effects artist |
| Bryan Smith | ... | makeup effects assistant |
| Thomas E. Surprenant | ... | special makeup effects technician |
Production Management
| Denis Hann | ... | unit production manager |
| Steven Tyler Sahlein | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Todd Grodnick | ... | second second assistant director |
| Carter T. Mays | ... | second assistant director |
| Dwayne L. Shattuck | ... | first assistant director |
Art Department
| Angel Acosta | ... | property master |
| Chris Davis | ... | set dresser |
Sound Department
| Bob Costanza | ... | sound effects editor |
| David C. Eichhorn | ... | supervising sound editor |
| Jason Johnston | ... | boom operator / sound mixer: second unit |
| Bill Reinhardt | ... | sound mixer |
| Paula Thompson | ... | boom operator |
Special Effects by
| Albert Lannutti | ... | special effects coordinator |
| Steve Newquist | ... | pyrotechnician |
Visual Effects by
| Victor DiMichina | ... | digital imaging supervisor |
| Joseph Grossberg | ... | visual effects supervisor |
| John R. McConnell | ... | compositor: Pixel magic |
| Ray McIntyre Jr. | ... | digital effects supervisor |
| Reid Paul | ... | digital artist |
| Ken Wilder | ... | CG effects |
Stunts
| Shane T. Anderson | ... | stunts |
| Chuck Borden | ... | stunts |
| Lori Crowder | ... | stunts |
| Wally Crowder | ... | stunts (as Wallace Crowder) |
| Paul Dallas | ... | stunts |
| Loren Dennis | ... | stunts |
| Stephen Dunn | ... | stunts |
| Debbie Evans | ... | stunts |
| Charles Grisham | ... | stunts |
| Olivier Gruner | ... | fight choreographer |
| Tabby Hanson | ... | stunts |
| Michael Hofrath | ... | stunts |
| Red Horton | ... | stunts |
| Luke LaFontaine | ... | stunts |
| Ken Lesco | ... | stunts |
| Scott Leva | ... | stunt coordinator |
| Dennis Madalone | ... | stunts |
| Andre Mayers | ... | stunts |
| Vladimir Orlov | ... | stunts |
| John Phillip | ... | stunts |
| Joe Stone | ... | stunts |
| Chuck Waters | ... | stunts |
| Jim Waters | ... | stunts |
| Jim Wilkey | ... | stunts (as James Wilkey) |
| Joe Witherell | ... | stunts |
Camera and Electrical Department
| Klaus Brodesser | ... | electrician |
| Gregory Cahill | ... | best boy grip |
| Sean Cohen | ... | gaffer |
| Nick Geist | ... | dolly grip |
| Christopher B. Green | ... | camera loader |
| Brad Heiner | ... | key grip: second unit |
| Gábor Kövér | ... | camera operator: "a" camera |
| Rick Lamb | ... | first assistant camera: second unit |
| Sandra Mueller | ... | second assistant camera |
| Andrew Naidl | ... | second assistant camera |
| David Parks | ... | additional cinematographer / director of photography: second unit |
| Richard Quinn | ... | gaffer |
| Mark Schmidt | ... | first assistant camera |
| Tom Stanger | ... | grip |
| Danny Stephens | ... | grip |
Script and Continuity Department
| James Bradford Sivils | ... | script supervisor / script supervisor: second unit |
Additional Crew
| Jim Christopher | ... | key assistant: Mr. Nesher |
| André Devantier | ... | caterer |
| Akihiro Noguchi | ... | wire rigger |
| John Solie | ... | cover illustrator |
Thanks
| Michael Mendelsohn | ... | special thanks |