A funeral director tells four strange tales of horror with an African American focus to three drug dealers he traps in his place of business.A funeral director tells four strange tales of horror with an African American focus to three drug dealers he traps in his place of business.A funeral director tells four strange tales of horror with an African American focus to three drug dealers he traps in his place of business.
- Awards
- 2 nominations
Samuel Monroe Jr.
- Bulldog
- (as Sam Monroe)
Roger Guenveur Smith
- Rhodie
- (as Roger Smith)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSome of the dolls in the "KKK Comeuppance" segment were later re-used in Team America: World Police (2004), also done by The Chiodo Brothers.
- GoofsWhen the cop pees on Martin's grave, the mustard bottle used to simulate urination is visible.
- Alternate versionsIn most broadcast TV versions, along with omitting/replacing the profanity, some versions show Walter's body in the casket at the end of his story "Boys Do Get Bruised" instead of the charred remains of his mother's abusive boyfriend Carl.
- ConnectionsEdited from Aladdin (1992)
- SoundtracksLet Me At Them
Performed by Wu-Tang Clan
Featured review
Yes, it's flawed, and it's cheesy, and it's over-the-top. It's equal parts clever satire, straight-up homage, and occasionally even a parody. There are many horror, exploitation, and black humor elements sprinkled throughout the movie. I just can't understand why this movie isn't beloved by more people. Maybe it's because the cast is mostly black, and the stories revolve around inner city, black youth? Well, as a white guy from the suburbs, I absolutely loved this movie. It's flawed, of course, but when it works, it works better than most other movies of this type.
If you're not familiar with it, this is a horror anthology highly influenced by Tales from the Crypt, an old 50s horror comic book series that birthed several spin-off movies and an influential TV series. It also takes ample inspiration from the Twilight Zone, Tales from the Dark Side, and Creepshow franchises. If you're a fan of any of these, I'd have to highly recommend Tales from the Hood, especially if you're also into Blaxploitation, from which it also takes some inspiration.
In the time honored tradition of horror/exploitation movies everywhere, the guilty are punished with gory deaths and lessons are learned (frequently too late). Is it preachy, didactic social satire? Perhaps, at times. But it's also entertaining as hell. It has a great cast, some really cheesy, over-top-the-top acting, and was produced by Spike Lee. For me, that makes it almost required viewing.
If you're not familiar with it, this is a horror anthology highly influenced by Tales from the Crypt, an old 50s horror comic book series that birthed several spin-off movies and an influential TV series. It also takes ample inspiration from the Twilight Zone, Tales from the Dark Side, and Creepshow franchises. If you're a fan of any of these, I'd have to highly recommend Tales from the Hood, especially if you're also into Blaxploitation, from which it also takes some inspiration.
In the time honored tradition of horror/exploitation movies everywhere, the guilty are punished with gory deaths and lessons are learned (frequently too late). Is it preachy, didactic social satire? Perhaps, at times. But it's also entertaining as hell. It has a great cast, some really cheesy, over-top-the-top acting, and was produced by Spike Lee. For me, that makes it almost required viewing.
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $11,837,928
- Opening weekend US & Canada
- $3,898,983
- May 29, 1995
- Gross worldwide
- $11,837,928
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