56
Metascore
17 reviews · Provided by Metacritic.com
- 75ReelViewsJames BerardinelliReelViewsJames BerardinelliThe script doesn't do a great job with either the spiritual or the physical trek, but the spectacular action sequences occur with enough regularity that strong writing isn't necessary to keep Waterworld afloat.
- 75Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonWaterworld is often entertaining because it's screwy. Could even Ed Wood Jr. have come up with those cigarette-puffing villains, in a world with hardly enough dirt for a tobacco plant? [28 July 1995]
- 70Washington PostDesson ThomsonWashington PostDesson ThomsonIf the story seems a little waterlogged, it's still big, loud, and fun to watch.
- 63Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertA decent futuristic action picture with some great sets, some intriguing ideas, and a few images that will stay with me.
- 60VarietyTodd McCarthyVarietyTodd McCarthyA not-bad futuristic actioner with three or four astounding sequences, an unusual hero, a nifty villain and less mythic and romantic resonance than might be desired.
- 50TV Guide MagazineTV Guide MagazineIts mediocrity guarantees this lavish, soggy retread of futuristic Australian action classic "The Road Warrior" a place in the ranks of forgotten extravaganzas.
- 50The New York TimesJanet MaslinThe New York TimesJanet MaslinIt lacks the coherent fantasy of truly enveloping science fiction, preferring to concentrate on flashy, isolated stunts that say more about expense than expertise. [28 July 1995]
- 50San Francisco ChronicleMick LaSalleSan Francisco ChronicleMick LaSalleIt's really not bad... It's a genuine vault at greatness that misses the mark -- but survives.
- 40Los Angeles TimesKenneth TuranLos Angeles TimesKenneth TuranThough Waterworld has some haunting underwater visual moments, the film's impact is weakened by flat dialogue, an overemphasis on jokeyness and a plot that, despite all those screenwriters, does not satisfactorily hold together at any number of points.
- 30Chicago ReaderJonathan RosenbaumChicago ReaderJonathan RosenbaumThis movie feels like it was made by a bank rather than a person.