The legendary Native American chieftain refuses to go with his people peacefully to the reservation and starts a rebellion.The legendary Native American chieftain refuses to go with his people peacefully to the reservation and starts a rebellion.The legendary Native American chieftain refuses to go with his people peacefully to the reservation and starts a rebellion.
- Nominated for 2 Primetime Emmys
- 3 nominations total
- Young Curly
- (as Terry Bigcharles)
- High Hump
- (as Buffalo Child C. Koopepequanicit)
- Wahokiza Luta
- (as William Birdshead)
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- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAugust Schellenberg previously played Sitting Bull in Witness to Yesterday (1973) and would later do so again in Bury My Heart at Wounded Knee (2007).
- GoofsMajor Reno is shown using a Henry Repeating Rifle, which later switches to a Winchester 1866. No Officers were using lever action rifles at the Little Bighorn. They mostly carried Sporting versions of the standard issue rifle, which was the Springfield Model 1873 "Trapdoor" Rifle. George Armstrong Custer carried a Remington Rolling Block Rifle in .50/70 caliber.
- Quotes
Reporter: What about the Indians, General? And aren't the Black Hills officially Sioux land from the treaty of 1868?
General George Armstrong Custer: Whatever the right or wrong isn't the question. The Indians must be dispossessed. The practical question is how the inevitable can be accomplished with the least inhumanity to the Indians.
Reporter: Didn't General Polk say that?
General George Armstrong Custer: I believe in destiny, you see. For individuals as well as nations. Nothing can stop the movement of history.
Rather than being unique in this I imagine, he showed up at a time when the West was interested in Native people much like they are interested in Middle Eastern peoples today. War seems to create a sensationalist fascination with the other and so some attention was given his life in the popular media. Many of the biographies seem to contain details that conflict strongly with Sandoz, but no other researcher seems to have spent the same amount of time both in archives and in the communities. She has a pointed, detailed yet equivocal touch and so I trust her account better than any I have seen. This book (as is common) puts the film to shame.