Hellraiser: Bloodline

I've been a Hellraiser fans since I was 15 years old, my all time favorite in the series being the amazing HELLBOUND: HELLRAISER II. The nightmarish trip to hell with the fascinating vision of hell and the theatrical staging was just marvellous. Add in the bombastic soundtrack and it ranks as one of the top 3 horror movies of all time, surpassing even the original HELLRAISER. HELLRAISER III: HELL ON EARTH was total garbage. They attempted to make Pinhead a wisecracking anti-hero like Freddy Krueger - and that was just so out of character. HELLRAISER (IV): BLOODLINE attempts to go back to the roots, exploring the origins of the box and was literally butchered by the f#kin producers, which led to the director (Kevin Yagher) withdrawing his name from the project and it became one of those imfamous "directed by Alan Smithee" movies. The movie takes place over 3 time periods, the past, the present and the future. In my opinion they should have scrapped the future plot - Pinhead's excursion to space - it's just ridiculous and absurd and does not fit into the Hellraiser universe. Also HELLRAISER: BLOODLINES was chopped down to a meager 85 minute runtime and feels rushed. A lot of scenes were cut out on behest of the producers which keeps the film from being a great entry into the series. If they had ditched the "Pinhead goes to space" scenario and focused more on the past and present this movie could have been FAR superior. It still is not nearly as terrible as HELLRAISER III, VI and all the successors, but it is wasted potential here. Not all is bad though: the makeup effects are superb, the sado-masochistic scenes are among the best in the series and the cenobites don't look like the clowns of HELLRAISER III (except for the twins. They're just weird). Also, the past "segment" of the film drips with atmosphere. Overall, this could have been a 9 out of 10, but the space opera drags it down quite a few notches.

When the beginning of this movie started in OUTER SPACE, I was thinking this movie was doomed from the start. However, I was pleasantly surprised that the rest of the story wasn't too bad. Between Jason X and this, I think it's safe to say that '80s horror does NOT belong in sci-fi. But as a whole, I'd say the movie could've been much much worse.

The year is 2127, and a descendent of the maker of the box that opens the gate to Hell is trying to figure out a way to open the box and trap the demons that come out of Hell. He has commandeered a space station (that he himself designed) for this task. He opens the box, lets the demons out, and is detained (people begin to investigate his questionable behavior on the ship) before he can capture them. Almost the entire film is told in the form of a story which he tells the people holding him, in an effort to get them to let him go so he can finish his work. Needless to say, it takes a lot of gory deaths to convince them.

There is a small bit of tension created by the fact that the entire time he is telling the guards what is going on, the Cenobites are out and are on the ship. However, this is largely forgotten about for the majority of the film because so much of it takes place in 18th century France, the time when the box was created. Basically, some toymaker makes the box, opens it, demons show up, and they terrorize his family for generations. You'd think they'd be grateful because he let them out into the world of the living. Anyway, the guy in 2127 has taken upon himself the task of building a NEW box that will be sort of an antidote to the first box, one that is designed so that it can actually trap LIGHT inside.

It's an interesting enough story, and it was actually fairly entertaining, but the film itself was still somewhat lacking. The acting was pretty bad (but at least Ashley Laurence was blissfully absent again), and there wasn't much effort put into the directing. The movement back and forth from the distant future to the distant past was also a bit detrimental at times to the tension of the story, but luckily the film did present a few cool new cenobites (one that was satisfactorily created out of a couple of idiot security guards), and Bloodline also displayed probably one of Pinhead's best performances ever. I would say that Bloodline is more of an informational movie than a good Hellraiser movie. While it is interesting to watch, it is almost more informational than entertaining. So even though the movie itself may have been disappointing, I think that it is a good addition to the series as a whole. It works better within the Hellraiser series than it does by itself.

Oh my! The dreaded space sequel. I must admit, I thought this would bump three out of worst in the series, but I was dead wrong. The one thing I found most appealing about this sequel, is the fact that it leaves room for more sequels, as long as the don't go past the year of Pinhead's final death. Which I may say, they took full advantage of, in making Hellseeker, and Inferno. I think that even though it was good, it still takes a backeat to the original two films. (Part two being my personal fave)

For years, I'd heard that Bloodline was one of the worst sequels of all time. Having just finished watching it, I can safely say it's nowhere near as bad as some people have made it out to be. It's not as good as the first three by a long shot, but the production design and effects are excellent and I was never bored. The story can be confusing and the characters could have been better drawn, but it's far from the disaster many have made it out to be.