User reviews

I refused to see Jerry Maguire for several years, assuming it was a cheap movie about money, sports and sex. When i finally watched it on TV, i was blown away. This movie is about hope, redemption, love, and finding out the meaning of life. Tom Cruise does a spectacular job playing someone with nothing to loose, and Cuba Gooding's performance brought tears to my eyes. Renee Zellweger fits perfectly by having great chemistry with Jerry, and by having a normal, plain look. This film works because it's so real and easily plausible; its a witty, romantic drama more than a romantic comedy that proves its never too late to start over or take a risk.

"Jerry Maguire" has to rate as one of the most quotable movies of the last decade and a half. It's given us the lines "Show me the money", "Help me, Help you", "You had me at hello" and "You complete me". And it's that last line, that really describe this movie. It's really about the growth of an individual. We see Jerry Maguire the character, grow from just an agent to becoming much more, it's not an easy trip but for the most part it's an entertaining one.

Jerry Maguire is a top sport agent. He has a decent amount of big names as client and he's engage to a beautiful woman. Then one day while visiting one of his client in the hospital, the client's young son confronted him after he gives the client a shallow encouragement. The confrontation stick in his mind and would even get him to write a "mission statement" for the company. The "mission statement" basically lays out a plan that the agents give their clients more personal attention. Unfortunately his boss doesn't like it.

The movie gives us a look at the world of the sports agents. Who are they that gets a cut of an athlete's earning and do they really deserve it? In the beginning they're just there to negotiate the numbers and get the athletes as much exposure. In the end, Jerry has become more than a guy who makes deal for an athlete. It also gives us a look at some clients they're more demanding than the agents are prepared to handle. But if handled right they will prove to be worth the trouble.

Jerry Maguire is played by Tom Cruise, and he gives one of his best performance. I think it's every bit the equal of Cuba Gooding Jr's. Oscar winning performance. Both men were on top of their game playing off each other. It's sad that his erratic behavior of late has caused harmed to his career because Tom Cruise is a very good actor. So too is Mr. Gooding and Renee Zellwegger, who plays an office worker in Tom Cruise's office and who joined him as he tries to put forth his "mission statement" into practice.

All in all, I think it's a good movie with a very observant script, complimented by great acting.

I just finished watching this movie for the third time and I still love this movie as much as I did after the first time I watched it. Maybe even more! As I already said in the title of my review, only Cameron Crowe can make this kind of movies. Movies about life the way it is and life the way it should be. What I like the most about Crowe's work, is that everything is real. The characters, their emotions, the story,… The whole is absolutely amazing.

Tom Cruise gave an excellent performance as the sports agent with a heart. Someone for who money isn't the most important thing. It's all about the relationship between the sports agent and his client. What's so great about "Jerry Maguire", is the fact that the movie isn't about who Jerry Maguire really is, it's about who he wants to be. I loved Cuba Gooding Jr. By far his greatest role ever. Let's not forget Renée Zellweger and her cute son, amazingly performed by the young Jonathan Lipnicki. Both where very good. Perfect casting for Zellweger.

I read in the trivia that the title role was written for Tom Hanks. Don't get me wrong, Tom Hanks is an excellent actor, but to play an ambitious and arrogant sports manager (what Jerry Maguire was at the beginning of the movie), you need to have Tom Cruise's face. He was just perfect for the role. I can't think of anybody who could have done this as good as he did.

So my conclusion for Jerry Maguire: If you haven't seen it, you should definitely see it. If you have seen it, I hope you can agree with me. This movie is wonderful, as where are used from Cameron Crowe-movies.

9/10

I've almost always loved Crowe's style of storytelling and never tire of rewatching 'Almost Famous' and 'Jerry McGuire' (which I consider his best). Even though his more recent 'Elizabethtown' didn't match up the standards of those two films, that too had its wonderful moments (and it was better than 'Vanilla Sky', Crowe shouldn't have attempted remakes). Like most of his films, 'Jerry McGuire' has soul. Crowe's eloquent screenplay is rich in humour, drama and lots of energy. It features some of the finest dialogues and one-liners like 'You had me at hello', 'Don't cry at the beginning of a date, cry at the end like I do'... and the actors deliver them marvelously. Another fascinating aspect is the brilliant characters. Each and every one of them, no matter how long the screen time, has something that contributes. Thus, next to an engaging drama and a magnificent comedy it is a fine character study.

'Jerry McGuire' may also be one of Cruise's career best movies. I'm surprised to hear that the part was originally written for Tom Hanks. Hanks is a fine actor but I can't imagine him as McGuire as I doubt whether he has the right combination of energy and pathos that are required to be McGuire. I can't imagine anyone but Tom who fits the part. The same can be said of Renee Zellweger and Cuba Godding Jr as I don't see how a Winona Ryder, Cameron Diaz or Mira Sorvino and a Jamie Foxx (all good actresses) could respectively bring out the sweetness, vulnerability and charisma of Dorothy Boyd or the energy, humour, liveliness, enthusiasm and devotion (towards family) of Rod Tidwell. One wonders why Zellweger was overlooked as her presence too is crucial to the film.

In addition, the film has a splendid supporting cast that include a sublime and laugh-out-loud Bonnie Hunt, a bitchy gorgeous Kelly Preston, a sprightly Regina King and an unforgettably lovable Jonathan Lipnicki (one of the few child actors who's cute but not in the way that gets on your nerves)'. Child actors are very hard to direct but Lipnicki's performance comes across as very natural and he acts like a real child instead of those irritating oh-look-I'm-so-cute child models.

The soundtrack too deserves mention as it features some amazing numbers. One of the so many memorable scenes is when McGuire is driving in his car and he listens to the radio, switching channels and singing along. Then there's also the incredibly romantic 'Secret Garden' by Bruce Springsteen among other great familiar tracks by the Beatles, Rolling Stone, Marvin Gaye, Kurt Cobain etc. On the more technical side, the wild and smooth cinematography, slick editing and effective sound are superbly put together. The visuals are very impressive.

The last time I had watched 'Jerry McGuire' was about 10 years ago and I vividly remember saying 'wow!' when the end credits started to roll that my sibling wondered what the hell was going on. I feel the same about it after having rewatched it recently. Well, actually I like it more because I noticed more things that I overlooked before and understand and like the characters more. McGuire's transformation from the money-obsessed agent to the caring agent and then to the caring human being (in the form of a father and a husband), a change that wouldn't have happened if it weren't for the caring people in his life, is one remarkable story.

"Jerry Maguire", the awkward sports/romcom mashup that sometimes works. Sometimes.

I feel like Tom Cruise fits best here as a sports agent, his image aligning well with the hyper schmoozing salesman, but not as the romantic leading man. I say this as a recent convert, mostly due to his later work (you compare this to something like "Edge of Tomorrow" or "Maverick", they're two different actors).

Renée Zellweger on the other hand, she brings the luminescence. She's amazing and steals every one of her scenes. It's completely fair to say she does the heavy lifting on the romance side of things. Cuba Gooding Jr took a while but he grew on me.

What I didn't see coming was the cute kid, and that's who kept me going through the (inexcusably long) movie til the end. Jonathan Lipnicki is incredibly charming, but his character really got to me. When he was happy, I was happy. When he was heartbroken, I was shattered, and really wanted to hit Jerry Maguire in the face. But every scene had me hoping the kid would show up again, and if there's an MVP (c'mon, it's a sports movie) it's totally him.

Many moving parts rhythmically sync together in Cameron Crowe's 'Jerry Maguire' - one of the best films of the 1990s. Hard to believe it's been 25 years, and just saw Maguire for maybe 20th time, so long overdue are my comments.

The influence and imprint on this film by brilliant filmmaker/TV series creator/producer James Brooks is apparent in how Cameron directed this film - it was an interesting mentoring brain-share between Cameron and Jim during pre-production that set the direction for Jerry Maguire.

The preparation for filming included: a side trip to Billy Wilder's house by Cameron and Tom Cruise in an attempt to recruit the elder legend for a key Day-Player bit part in the film (didn't work); the introduction of then little-known Renee Zellweger by casting director legend Gail Levin (the acting rapport between Renee and Tom during her audition was instant and never wavered); Cuba Gooding's infectious enthusiasm that won him his role over more famous names, and an Oscar in the Spring for Supporting Actor; and Tom Hanks' early consideration for the Lead that as it turns out was fortunate to have too many scheduling conflicts (much of the dialogue in JM was written for Hanks). Interesting background stories are common to Cameron Crowe film production.

But the engine that propels this film are the timeless ideals of pursuit of meaning and happiness in one's life, the power of overcoming adversity - "going for it" and stretching for the brass ring, finding true love and commitment to it, and developing key friendships that have a lifetime impact in one's life.

One is initially inserted into this story during Jerry's rapid ascent towards the pinnacle of career success as a sports agent, followed by an overnight ethics crisis "free falling" to the edge of a career-abyss. This perfect storm of dramatic conflict ties each of the main characters together, and we are immersed and hooked for the rest of the film.

The memorable/quotable dialogue in 'Jerry Maguire' is iconic ("show me the money", "you complete me", "you had me at hello", etc.), delivered by actors that rose to the occasion, each putting forth inspired performances.

Cameron has a way of extracting an actors' genuine emotional connection to their character that few directors achieve. This ability can be found in every Cameron Crowe film from 'Say Anything' (1989) forward.

Cameron's music-sync of iconic songs in the film are inspired and perfect (as one would expect), surpassed in his films only by those tracks used in his semi-autobiographical 'Almost Famous' (Cameron's greatest film to date, and on my IMDb Top 10 Greatest Comedy Films list).

'Jerry Maguire' is timeless and memorable, and a reminder for me why I fell in love with movies (and music) at a very young age - a lifetime gift that gets re-stoked by films like this one.

An easy decision to rate Jerry Maguire a 10 as one of film's Top 100 💯 Greatest Movies.

👍👍

Fairly entertaining sports film that works best when it's focused on Tom Cruise's at-loose-ends agent and his client, played by Cuba Gooding, Jr. But the film crashes and burns when it becomes about the love story between Cruise and Renee Zellweger's character. Writer/director Cameron Crowe has proved time and again that he can't write female characters worth a damn, mostly because he treats them the way adolescent boys treat women when they "discover" them for the first time.

This film goes down smoothly enough, but it's too long and Crowe's writing style is too self-consciously cutesy for my taste ("Show me the money!" "You had me at hello"). This wasn't even close to being one of the best films of 1996, its Best Picture Academy Award nomination notwithstanding.

Grade: B-

At the 1997 Academy Awards, host Billy Crystal referred to the characters played by the five Best Actor nominees (of which Tom Cruise was one) as being "a burned guy, a mentally-challenged guy, a mentally-abused guy, a paralyzed guy, and an agent. And four out of the five are treatable." Of course Crystal was jokingly referring to the Agent as being beyond help. Among the figures of sports and entertainment, agents are often regarded as the necessary evil of the industry often with reputations as being the sleaziest of VIP's, just-above used car salesmen. Their antics which require a high-level of tough negotiations are sometimes seen as money-gouging and materialistic. In the film "Jerry Maguire", Tom Cruise decides to wear the shoes of a sports agent and walk around in them for just over two hours.

"Who am I, and what am I doing?" Jerry Maguire asks when he realizes his sports agency, SMI, tries to cover up the darker aspects of professional sports. His answer is inspiring, transcendent, and detrimental. He mistakenly writes down his inspired thoughts and submits them to his colleagues for suggesting the agency concentrate better on fewer clients. For his inspiration, he loses his place at his agency and many of his highest-paying clients to his rival Bob Sugar. Subsequently, he also loses his attractive but shallow fiancé. Maguire is forced to try and live his dream of being more caring and receptive towards the needs of his clients rather than just being there to get a slice of his athlete/clients' multi-million-dollar paychecks. In a particularly poignant sequence, he retains his client Frank "Cush" Cushman who is a leading contender in the NFL draft through a handshake with his father, played by Beau Bridges. However, on draft day, he learns through an unexpected phone call that his rival Bob Sugar, through deception, convinced Cushman to sign with him instead. Now, Maguire has retained only Tidwell, and he must create his new agency from the ground up with only a single client as his starting point.

So the question asked of the movie is: Can a sports agent find a more meaningful, possibly spiritual, life and still acquire the high-paying clientèle? And maybe even more to the point, can an agent make a difference beyond just being a high-powered money negotiator? "Jerry Maguire" is a thoroughly entertaining riches-to-rags-to-transcendence story of a fantasy sports agent trying to find a deeper purpose to an otherwise materialistic existence.

The film works at almost all levels, particularly because of the dynamism of Tom Cruise and Cuba Gooding Jr. in an Academy Award-winning performance, playing the only client willing to stay with Maguire. Part of the story is Maguire's journey from the purely material to a deeper and more-satisfying existence. Rod Tidwell (Gooding), wide receiver for the Cardinals, is a strange opposite to Cruise but has a similar problem. Tidwell is a devoted father and husband, emotionally involved with his family but does not quite give that same heart on the football field. The story becomes about both characters finding something deeper in their place in the world, Gooding giving what he gives to his family to his team, and Cruise giving to his clients and co-worker/lover Dorothy Boyd his love and attention. Renee Zellweger plays Dorothy Boyd in a passionate and sensitive performance that will definitely bring tears. Zellweger's son becomes an important character and also an inspiration to Cruise to find the deeper and more sensitive part of himself.

In the materialistic world of late 20th-century America, "Jerry Maguire" is a breath of fresh air. A rare story produced by the money-obsessed film studios about the dangers of losing oneself for the sake of self-promotion and monetary gain. An interesting statistic has emerged of late regarding a high number of American businessmen on their deathbeds who begin regretting the direction and purpose of their lives. "Jerry Maguire" offers an alternative, although probably few in his position would find the wisdom to change course. But since you can't take it with you, life is about what you leave behind.

A huge hit for all involved upon release in 1996 (where does 20 years go?), for some reason I've never shown Jerry Maguire "my money" and watched it in its entirety, despite it being the film that spawned an endless count of imitators trying to redo instantly classic scenes or launched the careers of Renee Zellweger and the Oscar winning Cuba Gooding Jr.

Before he went on to make the other instantly recognisable and well-regarded Almost Famous, director Cameron Crowe combined his skills as a writer and a feel-good director to give us this insight into sports agent with heart Jerry Maguire and his fight against the odds to keep his head above water but while the film masquerades under this disguise Crowe's film is quite simply a Hollywood romance between Tom Cruise's Maguire and Zellweger's caring single mom Dorothy Boyd, whose young child Ray (played by Stuart Little's very own brother Jonathan Lipnicki) just about steals the show.

Lathered in Hollywood schmaltz and filled with a loud American bravado thanks to Cruise and Gooding Jr's turns, it's hard to know how Crowe's film would be received had it been released in today's climate but as with many 90's rom-coms you go in expecting things to be more fanciful and over the top than we've come to expect from the modern age's more realistic ventures and it would take a viewer with a heart of stone to walk away from watching this uplifting tale not feeling some of those good vibrations that Crowe has largely failed to recapture in his career since (just look at Aloha).

Finding himself completely entangled in this feel good romance is it's star Tom Cruise who delivers arguably one of his most likable and complete turns as the driven yet always appealing Maguire.

If there was ever questions as to why Cruise was and still is one of the world's most bankable and relatable on screen persona's, it's likely that Jerry Maguire would answer them in one clean sweep.

Showcasing an energy, likability and delivery of important scenes that very few actors could dare to muster up, Cruise is without a doubt the quintessential Maguire, that person than can make anyone drink their Kool-Aid and in almost every scene of a movie that runs over 2 hours, Maguire ends up giving Cruise one of his most rounded and memorable acting gigs which is no small feat in a career filled to the brim with lasting classics.

Not everything works within the film however. Some scenes fall flat and Gooding Jr's Oscar winning turn is hard to support when watched under current conditions, all yelling and hyperactivity, it's not exactly the type of performance that you'd call the "year's best" although those feel good vibes and the films overall success no doubt influenced many who were under the spell of Crowe and his audience appeasing venture.

A fun, smile inducing film that's influence can't be underestimated, Jerry Maguire is over the top and filled with Hollywoodized moments, plus it's fair share of over the top scenarios and performance but with Crowe in the best form of his career as a filmmaker and Cruise on peak likability mode, Jerry Maguire is a film worthy of its reputation even if it's not quite the classic some would label it to be and absolutely a product of its time.

3 ½ memo's out of 5

This movie is a comedy, drama, romance, sports movie, and a money movie (e.g. Wall Street, where the main character is trying to make a lot of money). The problem such a movie faces is maintaining a consistent tone. Remember Prizzi's Honor? JM solves that problem by using restraint. It doesn't go over the top, although its characters sometimes do. It has funny moments, but it's not Animal House or American Pie. It's a drama, but it keeps the stakes low. This isn't Armageddon: they aren't trying to save the world. There are no life or death decisions. The romantic stakes aren't that high either: Renee Zellweger loves Tom Cruise, but she's been in love before and if this doesn't work out, she will be again. The only really high stakes are the money. By keeping the stakes low, JM let's us watch it with a bit of detachment.

This is more of a drama than a comedy. A good test is whether the characters change. Here, Tom Cruise starts off completely cynical, abruptly changes to ridiculously idealistic, then spends the rest of the movie finding the right balance. Renee Zellweger starts by loving Tom Cruise from afar, then gets him, then has to work out her ambiguous feelings.

JM is fun to watch. The characters, though flawed, are sympathetic. We enjoy watching them succeed, fail (sometimes in funny ways), and try to discover what they really care about. It's complicated, thoughtful, and surprisingly subtle.

Viewing this film for the first time after being made aware of its several Academy Award nominations, included the reputed Best Picture and Best Director (Cameron Crowe), I was disappointed in how thin this film actually was. But then again, how deep can you go when you're dealing with a romantic comedy? Still, I am yet to understand what all the big hype is about.

Tom Cruise delivers an excellent performance as Jerry Maguire, a disgruntled sports agent who loses his job and dignity after having an epiphany about the lack of morals within his basic workplace. He falls for a single mother (Renee Zellweger), simultaneously developing a strong bond with her child and hence embarking on a trip of personal and professional redemption. Cuba Gooding JR is full deserving of his Oscar win as Best Supporting Actor, and Renee Zellweger is solid as always. But that's just about it. A fine cast delivers memorable performances, but what else has this movie got? Crowe's direction is very simple, arguably crossing the line from being "unpretentious" to "boring". The more technical elements of the picture are also mediocre at best, with simple editing and cinematography contributing to what is ultimately a fairly simple film all round. At the end of the film, you are left feeling that what you viewed was practically the same as any other feel-good romantic comedy that you would watch otherwise. The only difference: a better cast.

I must say here that this film's critical recognition by the Academy is one of the most ridiculous things that I've ever heard of. Sure, the film was OK and simple, but to claim that it stood up even as a nominee against the likes of the brilliant "The English Patient" and "Shine" at the 1997 Academy Awards is an insult to that year and illustrates a deterioration of the medium. This is not to say that Crowe is a bad director or that this was, by any means, a terrible film, but it is by no means deserving of the critical hype that accompanied its theatrical release.

All in all, a decent romantic comedy with excellent acting and relatively good editing. But, by all means, nothing special.

By definition, and depending upon who you're talking to, `Success' can be measured in a number of different ways. It's winning the competition, celebrating a Golden Wedding Anniversary or, to many, just making the most money. The first two are absolutes; you win and you make it to number 50. No gray areas. If you're not dead, you're alive; you're either pregnant or you're not. But in regards to that third item on the list, what are the parameters by which you measure that particular success? Are there lines across which you will not step to make that extra buck? Or do you do whatever it takes-- including selling your soul and sacrificing your very identity-- to make as much of the green as you can. Is that success? Or is that selling out. Can there, in fact, be true success when ethics and integrity are absent? It's the territory writer/director Cameron Crowe explores in `Jerry Maguire,' the hit 1996 film that landed him an Oscar nomination for Best Original Screenplay, a Best Actor nomination for star Tom Cruise, and captured the award for Best Supporting Actor for Cuba Gooding Jr.

Jerry Maguire (Cruise) is a high-powered sports agent for a huge agency, handling a portfolio filled with high profile sports figures. And the name of Jerry's game is money; he gets the big bucks for those he represents, he keeps them in the limelight and in the end pulls down some mighty big bucks for himself and the firm. But at what price? Who is Jerry Maguire, really? Has he played the chameleon for so long as a means to an end that even he doesn't know who he is anymore? Does he even consider it? If he stopped to think about it, the answer would be a resounding `No.' But then something happens. One night, he wakes up and happens to look at himself in the mirror, and for whatever reason, it suddenly dawns on him what a selfish, soulless, empty life he is leading. So in the wake of this epiphany, he seizes the moment, sits down at his keyboard and hammers out a `mission/morality statement,' in which he reorganizes his entire approach to his career, including reestablishing parameters and setting new priorities making conscience, ethics and integrity his paramount concerns. And while still riding the high of his nocturnal enlightenment, he goes to his office, makes copies of his statement and distributes it to the mailboxes of everyone from his boss on down. Then he goes home and goes to bed.

In the cold light of morning, however, he realizes what he's done and races to his office to avert disaster. Too late. He enters the room to a hail of praise and appreciation from his peers, but his boss is less enthusiastic. It's no surprise to Jerry, then, when the big `M' his superiors are interested in turns out to be `Money' and not `Morality,' as in `Money talks, Jerry walks.' And just like that he's out the door. But before he leaves, he vows to make it on his own. He's up, he's positive, he has his statement-- and he doesn't have a clue what to do next. What he does know is that the adventure of a lifetime is awaiting. And the world is about to meet the `real' Jerry Maguire.

Cameron Crowe made his debut as a writer/director with `Say Anything' in 1989, in which he first exhibited that keen insight into the human condition that has been one of the trademarks of his success as a filmmaker. In `Jerry Maguire' he demonstrates again that acute sense of knowing what makes people tick, and leaves no doubt that he knows how to convey it to his audience. Crowe's story, as well as the presentation, is original and imaginative, and he fills it with real characters involved in very real situations. And it's the characters that really sell it, because these are three-dimensional people, not just cardboard cut-outs, and moreover, Cameron knows how to get the best out of his actors to really bring them to life.

Tom Cruise was the perfect choice to play Jerry; he has the look, the energy and the talent to get inside this guy's skin and make him tick, and he successfully channels his natural exuberance into his character, tempering his performance just enough to make it really work. An Oscar nomination does not come cheaply, and Cruise certainly deserved the one he received for his work here.

Cuba Gooding Jr.'s performance is deserving of the acclaim he received for it, as well. As Rod Tidwell, the pro football player/client who sticks by Jerry and insists that he `Show me the money!' Gooding equals, if not surpasses Cruise's level of enthusiasm with a vibrant and rich portrayal that makes Rod one of his most memorable characters. Like Cruise, Gooding is perfectly cast and points up, again, what an acute sense Cameron has for who and what will work to bring his story so convincingly to the screen.

Not to be outdone by her co-stars, Renee Zellweger gives an endearing performance as the vulnerable but steadfast, single mom, Dorothy Boyd. She's such a `giving' actor, and she endows Dorothy with a gentle, caring manner that expresses her deepest thoughts and feelings so well. Her reaction, in the scene in which Jerry tells Dorothy-- with his back turned to her-- that he has broken up with his fiancee, Avery (Kelly Preston), is priceless, and alone makes this film worth watching (repeatedly). Her work here is every bit as Oscar worthy as Cruise and Gooding's, and it's hard to understand why she was overlooked, as she is such a vital presence in this film. 9/10.

The supporting cast includes Jerry O'Connell (Frank), Jay Mohr (Bob Sugar), Bonnie Hunt (terrific in her role of Laurel Boyd, Dorothy's sister), Regina King (Marcee) and Jonathan Lipnicki, unforgettable as Dorothy's precocious son, Ray. A triumph for Cameron Crowe, this movie is, indeed, magic.

The best thing in the DVD of "Jerry Maguire" is not even the movie itself. It's the complete text of the title character's controversial "Mission Statement", invested by writer-director Cameron Crowe with the same passion, humor, and character-consciousness that drove his Rolling Stone profiles and script for "Fast Times At Ridgemont High".

The movie is pretty good, too.

Jerry Maguire (Tom Cruise) is a high-flying agent about to sign the most-prized NFL recruit in the country when a crisis of conscience forces him to write and distribute the aforementioned mission statement. Summararily canned by his agency, he's forced to scramble to save his career, with the help of his assistant Dorothy (Renée Zellweger) and their one client, head-case wideout Rod Tidwell (Cuba Gooding Jr.)

With this movie, it becomes clear that Cameron Crowe took the ball from John Hughes and ran with it. The kind of films Hughes used to make, of weepy love scenes and whipsmart wisecracks set against an esoteric pop score, are the kind of films Crowe makes, only with adults. In that way, "Jerry Maguire" satisfies.

What grates about this movie, and more with other Crowe films like "Almost Famous", is the way people speak to each other in the form of taglines rather than actual human speech. "Just jump right into my nightmare, the water's warm!" "I'm her disapproving sister." "I've had three lovers in four years, and all of them ran a distant second to a good book and a warm bath." "That's more than a dress. That is an Audrey Hepburn movie." "Help me help you!"

At least Crowe has the good sense of turning the last line into a running joke. He also is helped, unlike "Almost Famous", with the kind of top-notch cast that can make the most of groaner lines like the almost-infamous "You complete me".

Cruise is electric on screen, finding the perfect channel for his high-energy persona in the always-on Jerry. Zellweger has a lot of gooey moments, but extracts every ounce of rightness from them to make for a compelling emotional center. Jay Mohr as a rival agent is a wonderfully hateful foil. I can hear him say "Whatever" now.

Gooding won an acting Oscar for "Maguire". Watching him, you understand why. Every time the film seems ready to sag into some touchy-feely moment, his Tidwell is on hand to keep things hopping and real. I can't say I understand why exactly Jerry is constantly questioned about the honesty of his feelings for Dorothy, though it is a major theme of the film's last hour. It's probably why "Jerry Maguire" is not a guy film despite the sports setting. When people talk and talk so openly about their feelings, I feel like a nun at a Sam Peckinpah double-feature.

This film didn't quite have me at hello, but kept me watching longer than I expected. Give Crowe credit for investing his chick flick with enough humor and energy to keep things from getting too soft. Give Cruise and the rest of the cast praise for strong performances around the horn. And give Dicky Fox a big salute for that fabulous final line. I wish you the same thing he did.

I still remember the fuss "Jerry Maguire" made when it came out back in '96 and I still remember the first time I saw it and wondered what the big deal was.

I respect Cameron Crowe and I think he has good intentions. "Almost Famous" is a really, really good chronicle of its era. It had interesting characters who I felt for.

"Jerry Maguire" is cold, distant, and frankly, rather boring. Clocking in way past its limit, it's basically about a loser sports agent Maguire (Tom Cruise) who suddenly finds all his friends and co-workers and even family turning against him as he nears middle-age.

The moral is effective - don't let your life be ruled by materialism -- but it's hardly a subtle one. Even Rene Zellweger's character is a huge cliché, being the female love interest who is pure, good-natured, sweet, and represents everything Jerry doesn't have in his life. (His current fiancée in the film is portrayed as a materialistic fraud.) The whole yuppie culture thing is kind of over and "Jerry Maguire" would have worked a lot better during the '80s, a decade Crowe seems more comfortable with (he penned "Fast Times at Ridgemont High" after hanging out at a real high school).

There's something about this film I've just never been able to warm up to.

"Jerry Maguire" did something very strange in 1996: it had both critical and commercial success. This was evident in the fact that the four other Best Picture nominees for the year were all independent productions. "Jerry Maguire" shows the business world of America at its worst, in this case in the sports industry. When Jerry Maguire, a sports agent, (played by Oscar-nominated Tom Cruise) has a breakthrough one night he realizes that quality is more important than quantity. Of course he is fired from his job and loses all of his clients except Rod Tidwell (played by Cuba Gooding, Jr. in his Oscar-winning performance). Dorothy Boyd (Renee Zellweger) has left the business with Maguire, agreeing with his views. However, Maguire struggles with his separation from the sports corporation (losing his fiance and the first pick in the NFL Draft). However, he survives and learns that living well and loving well are the keys to happiness. All in all, "Jerry Maguire" is classic Hollywood stuff made in the present-day. Cameron Crowe's script and direction are subtle, but extremely effective. Tom Cruise delivered his best performance to date. Renee Zellweger proved to be the find of the year and Cuba Gooding, Jr.'s quotes and scenes he stole were enough to win him the Oscar in a very competitive year in the Best Supporting Actor category. "Jerry Maguire" is not a perfect film. In fact it is flawed in many ways and is not very accurate in some areas. However, its ability to mix comedy, romance, and drama make it a very entertaining film. The performances are all excellent. 4.5 out of 5 stars.

Every time I see a football player act like he's been mortally wounded, and then gets up and continues playing just fine, I think of this movie. Cuba Gooding plays just such a character but Tom Cruise is the star of this movie which did pretty well at the box office. You wouldn't think a film about a sports agent would be this successful.

THE GOOD - Generally nice people that you want to root for, especially the kid, "Ray Boyd," played by Jonathan Lipnicki, That was this child's first film and he went on to further fame in the Stuart Little movies and now on television. Cuba Gooding was funny in an exaggerated role of the greedy and show-boating football player. Cruise and Rene Zellweger are big names in the business who usually deliver good performances.

THE BAD - Nineties morality (sex right off the bat, and a few other attitudes) and overuse of the f-word. There's not an excessive amount, but way too many f- words for a nice romantic-comedy like this. The film gets a bit soap opera-like at times, and is a little long.

OVERALL - Despite the good outweighing the bad, and a generally likable group of characters, I really never had the urge to watch this a second time. Oh, and a postscript: those soccer players in the World Cup that just concluded did Cuba proud with their "swan dives" throughout the tournament. One minute they were dead; the next minute, alive and kicking!

Cameron Crowe is a genius. Every movie is made to make an audience member feel something. Whether it be laughter, horror, entertainment, or maybe just to be feel good. I simply don't think there is a better director at just making you feel good about life. He must be a tremendously happy person or maybe just too optimistic. No matter, I love his movies. Some would argue that at times his films feel too happy and perhaps unrealistic, to that I say nonsense. I don't mean nonsense as in they are completely invalid, the arguments have a point. I just don't think that always matters. Movies are made to be enjoyed and entertained by, and Crowe almost always comes through there.

Jerry Maguire is about a sports agent who is down on his luck after being fired and is left with only one client who still stands by him. But what it's really about is a man with major intimacy issues, who learns how to enjoy life with his heart more than with his wallet, or lack there of. It's pretty much Tom Cruise's quintessential role and one that he very well could have won an academy award for. Cruise not only brings some surprisingly well timed comedy, but a great amount of heart and realism to Jerry. Renee Zellweger also has a career defining performance as Dorothy Boyd, a single mom and a co-worker of Jerry. Crowe has a knack for creating great chemistry between romantic co-stars. Zellweger and Cruise are great together, along with the hilarious son of Boyd, Ray. It's the scenes with all three of them that really touched me in a way that only some films do. Not to mention just how funny the three of them, particularly Ray are in the film. For a film that isn't straight comedy, it made me laugh a whole lot.

With Cameron Crowe you also get a great soundtrack and score. Nancy Wilson does an impeccable job scoring at the right times, and the soundtrack choices couldn't be more spot on with the various moments throughout. But it's also Crowe's ability to make an admittingly predictable film feel fresh and re-watchable. He surrounds the wonderful main cast of Cruise, Gooding Jr, and Zellweger, with standouts Regina King and Bonnie Hunt. The writing, music, and direction are all top of the line as Jerry Maguire is simply one of the most enjoyable films I have seen recently. To go along with the fact that being a huge sports fan, it was fascinating to see how the agent business may work. Of course, the film is famous for the endlessly quotable lines, but I feel like the enjoyment of life is what I'm going to take from it, and really how little money can mean in the grand scheme of things.

+Cruise at his absolute best

+Real romance

+Quotable lines

+The kid is hilarious

+Great sports film

+Supporting cast

-A little bit predictable

9.7/10

I just saw Jerry Maguire for the first time a little while ago. It really is a feel-good movie. The cast is first rate. Tom Cruise is good, but supporting players Renee Zellweger, Cuba Gooding Jr., and Regina King really shine! This movie was worthy of more Oscars than it won. Speaking of the Oscars, Gooding's performance in this film was even more exuberant than his acceptance speech! This movie is also loaded with catch phrases "You complete me." "You had me from hello." and of course "Show me the money!" Zellweger and Cruise make an excellent couple, and the viewer really wants them to stay together. Once again, if you need a lift, or just want to really feel good this is the movie for you!

Tom Cruise had one of his best roles and earned his second Oscar Nomination for Best Actor for his charismatic JERRY MAGUIRE, a richly entertaining comedy drama that is a seamless blend of character study and romantic comedy. Jerry is a driven and ambitious sports agent for an international agency that represents professional athletes in all sports who has a crisis of conscience that motivates him to write a "mission statement", which turns out to be more of a defiant manifesto blasting everything that is wrong in his business. he distributes his "memo" throughout the office and though it gets faint praise initially, it does end up getting him fired from the agency. We then see Jerry try to continue his business though he only has one client who agrees to stick with him. Director-writer Cameron Crowe (FAST TIMES AT RIDGMONT HIGH; ALMOST FAMOUS)solidified his position as a master cinematic storyteller with this epic story told on an intimate scale. His extremely deft screenplay is sharply delivered by a perfect cast. This role seems tailor-made for Cruise and he makes the most of it. Cuba Gooding Jr. won a Best Supporting Actor Oscar for his star-making performance as Rod Tidwell, Jerry's most loyal client; Renee Zelwegger was the find of the year as Dorothy Boyd, the secretary from the agency who follows Jerry when he's fired and agrees to work for him and eventually falls for him; Bonnie Hunt scores as Dorothy's sister as does Kelly Preston, in one of her best performances as Jerry's shark of an ex-fiancée. Regina King should have received an Oscar nomination for her solid performance as Tidwell's wife, Marcy; Jay Mohr is quite funny as Bob Sugarman, a rival agent who is battling Jerry to represent another football player (Jerry O'Connell)who is being watched over by his protective dad (Beau Bridges). A rare gem from the 1990's that is not only grandly entertaining, but vividly real...there's nothing false or affected here (though some might find Gooding's Tidwell a little over the top), this film is one of those rare treats that is long, but you hardly feel it. A real treat and a must for Cruise fans.

Its not fair to call this film bad. I've seen worse. It's not a very intelligent movie , that's for sure. It's too sentimental. It's not crap or something. Tom Cruise is a pretty good actor , but the others........hmmmm........ The story is o.k. The message is good; don't think about money all the time and don't abuse people for making money. Did I already mention it's too sentimental ?

I've seen Jerry Maguire a number of times but it was only on my most recent viewing, at the age of 23, that I came to truly appreciate it. Yes it is all the things I described in the title; but it is also a charming and original film filled with excellent performances, under the control of a man who knows exactly what story he wants to tell. I'm not going to tell everyone it doesn't have its flaws- I can picture Crowe sitting there and smiling to himself after writing "You had me at hello"- but this is anything but a bad film.

Jerry Maguire features an unusual central romance, with Cruise and Zellweger's characters getting together more out of convenience than love (on his part anyway). The relationship is handled with maturity and honesty by all involved. Cruise is terrific throughout the whole film but it is his moments with Zellweger and her character's son where he truly shines. Zellweger herself, oft maligned, also puts in a great performance and in my opinion she has never looked lovelier. But it is the relationship between Cruise's Maguire and Oscar winning Cuba Gooding Jr's Rod Tidwell that is the film's real selling point. It's a relationship built on loyalty, trust and friendship. The film has its twists and turns (and it is too long) but it is the bond between agent and star that keeps the film afloat and ultimately gives it a happy ending.

Oscar Note: I don't know what the reaction was like at the time but popular opinion nowadays is that Gooding didn't deserve the Oscar. Bill Macy and Ed Norton are often cited as being robbed, and I can't deny that they were excellent in their respective roles, but I believe Gooding to be more than worthy. You'd be hard pressed to find a more electric, entertaining and effective performance in any film.

This movie is sweeter than candy. But it is a tad to long to be delicious.

It's reflexions on "real life" with it's up's and down's is unbearably boring, mostly due to Cruise's soul less effort.

What works here is Renée Zellwegger. Her bittersweet performance adds the very welcome drop of reality in this pretending to be realism romantic disappointment.

She saves this film from being unwatchable - she and the fine dialogue together with Cuba Gooding Jr.'s perfect supporting role makes this an alright film.

So many great parts I'm surprised Jerry Maguire wasn't up for more awards! Very entertaining comedy/drama/romance that is well acted and excitingly joyful. I love Tom Cruise in every scene and Cuba Gooding Jr. was legendary he deserved the golden globe he got. Cameron Crowe created such great glow of awesomeness and written cliche lines that are still used many years later.

It's amazing to me that so many quotable quotes came from Jerry Maguire. It's a good movie, but I don't quite understand why it made such an impact on pop culture. Some plot points didn't make sense to me and I thought the editing was erratic. Nevertheless, the story of a man barely holding onto his career is interesting. Even if you're not into sports, there's plenty of reasons to cheer for this film.

Man's mid-life crisis with a LifeTime made-for-TV agenda.

Men - don't you realize that football is just an angle to get you to watch this pitiful soap opera, complete with the peskiest most-corny-made-for TV kid ever, a divorced womens' support group (does this tell you ANYTHING?) A hockey player's kid gives him a dirty look, so he promptly abandons his successful life for sensitivity. Realizes he's been living...gasp!...a lie! Duh! You're an agent! Propaganda bothers you NOW? From here on, Jerry's life is like a bad makeover show.

Women - did you actually fall for this "romance?" Renee Zellweger on a plane trying to catch an eyeful of Tom Cruise while (I daresay BECAUSE) she has to get a barfbag for her "scene-stealing" cheeseball version of a son. Yeah, who wouldn't want a way out of THAT LIFE. She pathetically fawns over him, he inexplicably likes the kid, therefore her. By PROXIMITY. You should be offended.

Sadly, I actually like Cameron Crowe; he's a capable filmmaker who unfortunately decided to do what everyone else is doing - go mainstream with big names, clichés, and dumbed-down big-budget fluff.