User reviews

This stage to screen adaptation about two estranged sisters attempting a reconciliation after one is diagnosed with cancer is sentimental to the extreme, manipulative beyond forgiveness.....and had me close to blubbering like a baby by the time it was over.

Chalk it up to the fact that I had recently lost a grandmother to cancer, but this film nearly devastated me even as I was mad that it was so maudlin. The fact that it works as well as it does is due largely to the fact that such good actors are cast in it. Meryl Streep and Diane Keaton play the sisters (Keaton is the ill one), and while it would never have occurred to me to put these two actresses together, the decision was inspired. And right before he rocketed to international fame, Leonardo DiCaprio does strong work as Keaton's troubled nephew.

I won't even try to defend this film against those who say it's too schmaltzy to bear, but please let the rest of us enjoy it in blubbery peace.

Grade: A-

I came across this movie on Netflix and thought I would give it a go! Surely a movie with Meryl Streep and Dianne Keaton wouldn't disappoint! It sure didn't! While the story has been done before in various formats it's the screenplay that makes this movie a real gem. The main three actors really do a great job. But with Streep, Keaton and DiCaprio one would expect nothing less. For me the the late Gwen Verdon steals the show. she really shows how comedy should be done. The scene with the orange is one that stands out. A mixture of comedy and heart wrenching reality showcases how underrated she has been. This for me should have definitely gained a nod in any supporting actress awards. This movie certainly won't change your life but it really does provide you with food for though about love, family and the importance of life! Give it a go. It won't disappoint.

Marvin's room turned out to be a brilliant movie assisted well by a great performance by some veteran actors like Meryl Streep, Diane Keaton, Leonardo DiCaprio, Robert De Niro ( although he wasn't the center of attraction as he was the doctor ).

Meryl Streep and Diane Keaton are two sisters who have estranged each other for 20 years and Diane calls upon her sister to take care of their father as she herself realized that she was suffering from Leukemia. Leonardo portrays the character of Hank who does not get along with his mother Meryl on account of her abusive behaviour. Diane Keaton wants Meryl to take care of her Aunt Roth and their father when she would be gone. Meryl portrays a mean woman who is afraid of responsibilities and is troubled by the deliberate acts of her son Hank (Leo). The movie is a beautiful depiction of how Meryl Streep decides to eventually aid her dying sister by stepping into her shoes and taking enough pluck to set things right between herself and Hank.

Diane Keaton and Meryl Streep acted exceptionally well not to forget Leo. Altogether their performance was brilliant. I was touched by the movie. I'd rate it a 7 on 10. It was certainly one of the finest flicks that I've watched.

Small cast, intimate dramas like MARVIN'S ROOM, NIGHT MOTHER or STEEL MAGNOLIAS are among the hardest to adapt from the confines of the stage where the imagination can open the plays ideas up and make what might seem maudlin, real and life affirming to the more realistic form of film where it is harder to see beyond the mundane "bed pan" realities of life. In order to reinvent the best of these - like the plays mentioned above - to the new genre, every break is needed starting with bravura casts who, one hopes, an audience will want to see even "reading the phone book." When a play turns around the characters dealing literally with confrontations with death at the core of the plot as in these three great plays, what HAD been on stage a single set intense evening is frequently "opened up" with all sorts of other locations and events almost as if to distract us from the very issues which we are supposed to be attending to.

On stage and screen MARVIN'S ROOM may well be the best of these three "death plays," all of which started and thrived Off-Broadway (only NIGHT MOTHER made the leap to a Broadway house in its initial production). While, somewhat amazingly (considering that one of the standards of the award is "depiction of American life"), MARVIN'S ROOM was not even a finalist for the Pulitzer Prize for Drama in 1992, it did win a number of other accolades which virtually demanded that Hollywood attempt to bring it to the rest of the nation - and they certainly gave it their all starting with the genuinely all star cast which is both the movie's blessing and its curse. It enraptures with the bouquet of bravura performances even while moving focus away from the central "earth-mother" of the family forced to face her own mortality while trying to care for and hold her collapsing family together around her (Diane Keaton's Oscar nomination - the film's only - notwithstanding).

Ultimately, the film gets where the play was going (as well it ought to have, since Scott McPherson had the luxury of adapting his own play - he may have written his screenplay simultaneously with, if not before the tighter stage version, since he died in 1992, the year MARVIN'S ROOM received its Off-Broadway production at Playwrights' Horizons, winning the Outer Critics' Circle and Drama Desk Awards as best Play of the Year), but the power seems to have shifted from the play's revelations themselves to the dazzling performances. It's still well worth taking the trip, but more to appreciate a monument to more than a dozen brilliant stage and screen careers than a revelatory experience on the meaning of humanity in the face of life and death that the play had been.

Do, by all means see the movie. It works. ...but if you ever get a chance to see the play which either suggested it or grew from it, by all means do - it's smaller but even better.

Neurotic, selfish, chain-smoking Meryl Streep goes to visit estranged sister Diane Keaton--currently the caretaker of their dying father--and all their old grudges come to the fore. Comedy-drama about sad sacks leans heavily on its sentimental trappings, with each character learning a thing or two about "the bonds of family". Despite the fact she obviously isn't a smoker, Meryl Streep is very amusing; Diane Keaton is convincing as a fussy smudge who stops fidgeting every now and then to beam with life; Robert De Niro has an incredibly benign role as a befuddled doctor; Leonardo DiCaprio is good as a sullen teenager (who also gets an education); but Hume Cronyn has a rather insulting role as a stroke-victim (a gratuitously-injected character who seems an after-thought of screenwriter Scott McPherson, adapting his play). This is the kind of tearjerker that aims for your gut but gets you in the teeth. This genre never seems to go out of vogue, and I for one resent it when heartstrings are not just tugged but yanked. However, since it's preconceived how we're supposed to feel about Keaton's character, I would say she still comes through with an interesting performance, garnering the film's sole Oscar nomination as Best Actress. The film certainly has its strengths, yet it's a routine soap opera, not a transcendent one. **1/2 from ****

"Marvin's Room" is undoubtedly a solid film that slipped through the cracks during the slough of great films of the mid 90s, getting overlooked in 1996 by "Fargo" and "The English Patient" among a few others. It's sole recognition was an academy award nomination for best actress for Diane Keaton.

Keaton stars as Bessie, a middle-aged woman who has spent her entire life taking care of her father Marvin and Aunt Ruth who both are not mentally sound, who has discovered she has leukemia. Her doctor, played by Robert DeNiro, informs her that her only chance of survival is if she can convince her sister (Meryl Streep) who she has not spoken to in 20 years or nephews Hank (Leonardo DiCaprio) and Charlie who she has never met. The drama that ensues is all built around the family tension, as Streep's character Lee has not spoken with Bessie because she refused to help take care of their father.

Keaton and Streep both deliver fantastic performances, and we even get a taste of pre-"Titanic" DiCaprio. The performances make the movie, which is simply the play put on the silver screen, which comes as no surprise when the playwright, Scott McPherson, is also responsible for the screenplay. Keaton's honesty and innocence due to her living her life as her father's aid are incredibly apparent in everything she does, and Streep clearly lets Lee's roller-coaster ride of different emotions become apparent at every stop.

The film's weaknesses lie mostly in the deeper thematic areas. The symbolism felt much more appropriate for the stage, where from a film perspective there was nothing very active about the plot aside from a few moments. Most of it is dialogue and hitting on themes through character interaction, which is vital in the theatre, but not as effective in film. So, those that love the theatre will find "Marvin's Room" very good for those reasons, but those who have a deeper love of film will find something missing from this story despite the stellar acting and touching story.

It's such a wonderful story, not at all as dreary as one would expect. The late Scott McPherson injected so much humor and heart into this film, it's hard not to just go along with it. Diane Keaton got the Oscar nomination, but Meryl Streep's character drives the film, as she works her way back into a family she turned her back on so she could have a life of her own. She was right to do so, as her sister (Keaton) has become consumed with caregiving for her father and aunt, taking absolutely no time out for herself. The film also features a nice departure for Robert De Niro from his typically heavy roles. That alone is worth seeing, and fans of his typical performances should be forced to watch this.

This quiet film may not have enough action for some, but it is far better than most films dealing with serious illness. The journey these sisters begin is something that has been explored in countless TV movies (think Lifetime), but what separates it is the humor and the character development that makes the viewer wish he/she could stay and watch the family long after the film ends. The film also benefits from the presence of Leonardo DiCaprio, who gives an unlikely nuanced performance as the older son who develops some character and helps his flighty mother grow along with him. The great thing about his presence in the film is that younger viewers (mostly female, probably) will be more likely to see this movie and get something out of it in the process.

Finally, a word about Gwen Verdon and Hume Cronyn. Their contributions to this film are immeasurable. And as already mentioned, it's great that younger viewers can watch this film and get a last look at them in these touching roles and see how charm never fades with age. Cronyn has little to do but lie ill in bed, yet somehow his character remains a focal point. And Verdon's comic relief pairing with the younger son is a real highlight. She also manages a poignant moment or two in a her scenes with Keaton. This truly is an ensemble piece, and it wouldn't have been without their talent. Why I don't yet own a copy of this sweet film is a mystery.

Great work from Dicaprio, De Niro, and especially Streep certainly make the film watchable, but it still can't save it from feeling like a TV movie of the week. If you're a fan of melodrama... and over 60, then you'll find much to like.

This movie should be reviewed for its great performances from some of the best actors today. Meryl Streep does not fail to shine out as one of the best actresses of all time as an emotionally distraught mother in this tale of hopes, emotions and intense feelings. Keaton, on the other hand portrays her best performance ever, and Leonardo DiCaprio proves that he has talents besides being a heartthrob. This movie really moved me, not because of the story itself but the acting was very realistic....I believe that they all should have received an Oscar nomination. Well done!

Meryl Streep has unparalleled talent. (and no, I don't mean just her much joked-about ability with accents) She constantly takes less than sympathetic parts and gives them a luster few others can, e.g. "The French Lieutenant's Woman", "A Cry in the Dark", Kramer vs. Kramer". Her performance in "Marvin's Room" is another tour de force. Diane Keaton is also marvelous, and DiCaprio is at least playing a character he looks old enough for.

MARVIN'S ROOM

Aspect ratio: 1.85:1

Sound formats: Dolby Digital / SDDS

Jerry Zaks' dry, unobtrusive direction threatens to derail this soapy drama about estranged sisters (Meryl Streep and Diane Keaton) who are reunited when one of them (Keaton) develops leukaemia. However, Zaks keeps things moving at a sprightly pace, and he's well-served by an all-star cast (including Leonardo di Caprio as Streep's rebellious teenage son, and Robert De Niro in a significant cameo as the doctor who diagnoses Keaton's condition). Of them all, however, Gwen Verdon steals the show as a slightly dotty aunt who utters the film's best line ("Which one of you handsome boys is in a mental institution?"). Overall, the characters ring true and their conflicts have an authentic emotional charge, but the film never reaches boiling point and ends ambiguously, with the situation only partially resolved. Fine score by Rachel Portman.

This film was on the end of Eraser that I taped off Sky Premier, it was purely accidental that I watched it. I started to watch it thinking that it might get me to sleep, but then I found it great. Robert De Niro had all the best lines with his pathetic brother, Bob(Dan Hedaya). Meryl Streep also shone in her screen time with her son, Hank(Leonardo Di Caprio in his best role ever).

I loved the whole dramatic sequences, and found the acting touching and Oscar worthy. Diane Keaton provided all the tears in the film, with the others all providing laughs.

This film was a huge surprise. I don't usually like dramas(although I loved Di Caprio's and De Niro's other film together, This Boy's Life), and I recommend this to everyone who loves good dramas. Rating=4/5

There is a movie channel at the cable in here, Turkey. They usually air boring movies. Today I was blue and had nothing to do. Opened this channel and realized this movie is starting in 5 minutes. I thought "ehh another silly old TV movie" but when saw Merly Streep and Di Caprio's name, thought that, how come I heart nothing about this movie. Started very good and I started to feel better. This is a warm movie and you can watch with your family. It's really hard to find this kind of sincere American movies nowadays. I loved and thought it ended very early, wish they made it a little longer but cool anyways. Director and everything is very good. Recommended.

How families fall apart and mend themselves is the point of this star-laden 1996 movie, but stage and TV director Jerry Zaks, screenwriter Scott McPherson, and a trio of fine performances transcend the formulaic aspects to come up with something more resonant. Based on a play by McPherson before he succumbed to AIDS, the semi-autobiographical plot focuses on two estranged, middle-aged sisters. In Florida, mousey spinster Bessie has spent twenty years as caretaker to their ailing father Marvin and their eccentric aunt Ruth. In Ohio, Lee escaped family responsibility to get married and raise two sons in Ohio only to see things fall apart. Lee is on the verge of turning her life around as a licensed cosmetologist when Bessie is diagnosed with leukemia and reaches out to Lee and her sons as potential bone-marrow transplant candidates.

The rest of the movie is mainly about how the sisters cope with each other when they reunite and what they do to deal with the inevitable. Intriguingly, while the soap opera elements are strictly by-the-numbers, there is a persistent undercurrent of black comedy that effectively blunts the potential sentimentality of the piece. It also helps that Meryl Streep and Diane Keaton play the sisters. As the embittered, guilt-ridden Lee, Streep moves easily back into blue-collar, Silkwood territory, and she unapologetically shows the edginess and jealousy of her self-centered character. However, it's a vanity-free Keaton who really radiates as Bessie finding inner strength and contentment under increasingly dire circumstances. A year before "Titanic", Leonardo di Caprio effectively plays the last of his juvenile hellions as Lee's oldest son Hank, a textbook example of teenaged, pyromaniac angst.

The rest of the cast is fine in limited turns - Robert DeNiro (one of the producers as well) as the bumbling Dr. Wally; Dan Hedaya as his even more pixilated brother Bob; Gwen Verdon as wild-eyed, soap opera-obsessed Aunt Ruth; Hal Scardino as Hank's self-controlled little brother Charlie; and Hume Cronyn, who is forced to play Marvin with severely limited expression. There are predictable moments throughout, but some surprise and a few actually enthrall, including a seriocomic scene of quiet reconciliation when Bessie recalls the drowning death of her open-mouthed carny boyfriend. There are no extras with the 1999 DVD release.

Only watched it because of leo....good movie,great storyline.

Marvin's Room (1996) Dir: Jerry Zaks Finally a movie of substance that harkens back to Keaton's earlier successes. Keaton co-stars with drama heavyweight Meryl Streep as two estranged sisters who reunite to deal with Keaton's recently diagnosed leukemia. Keaton's character is hopeful that Streep or one of her two screen sons can be a bone marrow donor for her and thereby possibly save her life. Meanwhile, Keaton has been caring for the sister's long suffering and long dying father, Marvin (Hume Croyn). Adding a little box office punch to the flick is current heartthrob Leonardo DiCaprio as one of Streep's "problem" boys. Though the plot reads like melodrama, and to an extent it is, the movie is fairly subtle and unexpected in its story line choices. If nothing else, one doesn't have the feeling that the writers wrote the screenplay over beers and an episode of Married with Children.

Nominated for Best Actress, Keaton gets to present a more controlled and quiet persona than she usually displays. Streep is typically fine as a used to be good time girl who finally is about to graduate out of beauty school and is having trouble dealing with her sick sister, her dying father and her whacked-out teen son. Definitely worth a view if for no other reason than to fill in the missing Keaton and/or Streep movies you may have missed. And gosh, doesn't Leo look cute!

This is a surprising movie. Considering the subject matter - sickness, old age and mental illness - the film turns out to be very funny and warm. This is due to no small measure by the excellent performances of some of the best actors in Hollywood. Hume Cronyn, whom we've come to expect only good things from, is effective and moving without saying one intelligible thing! Leonardo DiCaprio is perfect as the disaffected son. But the strong, convincing work by Meryl Streep and Diane Keaton as long-estranged sisters carries the movie along. Two more treats are the performances of Robert De Niro as a befuddled doctor and Gwen Verdon as a slightly-off-center aunt.