User reviews

This film, though nothing like the Daniel Defoe novel, was remarkably good. The tale begins with Flora, an orphan removed from her home in a convent in Europe, who is told that she is being taken to the Americas to become the ward of one Mrs. Allworthy, who is credited to have been the woman her mother served. Mrs. Allworthy's manservant and confidant, Hibble, is the one who is to both bear her to his employer, and also to read to Flora the diary of her mother, Moll Flanders, to explain her life to her.

Robin Wright shines as the lost and ever soul-searching innocent Moll Flanders, who despite making many wrong choices in life seems to find her way to kind places again and again. Her unconditionally loving future husband, credited "The Artist" on screen but listed as John Fielding on this site, is played by John Lynch. Stockard Channing is Mrs. Allworthy, who we come to discover is the owner of a Bordello and is a manipulative woman who can sway any man into her power. Lastly, Morgan Freeman plays the part of gentle and world-wisened Hibble, and I think this is one of his best roles, as he interacts so swimmingly with Robin on camera.

The movie is rated PG-13 for sexual situations, nudity and some violence. Despite the subject matter, the film charms the soul. I recommend lovers of Gothic literature to read it, and for people who love the book to give this story a chance as a separate entity.

Over all, I thought that "Moll Flanders" was a good movie. It is a little slow moving. That's the only complaint though. The story revolves around Moll Flanders. She's a slave whom goes into prostitution. And one of her customers happens to fall in love with her. They also have a child together. The movie is just about her life. But it's very heart warming, and I think any woman would enjoy it. If you enjoy Morgan Freeman or Robin Write, this is one of their best performances. I'm a little surprised with the rating. But, I guess you can't win them all. I would recommend "Moll Flanders".

7/10

When I watched "Moll Flanders", it was impossible not to cry... it's just one of those movies. A sweet and sad film, the title character was excellently played by Robin Wright. Some might find it overly emotional, but I found it very enjoyable in its tenderness.

My only displeasure with this movie is that it is not true to the story in Defoe's wonderful novel "Moll Flanders"; it is true to the novel only in the spirit of the character Moll Flanders. To say the movie was a loose interpretation is not adequate; it's much more of a new story using the old character of Moll Flanders.

Defoe's work has a different (and I find, more entertaining) style as well as a richer plot line. Mobil Masterpiece's presentation of "Moll Flanders" (with Alex Kingston in the title role) is much truer to the novel. I found it much more entertaining and much less sentimental. However, it doesn't have the gut-wrenching emotion of this "Moll Flanders". Each viewer will have to pick their own favorite.

Nothing like Defoe's book, this simply uses the character of Moll Flanders to create a completely different story - true, there is still the thieving and the prostitution, but that's where the similarities end.

Robin Wright is a spirited Moll and is well supported by Morgan Freeman as a slave she meets on her travels who looks out for her from then on, and Stockard Channing as a scheming brothel madam. Aisling Corcoran plays Flora, the daughter Moll abandoned, and who she leaves her story to inform her of her origins.

A little muddled, and no doubt a disappointment for those wishing to see an adaptation of the book (for this, see the excellent version with Alex Kingston made the same year), this 'Moll Flanders' nevertheless looks great and benefits from a great performance from Wright. Well worth a look.

¨Moll Flanders¨ (1996) by Pen Densham boasts a very good cast as Robin Wright Penn , Stockard Channing , Brenda Fricker , John Lynch and special mention for Morgan Freeman playing a dignified servant . Colorful retelling based upon a famous and popular novel , setting in the 18th century , London town . A fun romp set from Daniel Defoe's 1722 book focusing a poor orphan girl who seeks wealthy life in England . Born in London's Newgate prison , at the beginning she becomes a house servant at a bourgeois home run by a decent mother (Brenda Fricker) with two daughters but she escapes , and after that , one time grown-up , Moll (Robin Wright Penn) embarks on a risked and unfortunate life , as she eventually finds herself working at the brothel of Mrs Allworthy (Stockard Channning) , there she loses her virginity . As Moll is a beautiful female chased around every bedchamber in a bustling brothel at London town . Soon after , she decides to make her own way and fortune as well as misfortunes ; being always supported by the unwavering friendship of Hibble (Morgan Freeman) . Moll Flanders (female derivative of Tom Jones) plots to get ahead through an advantageous series of romances . But her existence as a whore leads her to drink and near suicide , and things get dreary until she falls for an allegedly impoverished painter (John Lynch) and briefly finds illusion .

Pretty good film , well played , compellingly made and adequately setting . A picture much after the style of ¨Tom Jones¨ and ¨Fanny Hill¨ with bag of incident and color . This period piece turns out to be the 5th on-screen adaptation of Daniel Defoe's 1722 novel , though it misses of the lip-smacking period relish spoiled with a slow and overlong narrative . Being slightly faith to Defoe novel in telling the fortunes and misfortunes of this lively hustler who eventually finds herself working at the brothel of greed and with a scheming landlady . Gorgeous costumes are appropriate to this 18th period . Nice acting from Robin Wright Penn as the wickedly seductive Moll , a spirited heroine who becomes a sensitive prostitute and who briefly finds happiness . Robin Wright holds everything together with help a talented supporting casting . Jon Lynch also gives a heartfelt acting as a crippled as well as enamored artist who finds inspiration on Moll' beauty . The secondary cast is frankly good , such as : Stockard Channing , Jim Sheridan , Maria Doyle Kennedy , Brenda Fricker , Geraldine James and Jeremy Brett's last film . It packs a colorful and glimmer cinematography by David Tattersall . Evocative and stirring soundtrack by Mark Mancina , adding classic music . The motion picture was professionally written and directed by Pen Densham .

Other films based on the bawdy , rousing retelling from Daniel Defoe's novel are the followings : ¨ The amorous adventures of Moll Flanders¨ (1965) by Terence Young with Kim Novak , Richard Johnson , Lilli Palmer , Vittorio De Sica , George Sanders , Leo McKern . Furthermore , TV rendition (1976) ¨Moll Flanders¨ with Julia Foster , Kenneth Haigh , Barry Jackson and Ian Ogilvy . And TV Mini-series in four episodes ¨Fortunes and Misfortunes of Moll Flanders" by David Attwood with Alex Kingstone , Daniel Craig , James Fleet , Diana Rigg , Tom Ward , Roger Ashton-Griffiths , Ronald Frazer , James Larkin and Christopher Fulford

"Moll Flanders" (1996) tells the tale of a young woman's struggle with life in 18th century England. This film received mixed reviews from both critics and consumers for obvious reasons. Everything about the film is good except the telling of the story. In spite of all the pluses, Moll Flanders trudges so stoically through her ordinary life as to not whet the edge of the viewers interest but rather make a wonderfully produced film a tedious and boring watch punctuated with poignant moments barely sufficient to keep the waning eyelid open.

Morgan Freeman uses his immense talent to give varied facets to Mr. Hibble, Stockard Channing is deliciously evil as Mrs. Allworthy, and Robin Wright Penn shines like a diamond in the role of Moll Flanders. Even the child playing Flora does a charming job with her limited part. Some viewers complained that the film was slow moving, but i felt the transitions from "modern day" to "flashbacks" from the memoir written by the title character kept things moving along quite nicely. Having not read Defoe's book, I cannot compare it to this version, but members here seem about equally divided between hating the movie for not being true to the book, and feeling that the changes made are an improvement on the original. Personally, I'd recommend this movie highly to anyone who has time to watch it.

Daniel Dafoe always was linked with "Robinson Crusue", although Moll Flanders was not so noted because the first one outshone Moll Flanders for good, that its release time both were a huge success, the book was wrote in 1725, in my childhood I read Robinson Crusoe, in this adaptation to widescreen I'll concerning what I saw in the movie, due never read the book, the production took place at Ireland, the 18th atmosphere is astonishing, narrow streets, the extreme poverty of the people, the aristocracy living a flamboyant life, overall a true portrait of a hard time era.

Moll Flanders was born in a prison where her hapless mother came to involve sexuality with some jailers, soon Moll was donate for family, it didn't work out, afterwards has been taking to a Christian institution were raised, after coming to age was introduce in house of family to be best trained as a Lady aiming for got a good marriage, nonetheless due her harsh nature, doesn't go far away, what luck she had left otherwise works in a house of enjoyment for rich members of society to can afford such expensive care, the house was ruled by the Ruthless Mrs. Allworthy (Stockard Channing) and escorted by her faithful black man Hibble (Morgan Freeman).

On first months Moll works as maid, cleaning the house, helping in the kitchen to ensure her sustenance, often Mrs. Allworthy allures Moll to enter in the profitable business due her is still virgin, it didn't take to long, luckily Moll finds a odd costumer, an artist or a painter, who lives precariously in the cluttered attic, he living with meager services, he used to remember his old professor and mainly mentor, the time goes by and Moll has been a romantic affair with the painting, Moll asking a special favor to known their parents, well he goes with her to meet his ancestors, a wealthy palace in countryside, his father is a drinks manufacturing, whereof the artist abhorred due its moral principles, there his mother perceiving the girl is under-class, putting a high price to she leaving him, Moll denied for all means.

Staying pregnant the couple living his most happy time together, regretfully he got a deadly decease in few months gonna die, Moll stays alone and have a welcome baby Flora, without money let Flora to a babysitter meanwhile finds a job, suddenly randomly meets the beldam Mrs. Alworthy again, due a robbery ongoing which Moll was in possession of the stolen ring, she enforces him to come aboard headed to a unknown land given for the prime minister of England, Moll pleads for Hibble seek his daughter, but ends up with empty hands, due the local point out for Moll was burned and no one survives.

Moll Flanders will astound you due the outcome aside be hardly Hollywood style has some tradeoffs, as the costume, and mainly for wrote for whom that lived in such environment, we can scour and find something that didn't pleased us, but just few things only.

Thanks for reading.

Resume:

First watch: 1999 / Source: TV-DVD / How many: 3 / Rating: 7.5.

The plot of this film has nearly nothing whatsoever to do with Daniel Defoe's novel; in place of Defoe's brilliant and compelling heroine it substitutes bushels full of ersatz-18th century drivel, pretentious neo-Irish music, and annoying children. Nunneries in England? An unexplained Afro-British man sent on a mission to read a book to an annoying child across the sea? A charitable organization which adopts adult women only if they are virgins? I am certain that if one made a film of "A Christmas Carol" with no Scrooge, no Tiny Tim, and Bob Cratchit as an alcoholic schoolmaster with an illegitimate one-legged daughter living in Sweden, viewers would complain that the story had gone missing -- why not here? It's a shame, as Morgan Freeman gives a memorable performance even in a role which seems dislocated from history, novelistic and actual.

A tale of one woman's journey through her own life of desperation and consequence. This film follows the heroine, Moll Flanders, through her diary left to her daughter via its caretaker Hibble played masterfully by Morgan Freeman. A true testament to the indomitable spirit of mankind, or in this case womankind. I highly recommend this film.

The tale is lengthy and hard to fit into a film - but young Wright does a solid job of telling the story of Moll who escapes prostitution to become a mother. The hardest part is watching Rizzo from Grease work as her pimp.

The main problem with this film is that it calls itself "Moll Flanders." It has very little to do with the Defoe novel. Moll Flanders, who in the novel appears as a resourceful, intelligent, fun-loving and talented woman is transformed here into a helpless fallen angel who has little control over her own fate. There is no mention in this film of her many husbands (as well as the clever ways she obtained them), her thieving career, her other children, her mother and brother, and generally everything else in the novel that was entertaining and meaningful. Robin Wright Penn is boring and anemic in a role that demands the opposite. Sentimental Hollywood has never before ruined a good story with such skill. If you want to get the full flavor of this great novel, do yourself a favor and watch instead the British adaptation with Alex Kingston, also from 1996.

Daniel Defoe would be mortified if he knew that his delightful novel, full of energy and wisdom, was the basis for this plodding, sentimental film. Stockard Channing is delightful to watch in her role... if you mute the sound, so that you aren't forced to endure the dialogue.

Other fine actors are wasted also, including Morgan Freeman looking like he's costarring in Battlefield Earth and knows it. Use this film only as a cure for insomnia. Watch the 1995 British made-for-tv adaptation instead; it does everything right that this film does wrong.

This movie is very special. Congratulation to everyone who was involved ! Most of the credit is due to Robin Wright in the title role of Moll Flanders. She gives one of the most memorable performances in movie history. So please sit back and enjoy the godsend on-screen-presence of Miss Robin Wright. Her talent and beauty is a gift to the movies and should be honored with more than just the Golden Satellite Award nomination she received for playing this challenging and complex part with such a brilliance. The movie owes its authenticity to her excellent acting abilities.

The part of Hibble is played by the gorgeous Morgan Freeman. He is not only very believable but also very strong and equivalent to the remarkable Wright.

To give you an impression of the richness and elegance this film contains, I will describe some of the most poignant moments of this masterpiece:

-When Morgan Freeman reads the memories of Moll to her daughter, his voice suddenly changes into Robin Wright telling her story from her birth to running away from the convent. When she escapes this prison you live to see one of the most illustrious scenes in movie history crowning in her fountain-bathing (movie cover).

-Another very special moment is when the artist (John Lynch in a wonderful performance) asks Moll what she expects from life and she answers : "Nothing any more". When she tells him that, Robin Wright is both breathtaking and lovely. Expressing a feeling was never more credible before.

-Robin Wright also copes superbly with whe difficult situation when Morgan Freeman tells her that he didn't find her baby. This is a very emotional and toughing scene.

-the thunder-storm-sequence is full of tension and very realistic

-Robin Wright dancing in front of her adoptive family is a gift from director Pen Densham to his viewers. His ability of both giving Robin Wright enough room to develop her character and never losing track of his own ideas is unique. Would have deserved at least a best director nomination...

-One of Robin Wright's most enjoyable scenes is the one where she refuses a piece of jewellery to confirm her love for John Lynch. "All my life I dreamed about this moment...but no one can separate me from this man, unless he wants me to leave him. I love him enough to do that. But you can't buy me..." This is one magical moment in movie history.

-When Stockard Channing's Mrs. Allworthy (she is unique, too) and Robin Wright's Moll Flanders meet for the first time, you are part of a magic moment, too. It's both funny and heart rending to see Moll netted by the villain.

Although the movie is a false interpretation of Daniel Dafoe's classic book, it tells a timeless and classic story about one woman's unbreakable spirit (that's what the cover tells you and that is true), so don't miss the opportunity to see this irresistible and convincing film and enjoy the full cast: Robin Wright in a performance awards are made for, Stockard Channing and Morgan Freeman.

10 out of 10

The performances in this film are, for the most part, worthwhile. Robin Wright is radiant, Morgan Freeman solid, and Stockard Channing makes the most of her role, to the point that I think it was worthy of an Oscar nomination. (Why is this woman's craftsmanship so underrated? I'd like to know...) And I liked John Lynch as the artist. But there are some really dull stretches here that might have been helped with more secure, tighter writing. This was a colorful era -- and the costumes and settings in the film seem appropriate -- but the story is so bland that I found myself nodding off from time to time. -- The biggest puzzle to me is : Why call it "Moll Flanders" after Daniel Defoe's book/heroine, when the story is ABSOLUTELY NOTHING LIKE the book? Overall, a disappointment. There's some good meat in this stew, but, in the end, it makes for only so-so movie-watching...

99% of the time I'm a staunch purist. A classic book should be portrayed on film as close to the original as possible, leaving room for the necessary conversions of text to screen. That being said, there are exceptions to every rule, and this movie is one of them.

I had not read the book prior to watching this movie, but had read IMDb reviews that it was far from accurate, so I was skeptical going into it. The movie, in fact, was outstanding! I was riveted, drawn into the story, and anxious to find out what happened next. It was fascinating and intriguing. I think the best comparison I can make with it is a Dickens story set about 150 years earlier than his books. It's dark and gritty, highlighting the lowlifes of society and the shortcomings of the society that contributes to make these lowlifes. Yet there is considerable irony and a bit of humor to counteract the darkness. Love, life, death, joy, grief, sickness, deprivation, aspiration.... It is in short a microcosm of life as it is today, but through the window of days past. One feels the emotions that the characters are experiencing, because they are feelings we've already experienced ourselves. However, although this movie is frequently tragic, it is not a tragedy. I could not recommend it so highly if it was, because I don't like to walk away from a movie feeling depressed.

I liked the movie so much that I began reading the book that very night, and I finished it 8 days later. Where did the book differ from the movie? It would be easier to state where they resembled each other! I would have been hard-pressed to see any similarity between the two had they been published under different titles. For one thing, the book covers the title character's entire life up past the age of 60, whereas the movie only takes her up to maybe 30, and what goes on in that time frame is widely different from what goes on in the book.

In the movie makers' defense, they do have in the opening credits the following caveat: "Based on a character in a novel by Daniel Defoe". Okay, so it's based on the CHARACTER of Moll Flanders, not on the story itself. That's a legitimate, though tiny-print, concept. However, even the CHARACTER of Moll Flanders in the movie is quite different from the book. One big digression (out of many) is that movie-Moll has strong paternal, motherly characteristics, whereas book-Moll has essentially none. Secondly, Moll's name isn't even really Moll in the book; it never tells us her real name, and "Moll Flanders" is merely one of her many aliases, and one that she doesn't pick up until her 50s.

I can't possibly go into all the digressions. It would be boring and overextend the 1000 words limit. Suffice it to say, there is scarcely a shadow of similarity between the one and the other. If you have read the book, disregard the title and watch this as its own entity. If you haven't read the book, no need to worry about seeing any spoilers that might ruin a future reading. There is almost no overlap.

However, in spite of this "sin" of gross inaccuracy, I LOVED the movie, and I thought the book was only mediocre. The movie had a great plot development; the book has almost no plot. It was first published in 1722 and, like much early fiction, is mostly just a chain of events. We are told the many escapades of Moll Flanders, but there is no real story arc. (I'm not saying don't read it, just know what you're getting into; it's interesting, but not terribly fulfilling as a novel, in the modern sense of the genre.)

I was impressed with Robin Wright's performance (as Moll). I had thought little of her acting in "Princess Bride", and almost didn't watch the film because she had the title role; but she did a much better job in this film, and showed a much fuller range of acting ability and emotion. The other actors also filled their roles superbly. And the settings and costumes were magnificently done.

One thing that may affect your opinion of this movie is the content. By all standards I've ever watched, this ought to be R-rated. It's not extremely explicit (hence it is not in fact R), but it is considerably so for a PG-13, and I would be cautious showing this to young viewers. Not just for sexuality, but also for some rather graphic scenes (including blood) and overall mature themes.

However, for a mature viewer I think this was a fantastic movie with a great storyline. It's very thought-provoking, and the impression of it still lingers with me a couple weeks later. The writers used Defoe's book as a springboard to better ideas and a more cohesive and rewarding story. It would have been more accurate to have said that it was "inspired by" Defoe's book, rather than "based on", but it is one of those rare cases where the movie is in fact better than the book.

Yet again Hollywood takes a literary classic and entirely reworks it. "The daughter of a thief, young Moll is placed in the care of a nunnery after the execution of her mother. However, the actions of an abusive priest lead Moll to rebel as a teenager, escaping to the dangerous streets of London." No, this doesn't happen at all. The novel she is handed off to family when her mother is sent to plantations a much more common sentence for criminals at that time when their crime was petty. Further when she was given to family of her mother she then made her way in to the hands of gypsies before being found in Colchester having run off and being taken in by the local Parish. Not "the streets of London" right off the bat. Completely different tone, I understand the need to revise a work for the screen as it may be unworkable from it's original form but this is just an example of another movie where they've reworked the material needlessly and changed the subject matter much to the detriment of the work making the character much more sympathetic. Sad thing is it's a habit of Hollywood that will surely not change.

This movie is my favorite historical movie ever. It follows the story of a woman named Moll Flanders, whose story is told through a diary given to her daughter. Moll is the daughter of a thief who was hung hours after her daughter's birth. She was raised in a convent, but ran away from there after being molested by a priest. She later becomes a prostitute and the movie follows the joys and misfortunes of her life after that.

With a cast like this one, you can't really make a bad movie. Robin Wright, who most people know from The Princess Bride, stars as Moll. Morgan Freeman, most recently in Million Dollar Baby, plays Hibble.

I give this movie ten stars and consider it a must-see for anyone who enjoys historical movies. It is an especially nice alternative to the 2004 version of Vanity Fair, since this movie is far better.

This movie is only barely similar to the book, "The Fortunes and Misfortunes of the famous Moll Flanders" written by Daniel Defoe and published in 1722. So if you've read the book don't worry about it spoiling the movie for you. In fact the movie is spoiled all by itself. What a waste of time.

Yes, the cast is good and I think they did as much with this movie as they could. A story like this one is takes skillful telling and this seemed to be put together no better than Frankenstein's monster. Just one scene attached to another from beginning to end.

Even in the book Moll Flanders was not a sympathetic character but I believe they do try to make her one in the movie. They failed. Moll in the movie flows from one moment to the next without ever really taking charge of her life, very unlike the character in the book.

The entire movie is no better than the average television soap opera. Characters display extreme emotions that didn't seem realistic and too often without us really understanding why. Groundwork was not laid for many of the scenes and so the movie left me wondering 'why did they do that' for about two seconds. And then I realized I really didn't care.

A good cast and a movie based on a good book, it really should have been so much better.

Moll Flanders brings back storytelling in a compelling way. The cast perfectly portrays the characters, resulting in a film that will keep you enthralled until the very last minute. A perfect movie for anyone who believes in destiny.

Defoe's original novel, even after all these years, is funny, sad, entertaining and fast-moving. The film is basically only sad, with little resemblance to the novel. It is also dreadfully slow in parts. Some of the acting is good- Stockard Channing makes an excellent Madam, and Aisling Corcoran as the little girl is splendid, producing the few flashes of humour, and there are some very nice cameo parts from well-known British and Irish actors. However, Morgan Freeman (normally a very good actor) seems to have a rather variable accent and to be wondering how he got into this film (not quite Dick van Dyke in Mary Poppins, but...), and Robin Wright doesn't really convince me as a lower-class London girl. The costumes and settings give a good impression of what must have been a much less colourful world- particularly effective are the candle-lit indoor scenes. We get an interesting glimpse of the life and customs of late 17th-century/early 18th century England. However, there are some strange anachronisms- for instance, according to the novel, Moll was born in about 1614, but the clients at Mrs Allworthy's house seem to pay with bank-notes, which would have been extremely unusual at that time. Also I doubt that any little girl (even a feisty one like this) brought up in a Catholic orphanage would have used such strong language. This is nit-picking, I know, and it's only a film, but it's a pity that, with a bit more attention to the story-line and the script, the film could have been so much better.