Directed by
Carlos Diegues |
Writing Credits
João Ubaldo Ribeiro | ... | (screenplay) & |
Antônio Calmon | ... | (screenplay) & |
Carlos Diegues | ... | (screenplay) |
Jorge Amado | ... | (freely adapted from the novel by) |
Cast (in credits order)
Produced by
Sonia Braga | ... | co-producer |
Carlos Diegues | ... | co-producer |
Miguel Faria Jr. | ... | executive producer |
Hélio Ferraz | ... | associate producer |
Renata Almeida Magalhães | ... | associate producer |
Telmo Maia | ... | executive producer |
Donald Ranvaud | ... | producer (as Donald K. Ranvaud) |
Bruno Stroppiana | ... | producer |
Music by
Caetano Veloso |
Cinematography by
Edgar Moura |
Editing by
Karen Harley | ||
Mair Tavares |
Casting By
Suely Weller |
Production Design by
Lia Renha |
Costume Design by
Luciana Buarque |
Makeup Department
Tadashi Harada | ... | hair stylist: Sonia Braga |
Luis Michelotti | ... | makeup artist |
John Nollet | ... | wigs: Sonia Braga (as Johnny Nollet) |
Guilherme Pereira | ... | makeup artist |
Production Management
Bia Castro | ... | production manager |
Claudia Reis | ... | assistant production manager (uncredited) |
Second Unit Director or Assistant Director
Vicente Amorim | ... | assistant director |
Luca De Castro | ... | additional assistant director |
Carlos Manuel Diegues | ... | third assistant director |
Isabel Diegues | ... | assistant director |
Kátia Lund | ... | assistant director |
Art Department
Isabelle Bittencourt | ... | set designer |
Sound Department
Fernando Ariani | ... | additional sound effects |
Stuart Deutsch | ... | boom operator (as Stu Deutsch) |
Rômulo Drummond | ... | sound assistant |
Virginia Flores | ... | sound editor |
Jeff Formosa | ... | sound editor |
George A. Lara | ... | sound effects engineer |
Cristiano Maciel | ... | additional sound |
Cezar Migliorin | ... | sound editor |
Rolf Pardula | ... | direct sound |
Brian Vancho | ... | sound effects |
Peter Waggoner | ... | sound mixer |
Camera and Electrical Department
Betão | ... | gaffer |
Kika Cunha | ... | second assistant camera |
Luciana da Justa | ... | still photographer |
Diego del Rueda | ... | video assist operator |
Gustavo Hadba | ... | camera operator |
Paulo Jacinto | ... | additional photographer |
Heloísa Passos | ... | assistant camera |
José Joaquim Souza | ... | video assist operator |
Nilo Vital | ... | key grip |
Casting Department
Daniela Braga | ... | casting assistant (uncredited) |
Péricles Palmeira | ... | casting: Bahia |
Costume and Wardrobe Department
Ocimar Versolato | ... | costumes: Sônia Braga |
Editorial Department
Desirée Jellerette | ... | post-production coordinator (uncredited) |
Holly Mosher | ... | assistant editor (uncredited) |
Location Management
Toni Tavares | ... | location manager |
Music Department
Jaques Morelenbaum | ... | conductor / music arranger |
Script and Continuity Department
Cecília Amado | ... | apprentice script supervisor |
Fernanda Luz | ... | script supervisor |
Additional Crew
Antônio Bernardo | ... | jewels: Sônia Braga |
Veronica D'Orey | ... | title designer |
Mariza Figueiredo | ... | co-executive producer |
Marcelo Gomez | ... | animal trainer |
Ricardo Karam | ... | production assistant |
Marcelo Negri | ... | production assistant |
Alfredo Netto | ... | administrator |
William O'Dwyer Fogtman | ... | production advisor |
Claudius Portugal | ... | research Jorge Amado's work: Bahia |
Lia Renha | ... | title designer |
Roberto Santanna | ... | production advisor: Bahia |