You have a couple options if you want to watch a film from Criterion's unparalleled collection of cinematic classics. You can buy a physical copy of the movie from their website (look out for those flash sales they're always doing), you can wait approximately 10 hours in line to visit their Mobile Closet (a.
- 11/19/2024
- by Emma Keates
- avclub.com
The Asian World Film Festival (Awff) is delighted to announce the festival’s Main Competition and Short Film lineups; select, noteworthy screenings; special program highlights; and centerpiece film. Celebrating its 10th anniversary of showcasing Asian film from around the world, Awff will take place November 13-21, 2024, at The Culver Theater in Culver City, CA.
The nine-day festival will present narrative and documentary motion pictures and short films from 27 countries, including four that premiered at the 2024 Cannes Film Festival. More than 30 of the screenings will feature live Q&As with the filmmakers, talent, and crew.
Georges N. Chamchoum, Awff Executive Director, said, “We are very grateful to the filmmakers around the world supporting this year’s line-up with more than 60 narrative and documentary films. The Awff continues to open the window to the region of Asia as well to showcase AsianAmerican talent through our range of programs. I am amazed at...
The nine-day festival will present narrative and documentary motion pictures and short films from 27 countries, including four that premiered at the 2024 Cannes Film Festival. More than 30 of the screenings will feature live Q&As with the filmmakers, talent, and crew.
Georges N. Chamchoum, Awff Executive Director, said, “We are very grateful to the filmmakers around the world supporting this year’s line-up with more than 60 narrative and documentary films. The Awff continues to open the window to the region of Asia as well to showcase AsianAmerican talent through our range of programs. I am amazed at...
- 11/13/2024
- by Suzie Cho
- AsianMoviePulse
James Gunn is a curious figure in popular culture. As a young man, just rising in the film business, Gunn co-wrote the witty and disgusting Troma epic "Tromeo & Juliet" with Lloyd Kaufman, and it featured kinky sex, a bisexual Juliet, cow monsters, mutant penis creatures, and an opening narration by Lemmy from Motörhead. After that, Gunn took the piss out of the superhero genre with "The Specials," a low-low budget film about what superheroes — petty jerks, mostly — do on their day off. He stayed aloft in Hollywood writing the screenplays for two surreal "Scooby-Doo" movies, and Zack Snyder's remake of "Dawn of the Dead" before making his directorial debut in 2006 with "Slither," another gross movie about body-invading worm monsters and wacko mutants.
Gunn then deconstructed superheroes even further with "Super" in 2010, a film that hypothesizes that superheroes are mentally ill and addicted to extreme violence. "Super" is bleak,...
Gunn then deconstructed superheroes even further with "Super" in 2010, a film that hypothesizes that superheroes are mentally ill and addicted to extreme violence. "Super" is bleak,...
- 11/3/2024
- by Witney Seibold
- Slash Film
Kicking off Nov. 13, the Asian World Film Festival sports features from 27 countries with its main competition screening 16 films submitted for the international feature Oscar. The festival runs through Nov. 21 at the Culver Theater in Culver City, celebrating its 10th anniversary. More than 30 of the screenings will include Q&As with the filmmakers, talent and crew.
“We are very grateful to the filmmakers around the world supporting this year’s lineup with more than 60 narrative and documentary films,” says Georges N. Chamchoum, Awff executive director, said. “The Awff continues to open the window to the region of Asia as well to showcase Asian-American talent through our range of programs. I am amazed at the depth and breadth of the work on the Awff schedule this year.”
The festival opens with South Korean drama “A Normal Family” and closes with Filipino romantic drama “Hello, Love, Again.” The Centerpiece film is Wong Kar-wai...
“We are very grateful to the filmmakers around the world supporting this year’s lineup with more than 60 narrative and documentary films,” says Georges N. Chamchoum, Awff executive director, said. “The Awff continues to open the window to the region of Asia as well to showcase Asian-American talent through our range of programs. I am amazed at the depth and breadth of the work on the Awff schedule this year.”
The festival opens with South Korean drama “A Normal Family” and closes with Filipino romantic drama “Hello, Love, Again.” The Centerpiece film is Wong Kar-wai...
- 10/31/2024
- by Carole Horst
- Variety Film + TV
The independent movie service has become the streaming home to some of the best cinema in the world.
After just over a month in theaters, Coralie Fargeat’s acclaimed and outrageous body horror film “The Substance,” starring Demi Moore and Margaret Qualley, will make its exclusive streaming debut this Halloween on the global film streamer Mubi, and to prepare from the switch, it’s time to countdown some of the platform’s best films!
Whether you’re activating or stabilizing your Mubi subscription to watch the must-see new release, the arthouse movie streamer is not only housed with classics like “In the Mood for Love,” “All About My Mother,” and more, it’s also packed with its own collection of Mubi-exclusive releases. From black comedies to neo-noir love stories, here are some of the best movies available to stream right now exclusively on Mubi!
7-Day Trial via amazon.com Mubi...
After just over a month in theaters, Coralie Fargeat’s acclaimed and outrageous body horror film “The Substance,” starring Demi Moore and Margaret Qualley, will make its exclusive streaming debut this Halloween on the global film streamer Mubi, and to prepare from the switch, it’s time to countdown some of the platform’s best films!
Whether you’re activating or stabilizing your Mubi subscription to watch the must-see new release, the arthouse movie streamer is not only housed with classics like “In the Mood for Love,” “All About My Mother,” and more, it’s also packed with its own collection of Mubi-exclusive releases. From black comedies to neo-noir love stories, here are some of the best movies available to stream right now exclusively on Mubi!
7-Day Trial via amazon.com Mubi...
- 10/29/2024
- by Ashley Steves
- The Streamable
In a year in which two of world cinema’s oldest industries, Japan and Italy, have signed a long-awaited co-production treaty, jury members at this year’s Tokyo International Film Festival (TIFF) were talking up the importance of both film history and the theatrical experience on the first full day of the festival.
After praising TIFF for its selection of established and emerging Asian filmmakers, Hong Kong actor and jury president Tony Leung Chiu-wai also pointed to the festival’s in-depth programmes of classic movies observing that they play an important role in “introducing Italian directors like [Federico] Fellini and Japanese filmmakers like [Akira] Kurosawa to younger audiences.
“They are not only introducing what is current, but also the vast history of cinema, which is a wonderful opportunity for audiences to learn about the past,” the star of In The Mood For Love and Shang-Chi And The Legend Of The Ten Rings said.
After praising TIFF for its selection of established and emerging Asian filmmakers, Hong Kong actor and jury president Tony Leung Chiu-wai also pointed to the festival’s in-depth programmes of classic movies observing that they play an important role in “introducing Italian directors like [Federico] Fellini and Japanese filmmakers like [Akira] Kurosawa to younger audiences.
“They are not only introducing what is current, but also the vast history of cinema, which is a wonderful opportunity for audiences to learn about the past,” the star of In The Mood For Love and Shang-Chi And The Legend Of The Ten Rings said.
- 10/29/2024
- by Liz Shackleton
- Deadline Film + TV
Hong Kong movie icon Tony Leung, now in the fourth decade of his celebrated career, still hasn’t lost the habit of getting out to the movie theater.
“Even to this day, I go and watch movies at the cinema four or five times a week,” the actor said Tuesday at the Tokyo International Film Festival, where he is serving as the president of the event’s competition jury. “I’ve been doing this since I was small.”
But the actor — beloved by cineastes for his work in Wong Kar Wai’s In the Mood for Love, Ang Lee’s Lust, Caution, and Zhang Yimou’s Hero, among so many others — said judging movies during a film festival makes for a “totally different” viewing experience and that tends to leave him anxious.
Leung is joined on the Tokyo jury this year by fellow Hong Kong film titan Johnnie To, Hungarian filmmaker Ildikó Enyedi,...
“Even to this day, I go and watch movies at the cinema four or five times a week,” the actor said Tuesday at the Tokyo International Film Festival, where he is serving as the president of the event’s competition jury. “I’ve been doing this since I was small.”
But the actor — beloved by cineastes for his work in Wong Kar Wai’s In the Mood for Love, Ang Lee’s Lust, Caution, and Zhang Yimou’s Hero, among so many others — said judging movies during a film festival makes for a “totally different” viewing experience and that tends to leave him anxious.
Leung is joined on the Tokyo jury this year by fellow Hong Kong film titan Johnnie To, Hungarian filmmaker Ildikó Enyedi,...
- 10/29/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Hungarian film director Ildiko Enyedi heaped praise on the film and talent discovery functions of major film festivals like the Tokyo International Film Festival, where Tuesday she started her role as a jury member.
“Festivals are the allies of the filmmakers. They help to uncover the truth of our work as filmmakers. It is a sort of game, shining light on the hidden gems. The press too are allies [and part of this process],” said Enyedi at a jury-meets-media encounter Tuesday in the Japanese capital.
“It is not easy to have a strong and important festival and at the same time find hidden treasures. In programming, it’s much easier just to pick the big names. [ Rather] it is a refined and delicate work to find the hidden gems. And thanks to this festival [some] films can have a brave and successful journey.”
The Tokyo main competition jury is headed by Hong Kong superstar Tony Leung Chiu-wai...
“Festivals are the allies of the filmmakers. They help to uncover the truth of our work as filmmakers. It is a sort of game, shining light on the hidden gems. The press too are allies [and part of this process],” said Enyedi at a jury-meets-media encounter Tuesday in the Japanese capital.
“It is not easy to have a strong and important festival and at the same time find hidden treasures. In programming, it’s much easier just to pick the big names. [ Rather] it is a refined and delicate work to find the hidden gems. And thanks to this festival [some] films can have a brave and successful journey.”
The Tokyo main competition jury is headed by Hong Kong superstar Tony Leung Chiu-wai...
- 10/29/2024
- by Patrick Frater and Naman Ramachandran
- Variety Film + TV
The Last Dance, one of the most highly anticipated Hong Kong films of the year, has been acquired for UK and Ireland distribution by Trinity CineAsia from Emperor Motion Pictures.
Trinity CineAsia plan to release the film theatrically on November 15, following its opening in Hong Kong on November 11.
The drama features a starry cast led by Dayo Wong, whose recent hits include Hong Kong’s highest-grossing film A Guilty Conscience and blockbuster Table For Six, alongside veteran Michael Hui, who won best supporting actor at the 2023 Hong Kong Film Awards for Where The Wind Blows.
Wong plays a debt-ridden wedding...
Trinity CineAsia plan to release the film theatrically on November 15, following its opening in Hong Kong on November 11.
The drama features a starry cast led by Dayo Wong, whose recent hits include Hong Kong’s highest-grossing film A Guilty Conscience and blockbuster Table For Six, alongside veteran Michael Hui, who won best supporting actor at the 2023 Hong Kong Film Awards for Where The Wind Blows.
Wong plays a debt-ridden wedding...
- 10/21/2024
- ScreenDaily
This article is part of IndieWire’s 2000s Week celebration. Click here for a whole lot more.
Much like the decade that produced them, the movies of the 2000s were shaped in response to such profound and irrevocable change that it’s difficult to assign them a cohesive identity of their own; it can be tempting to think of them as a long suspension bridge between then and now rather than as a well-defined era unto itself. When the sun rose on the start of the new millennium, the vast majority of films were shot and projected on film, superhero movies were still considered an outlandish gamble, middle-class malaise was American cinema’s preoccupying crisis, and James Cameron was the biggest director on the planet. By the time the smoke cleared 10 years later, digital had pushed celluloid to the brink of extinction, Marvel was beginning to exert an iron grip on the multiplex,...
Much like the decade that produced them, the movies of the 2000s were shaped in response to such profound and irrevocable change that it’s difficult to assign them a cohesive identity of their own; it can be tempting to think of them as a long suspension bridge between then and now rather than as a well-defined era unto itself. When the sun rose on the start of the new millennium, the vast majority of films were shot and projected on film, superhero movies were still considered an outlandish gamble, middle-class malaise was American cinema’s preoccupying crisis, and James Cameron was the biggest director on the planet. By the time the smoke cleared 10 years later, digital had pushed celluloid to the brink of extinction, Marvel was beginning to exert an iron grip on the multiplex,...
- 8/12/2024
- by IndieWire Staff
- Indiewire
The iconic Criterion Collection has expanded into viral Closet trips, its streaming channel, and of course its staple 4k restorations on Blu-ray. Now, the Criterion Collection celebrates 40 years since its founding with a monumental 40-film box set including works from auteurs Agnès Varda, Spike Lee, Jean-Luc Godard, and Federico Fellini.
The box set, titled CC40, spans an eclectic selection of curated classic films that includes special features and essays. The collection encompasses the works “frequently chosen by the hundreds of filmmakers, actors, writers, and other movie-loving luminaries who have visited Criterion over the years, as documented in our popular Closet Picks video series,” per the official press release. “Neither a historical survey nor a top-40 compilation, this exciting, personal, unpredictable anthology reflects the cinematic joys and inspirations of the creative community that makes the Criterion Collection possible.”
The 40th anniversary Blu-ray box set includes films like “8½” (1963), “All That Jazz...
The box set, titled CC40, spans an eclectic selection of curated classic films that includes special features and essays. The collection encompasses the works “frequently chosen by the hundreds of filmmakers, actors, writers, and other movie-loving luminaries who have visited Criterion over the years, as documented in our popular Closet Picks video series,” per the official press release. “Neither a historical survey nor a top-40 compilation, this exciting, personal, unpredictable anthology reflects the cinematic joys and inspirations of the creative community that makes the Criterion Collection possible.”
The 40th anniversary Blu-ray box set includes films like “8½” (1963), “All That Jazz...
- 8/8/2024
- by Samantha Bergeson
- Indiewire
With nearly 1,700 titles in their catalog, it’s hard to discern where exactly to start when exploring the Criterion Collection. To celebrate their 40th anniversary, the company has now made it a bit easier as they’ve unveiled CC40, a 40-film, 49-disc collection retailing for around $640 that is now the new go-to gift for that budding cinephile in your life.
“This monumental forty-film box set celebrates forty years of the Criterion Collection by gathering an electrifying mix of classic and contemporary films, and presenting them with all their special features and essays in a deluxe clothbound, slipcased edition,” they note. “CC40’s eclectic selection includes the releases most frequently chosen by the hundreds of filmmakers, actors, writers, and other movie-loving luminaries who have visited Criterion over the years, as documented in our popular Closet Picks video series. Neither a historical survey nor a top-forty compilation, this exciting, personal, unpredictable anthology...
“This monumental forty-film box set celebrates forty years of the Criterion Collection by gathering an electrifying mix of classic and contemporary films, and presenting them with all their special features and essays in a deluxe clothbound, slipcased edition,” they note. “CC40’s eclectic selection includes the releases most frequently chosen by the hundreds of filmmakers, actors, writers, and other movie-loving luminaries who have visited Criterion over the years, as documented in our popular Closet Picks video series. Neither a historical survey nor a top-forty compilation, this exciting, personal, unpredictable anthology...
- 8/8/2024
- by Leonard Pearce
- The Film Stage
French actor Chiara Mastroianni and iconic Hong Kong director Johnnie To are among a pack of heavyweight names joining Tony Leung Chiu-wai on the main competition jury of this year’s Tokyo International Film Festival. The festival is set to run Oct. 28 – Nov. 6.
Completing the judging panel are Hungarian screenwriter and director Ildiko Enyedi and Japanese star actor Hashimoto Ai.
The festival’s full lineup of films and events will be outlined at a presentation in late September.
The selection of Enyedi, who won the 2017 edition of the Berlin festival with her “On Body and Soul,” cannot be a coincidence. She is directing Leung in upcoming title “Silent Friend,” a picture which marks Leung’s first European movie role.
“Being in a jury is always an exceptional, very intense experience. This is not a field for small talk. Jury work is a series of unusually deep and revealing meetings,” said Enyedi.
Completing the judging panel are Hungarian screenwriter and director Ildiko Enyedi and Japanese star actor Hashimoto Ai.
The festival’s full lineup of films and events will be outlined at a presentation in late September.
The selection of Enyedi, who won the 2017 edition of the Berlin festival with her “On Body and Soul,” cannot be a coincidence. She is directing Leung in upcoming title “Silent Friend,” a picture which marks Leung’s first European movie role.
“Being in a jury is always an exceptional, very intense experience. This is not a field for small talk. Jury work is a series of unusually deep and revealing meetings,” said Enyedi.
- 8/2/2024
- by Patrick Frater
- Variety Film + TV
Hungarian film director and screenwriter Enyedi Ildikó, Japanese actress Hashimoto Ai, French actress Chiara Mastroianni, and Hong Kong filmmaker Johnnie To will join Tony Leung on the international competition jury of the 37th Tokyo Film Festival, running from October 28 to November 6.
The jury members will screen fifteen films selected from across the globe and hand out the competition prizes, including the festival’s top gong the Tokyo Grand Prix, which will be announced on the final day of the festival.
“It is a great privilege to serve as a jury member for the Tokyo International Film Festival. Japanese cinema beautifully captures the essence of Japanese culture, a culture I greatly admire,” To said of this morning’s announcement.
“As a filmmaker, I am inherently drawn to the world of cinema, and I hold a deep appreciation for the artistry involved. I am eager to partake in a rewarding experience during my time in Japan,...
The jury members will screen fifteen films selected from across the globe and hand out the competition prizes, including the festival’s top gong the Tokyo Grand Prix, which will be announced on the final day of the festival.
“It is a great privilege to serve as a jury member for the Tokyo International Film Festival. Japanese cinema beautifully captures the essence of Japanese culture, a culture I greatly admire,” To said of this morning’s announcement.
“As a filmmaker, I am inherently drawn to the world of cinema, and I hold a deep appreciation for the artistry involved. I am eager to partake in a rewarding experience during my time in Japan,...
- 8/2/2024
- by Zac Ntim
- Deadline Film + TV
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Fidelio, our four-film program with Chapo Trap House’s Movie Mindset, begins this Saturday with Eyes Wide Shut on 35mm, which plays again on Sunday.
Museum of the Moving Image
70mm prints of 2001 and Lawrence of Arabia screen.
Film at Lincoln Center
A retrospective of Mexican popular cinema from the 1940s to the 1960s continues and a new restoration of Shinji Sōmai’s Moving opens.
Film Forum
A career-spanning Jean-Pierre Melville retrospective continues, as do restorations of Les Blank’s Burden of Dreams and Seven Samurai.
Anthology Film Archives
Films by James Benning, Robert Bresson, and Jean Eustache screen in “Verbatim“; films by James Broughton play in “Essential Cinema.”
Bam
Claire Denis’ monumental No Fear, No Die and Mapantsula continue screening in new restorations.
Museum of Modern Art
“Silent Movie Week 2024” begins
IFC Center
“Defamed to Acclaimed” brings films by the Wachowskis,...
Roxy Cinema
Fidelio, our four-film program with Chapo Trap House’s Movie Mindset, begins this Saturday with Eyes Wide Shut on 35mm, which plays again on Sunday.
Museum of the Moving Image
70mm prints of 2001 and Lawrence of Arabia screen.
Film at Lincoln Center
A retrospective of Mexican popular cinema from the 1940s to the 1960s continues and a new restoration of Shinji Sōmai’s Moving opens.
Film Forum
A career-spanning Jean-Pierre Melville retrospective continues, as do restorations of Les Blank’s Burden of Dreams and Seven Samurai.
Anthology Film Archives
Films by James Benning, Robert Bresson, and Jean Eustache screen in “Verbatim“; films by James Broughton play in “Essential Cinema.”
Bam
Claire Denis’ monumental No Fear, No Die and Mapantsula continue screening in new restorations.
Museum of Modern Art
“Silent Movie Week 2024” begins
IFC Center
“Defamed to Acclaimed” brings films by the Wachowskis,...
- 8/2/2024
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
A retrospective of Mexican popular cinema from the 1940s to the 1960s is underway.
Film Forum
A career-spanning Jean-Pierre Melville retrospective has begun; restorations of Ann Hui’s July Rhapsody (watch our exclusive trailer debut), Les Blank’s Burden of Dreams, Fitzcarraldo and Seven Samurai continue.
Museum of the Moving Image
A 70mm print of Playtime screens this weekend; The Color of Pomegranates and Speed Racer play.
Anthology Film Archives
Robert Bresson plays in “Essential Cinema.”
Bam
Claire Denis’ monumental No Fear, No Die continues screening in a new restoration; Mapantsula begins playing.
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues.
IFC Center
The Time Masters, Amadeus, and In the Mood for Love play daily; Fritz the Cat, Friday the 13th, The Last House on the Left, and The Matrix play late.
Metrograph...
Film at Lincoln Center
A retrospective of Mexican popular cinema from the 1940s to the 1960s is underway.
Film Forum
A career-spanning Jean-Pierre Melville retrospective has begun; restorations of Ann Hui’s July Rhapsody (watch our exclusive trailer debut), Les Blank’s Burden of Dreams, Fitzcarraldo and Seven Samurai continue.
Museum of the Moving Image
A 70mm print of Playtime screens this weekend; The Color of Pomegranates and Speed Racer play.
Anthology Film Archives
Robert Bresson plays in “Essential Cinema.”
Bam
Claire Denis’ monumental No Fear, No Die continues screening in a new restoration; Mapantsula begins playing.
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues.
IFC Center
The Time Masters, Amadeus, and In the Mood for Love play daily; Fritz the Cat, Friday the 13th, The Last House on the Left, and The Matrix play late.
Metrograph...
- 7/26/2024
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Bam
Claire Denis’ monumental No Fear, No Die begins screening in a new restoration.
Museum of the Moving Image
A new 70mm print of The Searchers plays this weekend.
Japan Society
A restoration of Shinji Sōmai’s Moving and Toshiharu Ikeda’s Mermaid Legend play on Friday and Saturday, respectively.
Film Forum
New restorations of Ann Hui’s July Rhapsody (watch our exclusive trailer debut), Les Blank’s Burden of Dreams, and Fitzcarraldo begin screening; Seven Samurai and Powell and Pressburger’s The Small Back Room continue.
Anthology Film Archives
Enrique Gómez Vadillo’s rarely screened Death on the Beach shows in a new restoration this Friday; Stan Brakhage plays in “Essential Cinema.”
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues, including A Matter of Life and Death and The Tales of Hoffmann.
Nitehawk Cinema
Lucio Fulci...
Bam
Claire Denis’ monumental No Fear, No Die begins screening in a new restoration.
Museum of the Moving Image
A new 70mm print of The Searchers plays this weekend.
Japan Society
A restoration of Shinji Sōmai’s Moving and Toshiharu Ikeda’s Mermaid Legend play on Friday and Saturday, respectively.
Film Forum
New restorations of Ann Hui’s July Rhapsody (watch our exclusive trailer debut), Les Blank’s Burden of Dreams, and Fitzcarraldo begin screening; Seven Samurai and Powell and Pressburger’s The Small Back Room continue.
Anthology Film Archives
Enrique Gómez Vadillo’s rarely screened Death on the Beach shows in a new restoration this Friday; Stan Brakhage plays in “Essential Cinema.”
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues, including A Matter of Life and Death and The Tales of Hoffmann.
Nitehawk Cinema
Lucio Fulci...
- 7/18/2024
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Anthology Film Archives
A Zoë Lund retrospective includes films by Abel Ferrara and Larry Cohen; Stan Brakhage plays in “Essential Cinema.”
Museum of the Moving Image
Films by Robert Altman, Isabel Sandoval, and Alain Berliner play in “From the Margins: The Trans Film Image“; “See It Big at the ’90s Multiplex” brings Pulp Fiction, Speed and Menace II Society on 35mm.
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues, including The Life and Death of Colonel Blimp on Saturday.
Japan Society
An imported 35mm print of August in the Water screens on Sunday.
Film Forum
Seven Samurai, Powell and Pressburger’s The Small Back Room and Vittorio De Sica’s Shoeshine all screen.
Metrograph
Films by Akira and Kiyoshi Kurosawa play in In Pursuit of Shadows; films by Linklater and Otto Preminger play as part of Summer...
Anthology Film Archives
A Zoë Lund retrospective includes films by Abel Ferrara and Larry Cohen; Stan Brakhage plays in “Essential Cinema.”
Museum of the Moving Image
Films by Robert Altman, Isabel Sandoval, and Alain Berliner play in “From the Margins: The Trans Film Image“; “See It Big at the ’90s Multiplex” brings Pulp Fiction, Speed and Menace II Society on 35mm.
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues, including The Life and Death of Colonel Blimp on Saturday.
Japan Society
An imported 35mm print of August in the Water screens on Sunday.
Film Forum
Seven Samurai, Powell and Pressburger’s The Small Back Room and Vittorio De Sica’s Shoeshine all screen.
Metrograph
Films by Akira and Kiyoshi Kurosawa play in In Pursuit of Shadows; films by Linklater and Otto Preminger play as part of Summer...
- 7/12/2024
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving Image
A Sergei Parajanov retrospective has begun, while “See It Big at the ’90s Multiplex” includes Speed and Strange Days on 35mm.
Anthology Film Archives
A Bruce Baille program plays in “Essential Cinema,” while Denys Arcand films screen.
Film Forum
Seven Samurai begins playing in a new 4K restoration, while Powell and Pressburger’s The Small Back Room and Vittorio De Sica’s Shoeshine continue.
Metrograph
The Infernal Affairs trilogy screens this weekend; films by Bergman and Wes Anderson play on 35mm as part of Summer at Sea; films by Marker and Godard play in Under the Pavement, the Beach; Summer of Rohmer and Piping Hot Pfeiffer continue.
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues.
IFC Center
Blow Out, Days of Being Wild, In the Mood for Love, and The Cook, the Thief,...
Museum of the Moving Image
A Sergei Parajanov retrospective has begun, while “See It Big at the ’90s Multiplex” includes Speed and Strange Days on 35mm.
Anthology Film Archives
A Bruce Baille program plays in “Essential Cinema,” while Denys Arcand films screen.
Film Forum
Seven Samurai begins playing in a new 4K restoration, while Powell and Pressburger’s The Small Back Room and Vittorio De Sica’s Shoeshine continue.
Metrograph
The Infernal Affairs trilogy screens this weekend; films by Bergman and Wes Anderson play on 35mm as part of Summer at Sea; films by Marker and Godard play in Under the Pavement, the Beach; Summer of Rohmer and Piping Hot Pfeiffer continue.
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues.
IFC Center
Blow Out, Days of Being Wild, In the Mood for Love, and The Cook, the Thief,...
- 7/5/2024
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Fellow Roxy programmer Charli Xcx presents Project X, To Die For, and Velvet Goldmine on 35mm, as well as Party Girl; a puppet program plays on Saturday, as does City Dudes.
Anthology Film Archives
Prints of Citizen Kane, L’Atalante, and Andy Warhol play in “Essential Cinema.”
Museum of the Moving Image
“See It Big at the ’90s Multiplex” includes Hoop Dreams and Bound; a Marx Brothers double-feature takes place on Saturday.
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues.
Film Forum
Powell and Pressburger’s The Small Back Room begins playing in a new restoration; Vittorio De Sica’s Shoeshine continues playing in a new restoration; Yankee Doodle Dandy shows on Sunday.
Metrograph
Films by Claire Denis, Hong Sangsoo, Jia Zhangke and more play in an mk2 retrospective; Tinker Tailor Soldier Spy, Pitfall, and...
Roxy Cinema
Fellow Roxy programmer Charli Xcx presents Project X, To Die For, and Velvet Goldmine on 35mm, as well as Party Girl; a puppet program plays on Saturday, as does City Dudes.
Anthology Film Archives
Prints of Citizen Kane, L’Atalante, and Andy Warhol play in “Essential Cinema.”
Museum of the Moving Image
“See It Big at the ’90s Multiplex” includes Hoop Dreams and Bound; a Marx Brothers double-feature takes place on Saturday.
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues.
Film Forum
Powell and Pressburger’s The Small Back Room begins playing in a new restoration; Vittorio De Sica’s Shoeshine continues playing in a new restoration; Yankee Doodle Dandy shows on Sunday.
Metrograph
Films by Claire Denis, Hong Sangsoo, Jia Zhangke and more play in an mk2 retrospective; Tinker Tailor Soldier Spy, Pitfall, and...
- 6/28/2024
- by Nick Newman
- The Film Stage
The inaugural Hong Kong Film Gala Presentation, to be held in Phnom Penh for the first time, is set to captivate audiences with a spectacular lineup of cinematic treasures. Presented by the Asian Film Awards Academy, in collaboration with Westec Media Limited and financially supported by Hong Kong's Cultural and Creative Industries Development Agency (Ccida), Film Development Fund and Hong Kong Economic and Trade Office, the programme will showcase 7 specially selected Hong Kong films at Fable Cinema, Factory Phnom Penh from 3 to 7 July 2024!
As part of the programme, The Dynamic Cityscapes of Hong Kong Films Exhibition will be held concurrently at Factory Phnom Penh from 4 July until 4 August 2024, 10Am – 7Pm daily. The admission is free and exhibition materials are in English and Khmer. The Dynamic Cityscapes of Hong Kong Films Exhibition is a celebration and demonstration of Hong Kong's diverse cityscapes, recreating the most memorable scenes that appeared in the specially selected films,...
As part of the programme, The Dynamic Cityscapes of Hong Kong Films Exhibition will be held concurrently at Factory Phnom Penh from 4 July until 4 August 2024, 10Am – 7Pm daily. The admission is free and exhibition materials are in English and Khmer. The Dynamic Cityscapes of Hong Kong Films Exhibition is a celebration and demonstration of Hong Kong's diverse cityscapes, recreating the most memorable scenes that appeared in the specially selected films,...
- 6/28/2024
- by Suzie Cho
- AsianMoviePulse
The Tokyo International Film Festival (TIFF) is pleased to announce that one of Asia's most internationally acclaimed actors, Tony Leung, will serve as the President of the International Competition jury at the 37th TIFF.
TIFF Chairman Ando Hiroyasu expressed his delight that the renowned actor would be returning to TIFF again after last year's wonderful masterclass and screening. (See further comments below)
Tony Leung has an extensive list of awards throughout a career that began in the 1980s, and has gained international recognition for collaborations with director Wong Kar-wai, with whom he has worked on seven films including In the Mood for Love (2000), which earned him the Cannes Film Festival's Best Actor Award, and 2046 (2004). He also appeared in three films that won the Golden Lion award at the Venice Film Festival: A City of Sadness (1989), directed by Hou Hsiao-hsien, Cyclo (1995), directed by Tran Anh Hung, and Lust, Caution (2007) by director Ang Lee.
TIFF Chairman Ando Hiroyasu expressed his delight that the renowned actor would be returning to TIFF again after last year's wonderful masterclass and screening. (See further comments below)
Tony Leung has an extensive list of awards throughout a career that began in the 1980s, and has gained international recognition for collaborations with director Wong Kar-wai, with whom he has worked on seven films including In the Mood for Love (2000), which earned him the Cannes Film Festival's Best Actor Award, and 2046 (2004). He also appeared in three films that won the Golden Lion award at the Venice Film Festival: A City of Sadness (1989), directed by Hou Hsiao-hsien, Cyclo (1995), directed by Tran Anh Hung, and Lust, Caution (2007) by director Ang Lee.
- 5/17/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Veteran Hong Kong actor Tony Leung will serve as the president of the international competition at this year’s Tokyo Film Festival.
“I am immensely honored to be on the jury team at TIFF this year. Japan is close to my heart in more ways than one and to be involved in celebrating film in this way, is a big deal for me,” Leung said of this appointment this morning.
“From the age of 12, growing up in Hong Kong, I remember going to see all the classic Japanese movies from that time. These exciting trips to the cinema were the start of a great love affair between Japanese film, people, and its culture for me, that has just grown and grown. I’m already expecting the festival to be full of surprises and a lot of fun to preside over, I’m sure. What I hope is that it will...
“I am immensely honored to be on the jury team at TIFF this year. Japan is close to my heart in more ways than one and to be involved in celebrating film in this way, is a big deal for me,” Leung said of this appointment this morning.
“From the age of 12, growing up in Hong Kong, I remember going to see all the classic Japanese movies from that time. These exciting trips to the cinema were the start of a great love affair between Japanese film, people, and its culture for me, that has just grown and grown. I’m already expecting the festival to be full of surprises and a lot of fun to preside over, I’m sure. What I hope is that it will...
- 5/17/2024
- by Zac Ntim
- Deadline Film + TV
Michelle Jenner and Mario Casas have signed to star in Olga Osorio’s feature adaptation of Elia Barceló’s acclaimed novel The Goldsmith’s Secret.
Film Factory is introducing the film to Cannes buyers.
Adrián Guerra and Nuria Valls are producing for Nostromo Pictures, whose credits include the upcoming Rodrigo Cortés title Escape, exec-produced by Martin Scorsese.
The Goldsmith’s Secret will shoot in June in Alava and Barcelona. It is a love story set across three moments of the 20th Century. “It is inspired by classics such as Somewhere In Time and In the Mood for Love,” said Guerra.
Film Factory is introducing the film to Cannes buyers.
Adrián Guerra and Nuria Valls are producing for Nostromo Pictures, whose credits include the upcoming Rodrigo Cortés title Escape, exec-produced by Martin Scorsese.
The Goldsmith’s Secret will shoot in June in Alava and Barcelona. It is a love story set across three moments of the 20th Century. “It is inspired by classics such as Somewhere In Time and In the Mood for Love,” said Guerra.
- 5/17/2024
- ScreenDaily
Films Boutique has taken on international sales for Berlinale Golden Bear winner Ildiko Enyedi’sSilent Friend now filming in Marburg in Germany.
Written and directed by Enyedi, Silent Friend stars acclaimed Hong Kong actor Tony Leung Chiu-wai, Luna Wedler and Enzo Brumm.
The film marks Tony Leung Chiu-wai’s first time acting in a European film following credits including In The Mood For Love, Lust, Caution, and Shang Chi And The Legend Of The 10 Rings.
Enyedi’s On Body And Soul won the Berlinale Golden Bear in 2017 and an Oscar nomination 2018 for best international film, while The Story of My Wife...
Written and directed by Enyedi, Silent Friend stars acclaimed Hong Kong actor Tony Leung Chiu-wai, Luna Wedler and Enzo Brumm.
The film marks Tony Leung Chiu-wai’s first time acting in a European film following credits including In The Mood For Love, Lust, Caution, and Shang Chi And The Legend Of The 10 Rings.
Enyedi’s On Body And Soul won the Berlinale Golden Bear in 2017 and an Oscar nomination 2018 for best international film, while The Story of My Wife...
- 5/17/2024
- ScreenDaily
Leading Hong Kong actor Tony Leung has been set as the president of the jury that will decide the main competition prizes at the Tokyo International Film Festival later this year.
“Japan is close to my heart in more ways than one. And to be involved in celebrating film in this way, is a big deal for me. From the age of 12, growing up in Hong Kong, I remember going to see all the classic Japanese movies from that time. These exciting trips to the cinema were the start of a great love affair between Japanese film, people and its culture for me, that has just grown and grown. I’m already expecting the festival to be full of surprises and a lot of fun to preside over, I’m sure. What I hope is that it will be a bit of an adventure, with an audacious line up of quality films.
“Japan is close to my heart in more ways than one. And to be involved in celebrating film in this way, is a big deal for me. From the age of 12, growing up in Hong Kong, I remember going to see all the classic Japanese movies from that time. These exciting trips to the cinema were the start of a great love affair between Japanese film, people and its culture for me, that has just grown and grown. I’m already expecting the festival to be full of surprises and a lot of fun to preside over, I’m sure. What I hope is that it will be a bit of an adventure, with an audacious line up of quality films.
- 5/17/2024
- by Patrick Frater
- Variety Film + TV
Hong Kong star Tony Leung is set to serve as president of the international competition jury at this year’s Tokyo International Film Festival (TIFF).
The actor, who won best actor at Cannes in 2000 for his performance in Wong Kar-wai’s In The Mood For Love, will take part in the 37th edition, which runs from October 28 to November 6.
”From the age of 12, growing up in Hong Kong, I remember going to see all the classic Japanese movies from that time,” Leung recalled. ”These exciting trips to the cinema were the start of a great love affair between Japanese film,...
The actor, who won best actor at Cannes in 2000 for his performance in Wong Kar-wai’s In The Mood For Love, will take part in the 37th edition, which runs from October 28 to November 6.
”From the age of 12, growing up in Hong Kong, I remember going to see all the classic Japanese movies from that time,” Leung recalled. ”These exciting trips to the cinema were the start of a great love affair between Japanese film,...
- 5/17/2024
- ScreenDaily
Tony Leung will serve as the president of the international competition jury at the 37th Tokyo International Film Festival, organizers announced on Friday.
The Hong Kong acting icon, who gave a masterclass at the festival last year, will return to Tokyo to head up a jury that will be announced at a later date. Leung has a long history with Tokyo Film Festival and had attended the event for the screening of his 2013 film The Grandmaster.
Leung is widely considered one of the greatest actors Asia has produced. Best known globally for his work with Hong Kong auteur Wong Kar-wai, the pair have worked on seven films together — Days of Being Wild (1990), Chungking Express (1994), Ashes of Time (1994), Happy Together (1997), In the Mood for Love (2000), 2046 (2004), and The Grandmaster (2013). Leung has also starred in three films — A City of Sadness (1989), Cyclo (1995) and Lust, Caution (2007) — that have won the Golden Lion prize...
The Hong Kong acting icon, who gave a masterclass at the festival last year, will return to Tokyo to head up a jury that will be announced at a later date. Leung has a long history with Tokyo Film Festival and had attended the event for the screening of his 2013 film The Grandmaster.
Leung is widely considered one of the greatest actors Asia has produced. Best known globally for his work with Hong Kong auteur Wong Kar-wai, the pair have worked on seven films together — Days of Being Wild (1990), Chungking Express (1994), Ashes of Time (1994), Happy Together (1997), In the Mood for Love (2000), 2046 (2004), and The Grandmaster (2013). Leung has also starred in three films — A City of Sadness (1989), Cyclo (1995) and Lust, Caution (2007) — that have won the Golden Lion prize...
- 5/17/2024
- by Abid Rahman
- The Hollywood Reporter - Movie News
In collaboration with the Academy Museum of Motion Pictures, the Paris Theater has announced it will be presenting the New York “Academy Museum Branch Select” screening series starting April 3. Each of the 18 branches of the Academy has selected a film for the series that represents a major milestone in the evolution of filmmaking. Some of the films included are “Fantastic Mr.Fox,” “Showgirls,” “Bonnie and Clyde,” “Nashville,” “Yi Yi,” “In the Mood for Love” and “Citizen Kane.”
Screenings will take place on Wednesdays at 7 p.m. and Sundays at 12 p.m. at both the Paris Theater and the Academy Museum. Tickets will be available March 28 on the Paris Theater and Academy Museum websites respectively.
Cord Jefferson to Receive Wgaw’s Paul Selvin Award
Cord Jefferson will receive the Writers Guild of America West’s 2024 Paul Selvin Award for penning the screenplay for “American Fiction.” He will receive the honor at the 2024 Writers Guild Awards on Sunday,...
Screenings will take place on Wednesdays at 7 p.m. and Sundays at 12 p.m. at both the Paris Theater and the Academy Museum. Tickets will be available March 28 on the Paris Theater and Academy Museum websites respectively.
Cord Jefferson to Receive Wgaw’s Paul Selvin Award
Cord Jefferson will receive the Writers Guild of America West’s 2024 Paul Selvin Award for penning the screenplay for “American Fiction.” He will receive the honor at the 2024 Writers Guild Awards on Sunday,...
- 3/26/2024
- by Jazz Tangcay, Jaden Thompson and Jack Dunn
- Variety Film + TV
What would movies be about if not for love? Since well before the days of Humphrey Bogart and Ingrid Bergman in “Casablanca,” romance has driven countless classic stories, setting up some of the highest highs in cinematic history to follow. Be it Cary Grant and Grace Kelly seeing stars in “To Catch a Thief” or Meg Ryan and Billy Crystal disturbing diner patrons in “When Harry Met Sally,” the 20th century was chock full of iconic romances that helped humanity fall in love with the movies. Of course, those titles were dominated by white artists telling largely heteronormative tales — meaning many (but not all) of the best and most inclusive romances have arrived this millennium.
Now, the best romance movies of the 21st century both resonate and surprise, showing audiences characters they might recognize from their own lives in new and surprising ways. Yes, finding “the one” is exceedingly well-frequented thematic territory,...
Now, the best romance movies of the 21st century both resonate and surprise, showing audiences characters they might recognize from their own lives in new and surprising ways. Yes, finding “the one” is exceedingly well-frequented thematic territory,...
- 3/20/2024
- by Wilson Chapman
- Indiewire
Clockwise from top left: Lady Bird (A24), True Grit (Paramount Pictures), The Royal Tenenbaums (Touchstone Pictures), The Irishman (Netflix)Graphic: The A.V. Club
If winning an Oscar wasn’t a big deal, why are the year’s biggest snubs and surprises the first topic of discussion following every nomination announcement?...
If winning an Oscar wasn’t a big deal, why are the year’s biggest snubs and surprises the first topic of discussion following every nomination announcement?...
- 3/6/2024
- by Cindy White
- avclub.com
[Editor’s note: this story was originally published in January 2024. We updated and recirculated it in advance of the 96th Academy Awards on March 10.]
The Oscars are a cruel, selective beast. With only 10 movies recognized in the Best Picture race, and five entries in every other category, it’s an unfortunate reality that many high quality, deserving films each year will end up with nothing on nomination day.
The 2024 Oscar class is no different, with plenty of cries of snubbery coming out after their January 23 announcement. Most of the discussion has been taken up by the shocking blanks for Margot Robbie and Greta Gerwig, who missed out on Best Actress and Best Director respectively for their work on “Barbie,” the indisputable film juggernaut of the year. Other major surprises included Charles Melton missing out for his breakout turn in “May December,” and Leonardo DiCaprio getting left out of the Best Actor race for “Killers of the Flower Moon.” Other surprises proved of the more pleasant sort, with on-the-bubble contenders making it in like Robbie...
The Oscars are a cruel, selective beast. With only 10 movies recognized in the Best Picture race, and five entries in every other category, it’s an unfortunate reality that many high quality, deserving films each year will end up with nothing on nomination day.
The 2024 Oscar class is no different, with plenty of cries of snubbery coming out after their January 23 announcement. Most of the discussion has been taken up by the shocking blanks for Margot Robbie and Greta Gerwig, who missed out on Best Actress and Best Director respectively for their work on “Barbie,” the indisputable film juggernaut of the year. Other major surprises included Charles Melton missing out for his breakout turn in “May December,” and Leonardo DiCaprio getting left out of the Best Actor race for “Killers of the Flower Moon.” Other surprises proved of the more pleasant sort, with on-the-bubble contenders making it in like Robbie...
- 3/4/2024
- by Wilson Chapman
- Indiewire
Oscar winner Will Smith is attached to star in Sugar Bandits, which is one of the buzziest packages at the EFM market this week in Berlin.
The market’s biggest budget project — we hear it’s in the $80M range — is understood to follow a former Special Forces solider who joins an elite, vigilante squad aiming to wipe out the drug trade in Boston, but soon learns things are not what they seem.
Years ago the project was being set up at Universal with Joe Carnahan directing but is now launching in the independent market-place.
The action-crime pic is based on the screenplay and novel Devils In Exile by Chuck Hogan (The Town). Smith and Jon Mone will produce through Westbrook Studios with Ryan Shimazaki overseeing; Stuart Ford will produce for AGC Studios, which is fully financing the film; and Richard Abate (13 Hours) will produce for 3 Arts Entertainment.
The market’s biggest budget project — we hear it’s in the $80M range — is understood to follow a former Special Forces solider who joins an elite, vigilante squad aiming to wipe out the drug trade in Boston, but soon learns things are not what they seem.
Years ago the project was being set up at Universal with Joe Carnahan directing but is now launching in the independent market-place.
The action-crime pic is based on the screenplay and novel Devils In Exile by Chuck Hogan (The Town). Smith and Jon Mone will produce through Westbrook Studios with Ryan Shimazaki overseeing; Stuart Ford will produce for AGC Studios, which is fully financing the film; and Richard Abate (13 Hours) will produce for 3 Arts Entertainment.
- 2/14/2024
- by Andreas Wiseman
- Deadline Film + TV
Star-crossed lovers, hopeless romantics, or just unlucky in love. Valentine’s Day films are not just about head-over-heels happy endings. That would be a bit on the boring side. The films that have captivated the romantic genre are the ones about heartache, bad timing, yearning and the strong forces that keep true lovers apart.
William Shakespeare’s Romeo and Juliet, Rick and Ilsa, portrayed by Humphrey Bogart and Ingrid Bergman, from Casablanca, and Chow Mo-wan & Su Li-zhen from In the Mood For Love all have to overcome their hearts’ desire as forces they can’t control keep them apart as time and fate lead to their ultimate betrayal.
Related: Deadline’s 50 Classic Holiday Movies Gallery: From ‘It’s a Wonderful Life’ And ‘A Christmas Story’ To ‘Die Hard’ And ‘The Holiday’
As we tangoed and groaned our way out of the 80s with Dirty Dancing and When Harry Met Sally, the...
William Shakespeare’s Romeo and Juliet, Rick and Ilsa, portrayed by Humphrey Bogart and Ingrid Bergman, from Casablanca, and Chow Mo-wan & Su Li-zhen from In the Mood For Love all have to overcome their hearts’ desire as forces they can’t control keep them apart as time and fate lead to their ultimate betrayal.
Related: Deadline’s 50 Classic Holiday Movies Gallery: From ‘It’s a Wonderful Life’ And ‘A Christmas Story’ To ‘Die Hard’ And ‘The Holiday’
As we tangoed and groaned our way out of the 80s with Dirty Dancing and When Harry Met Sally, the...
- 2/14/2024
- by Robert Lang
- Deadline Film + TV
‘In the Belly of a Tiger’, directed and cinematographed by Siddhartha Jatla is poised for its world premiere at the distinguished 74th Berlin International Film Festival. This film promises a captivating human narrative intertwined with visually stunning cinematography, a testament to Jatla’s profound connection with the art of filmmaking since his formative years.
Co-written by Siddhartha and Amanda Mooney, the story unfolds in rural India, delving into the resilience of the human spirit amidst the harsh realities of power dynamics where the vulnerable are exploited by the powerful. The film centres on the fundamental right of human dignity, as a family grapples with economic insecurity. The film contrasts the beauty of the human spirit, and a deeply personal love story, with this harsh reality and calls for human society to bring hope and dignity to families in need.
Siddharth, a cinematography graduate of the Film and Television Institute of India...
Co-written by Siddhartha and Amanda Mooney, the story unfolds in rural India, delving into the resilience of the human spirit amidst the harsh realities of power dynamics where the vulnerable are exploited by the powerful. The film centres on the fundamental right of human dignity, as a family grapples with economic insecurity. The film contrasts the beauty of the human spirit, and a deeply personal love story, with this harsh reality and calls for human society to bring hope and dignity to families in need.
Siddharth, a cinematography graduate of the Film and Television Institute of India...
- 2/13/2024
- by Editorial Desk
- GlamSham
It’s difficult to think of a director as young as Barry Jenkins who seems so clearly destined to be remembered as one of the greats. After dropping his moving, romantic debut feature “Medicine for the Melancholy” in 2008, Jenkins further honed his craft and became a household name (at least among any cinephiles worth their salt) with the release of his sophomore feature “Moonlight.” The tender, beautiful film was the subject of rapturous acclaim, and its groundbreaking and dramatic Best Picture win at the Oscars cemented it as an all-time great work of art.
Since then, Jenkins has only gone from strength to strength. His 2018 follow-up “If Beale Street Could Talk” was a similar critical darling. And his epic limited series adaptation of Colson Whitehead’s “The Underground Railroad,” which sadly went under the radar for much of the general public in 2021, was nothing short of stunning. Critics, including IndieWire’s Ben Travers,...
Since then, Jenkins has only gone from strength to strength. His 2018 follow-up “If Beale Street Could Talk” was a similar critical darling. And his epic limited series adaptation of Colson Whitehead’s “The Underground Railroad,” which sadly went under the radar for much of the general public in 2021, was nothing short of stunning. Critics, including IndieWire’s Ben Travers,...
- 2/6/2024
- by Alison Foreman and Wilson Chapman
- Indiewire
Over the course of her career, Gina Prince-Bythewood has proven she can do it all. Across five films and roughly 20 years, she had made an enduring romantic sports story, a southern family drama, a pop star star-crossed romance, a superhero fantasy action film, and a feminist historical epic. And with every new genre the filmmaker has ticked off her list, Prince-Bythewood has shown a mastery for its particularities every time.
Born in Chicago, Illinois and raised in Pacific Grove, California, Prince-Bythewood attended University of California in Los Angeles, where she studied film and graduated in 1991. After several years as a writer on TV shows like “A Different World” and “South Central,” her first film, 2000’s “Love and Basketball,” was released to critical acclaim. The story of two childhood best friends with a shared love for basketball — and a chronicle of their tumultuous relationship through the years as they both seek...
Born in Chicago, Illinois and raised in Pacific Grove, California, Prince-Bythewood attended University of California in Los Angeles, where she studied film and graduated in 1991. After several years as a writer on TV shows like “A Different World” and “South Central,” her first film, 2000’s “Love and Basketball,” was released to critical acclaim. The story of two childhood best friends with a shared love for basketball — and a chronicle of their tumultuous relationship through the years as they both seek...
- 2/2/2024
- by Wilson Chapman
- Indiewire
Mubi have announced two exclusive collections running during the month of February, In The Mood For Love and Cut to Black: Celebrating Black Cinema. In a couple of weeks Valentine's Day will have come and gone and you'd have celebrated it with your loved ones or, like me, you will lament that the two week build-up of jealousy and snarkiness about the day could not go on for the remaining two weeks of the month. For those of you looking to keep that feeling going Mubi will have their film collection In The Mood For Love which will be available to stream starting February 14th. This collection of cinematic romances features Nicole Holofcener’s Lovely & Amazing (2001) starring Jake Gyllenhaal, Aki Kaurismäki’s Golden Globe...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/1/2024
- Screen Anarchy
Acclaimed Iranian director Mohsen Makhmalbaf will serve as jury president at the 30th Vesoul International Film Festival of Asian Cinema (Viffac), which runs from February 6-13.
Held in France, this year’s edition will spotlight Taiwanese cinema and Malayalam-language films from India. A total of 92 films from 29 countries will be screened.
Makhmalbaf’s works include A Moment of Innocence (1996), which won a special mention at the Locarno Film Festival, as well as Kandahar (2001), which won the Ecumenical Jury prize at the Cannes Film Festival.
Other jury members at Viffac this year include Taiwanese director Zero Chou, winner of the Golden Bear at the Berlinale in 2007, Iranian actress Fatemed Motamed-Arya and Japanese actor Shogen.
There are 17 films across the fiction and documentary competitions, which come from China, Korea, India, Iran, Kazakhstan, Uzbekistan, Sri Lanka, Thailand, Bangladesh, Nepal and Taiwan. There are two world premieres, five international premieres, six European premieres and four French premieres.
Held in France, this year’s edition will spotlight Taiwanese cinema and Malayalam-language films from India. A total of 92 films from 29 countries will be screened.
Makhmalbaf’s works include A Moment of Innocence (1996), which won a special mention at the Locarno Film Festival, as well as Kandahar (2001), which won the Ecumenical Jury prize at the Cannes Film Festival.
Other jury members at Viffac this year include Taiwanese director Zero Chou, winner of the Golden Bear at the Berlinale in 2007, Iranian actress Fatemed Motamed-Arya and Japanese actor Shogen.
There are 17 films across the fiction and documentary competitions, which come from China, Korea, India, Iran, Kazakhstan, Uzbekistan, Sri Lanka, Thailand, Bangladesh, Nepal and Taiwan. There are two world premieres, five international premieres, six European premieres and four French premieres.
- 2/1/2024
- by Sara Merican
- Deadline Film + TV
Mubi has unveiled their February 2024 lineup, featuring Roy Andersson’s little-seen 1991 short World of Glory, Nicole Holofcener’s Lovely & Amazing starring Catherine Keener with an early Jake Gyllenhaal performance, and special Black History Month selections: Spike Lee’s Red Hook Summer, Kasi Lemmon’s Eve’s Bayou, Carl Franklin’s One False Move, and more.
Check out the lineup below, including recently added January titles, and get 30 days free here.
Just-Added
American Movie, directed by Christopher Smith | Festival Focus: Sundance
Pieces of April, directed by Peter Hedges | Festival Focus: Sundance
The Blair Witch Project, directed by Daniel Myrick, Eduardo Sánchez | Festival Focus: Sundance
But I’m a Cheerleader, directed by Jamie Babbit | Festival Focus: Sundance
Secretary, directed by Steven Shainberg | Festival Focus: Sundance
Medicine for Melancholy directed by Barry Jenkins | First Films First
Antiviral, directed by Brandon Cronenberg | First Films First
Shithouse, directed by Cooper Raiff | First Films First
Age of Panic,...
Check out the lineup below, including recently added January titles, and get 30 days free here.
Just-Added
American Movie, directed by Christopher Smith | Festival Focus: Sundance
Pieces of April, directed by Peter Hedges | Festival Focus: Sundance
The Blair Witch Project, directed by Daniel Myrick, Eduardo Sánchez | Festival Focus: Sundance
But I’m a Cheerleader, directed by Jamie Babbit | Festival Focus: Sundance
Secretary, directed by Steven Shainberg | Festival Focus: Sundance
Medicine for Melancholy directed by Barry Jenkins | First Films First
Antiviral, directed by Brandon Cronenberg | First Films First
Shithouse, directed by Cooper Raiff | First Films First
Age of Panic,...
- 1/25/2024
- by Jordan Raup
- The Film Stage
The concept of the holiday movie began back in 1898 with G.A. Smith’s pioneering silent film Santa Claus. The first of its kind to show the depiction of Santa that only runs just shy over a minute.
Since then Hollywood has belted out an array of films that have either been true to the genre such as A Christmas Story; The Holiday; Miracle On 34th Street; Jingle Jangle: A Christmas Journey or films like Die Hard; Brazil, and Gremlins that have teetered on the edge of identifying as a holiday film.
Then there are the anti-holiday movies and the Christmas horrors. Subgenres of their own like the slasher Silent Night, Deadly Night, Black Christmas, and Christmas Evil, a John Waters favorite, so you are inclined to know what demented viewing you are in for.
Related: 50 Classic Valentine’s Movies Gallery: From ‘Amelie’ & ‘In The Mood For Love’ To ‘Paris, Texas...
Since then Hollywood has belted out an array of films that have either been true to the genre such as A Christmas Story; The Holiday; Miracle On 34th Street; Jingle Jangle: A Christmas Journey or films like Die Hard; Brazil, and Gremlins that have teetered on the edge of identifying as a holiday film.
Then there are the anti-holiday movies and the Christmas horrors. Subgenres of their own like the slasher Silent Night, Deadly Night, Black Christmas, and Christmas Evil, a John Waters favorite, so you are inclined to know what demented viewing you are in for.
Related: 50 Classic Valentine’s Movies Gallery: From ‘Amelie’ & ‘In The Mood For Love’ To ‘Paris, Texas...
- 12/25/2023
- by Robert Lang
- Deadline Film + TV
“If you really missed not seeing us on screen together, then ‘The Goldfinger’ is your opportunity to do so,” says Hong Kong superstar Andy Lau of his new crime movie where he is again paired with Tony Leung Chiu-wai (“In the Mood for Love”).
The film releases at the end of the month in different parts of Asia and North America (from Dec. 30). Pre-release marketing and promotional efforts make much of the Lau-Leung repairing some twenty years after the “Infernal Affairs” trio of hit movies. The movies were both critical and commercial hits and contained an iconic rooftop scene in Hong Kong’s Wanchai district with the police undercover agent and the mobster’s mole facing off guns drawn.
The pair clearly rate each other highly for their acting skills and for the kind of professionalism that has kept them both a the top of the game for more than two decades.
The film releases at the end of the month in different parts of Asia and North America (from Dec. 30). Pre-release marketing and promotional efforts make much of the Lau-Leung repairing some twenty years after the “Infernal Affairs” trio of hit movies. The movies were both critical and commercial hits and contained an iconic rooftop scene in Hong Kong’s Wanchai district with the police undercover agent and the mobster’s mole facing off guns drawn.
The pair clearly rate each other highly for their acting skills and for the kind of professionalism that has kept them both a the top of the game for more than two decades.
- 12/24/2023
- by Patrick Frater
- Variety Film + TV
A decade after The Grandmaster, the wait for Wong Kar-wai’s next project has been lengthy, with his long-gestating Blossoms Shanghai first announced nearly five years ago. Now, after three years of filming, the series launches next week on China’s Tencent Video. Comprising 30 episodes of around 50 minutes each, the first four installments premiere on December 27, followed by two episodes per day.
Starring Hu Ge, Ma Yili, Tang Yan, and Xin Zhilei, Wong Kar-wai is credited as producer and director. The story based on Jin Yucheng’s novel and follows Hu Ge’s A Bao, a businessman in Shanghai in two time periods: the 1960s and 1990s. “Blossoms would be the third part of In the Mood for Love and 2046,” Wong previously said. “Jin Yucheng’s landmark novel Blossoms has been the perfect backdrop to visualize and share my love for my birth city,” said Wong Kar-wai. “With the series,...
Starring Hu Ge, Ma Yili, Tang Yan, and Xin Zhilei, Wong Kar-wai is credited as producer and director. The story based on Jin Yucheng’s novel and follows Hu Ge’s A Bao, a businessman in Shanghai in two time periods: the 1960s and 1990s. “Blossoms would be the third part of In the Mood for Love and 2046,” Wong previously said. “Jin Yucheng’s landmark novel Blossoms has been the perfect backdrop to visualize and share my love for my birth city,” said Wong Kar-wai. “With the series,...
- 12/17/2023
- by Jordan Raup
- The Film Stage
Spoiler Alert: This story contains spoilers for Netflix’s “May December”
In Netflix’s “May December,” one of the most memorable scenes features Joe Yoo (played by Charles Melton) arriving at the hotel to deliver a letter from his wife Gracie (Julianne Moore) to actress Elizabeth Berry (Natalie Portman). Their encounter leads to a brief yet intense sexual liaison on the floor, culminating in a conspicuous silhouette shot of Joe’s penis.
Amid Samy Burch’s narrative brilliance and Todd Haynes’ tantalizing direction, one might imagine Melton — known for his role in The CW’s “Riverdale” — felt immense pressure acting opposite Oscar winner Portman, who also produced the film. This pivotal scene was among the final ones shot in Savannah, Ga.
“It was very professional,” Melton tells Variety. “The whole thing. Natalie, Todd, and I met to discuss the scene, walking through it and ensuring everybody was comfortable. There were...
In Netflix’s “May December,” one of the most memorable scenes features Joe Yoo (played by Charles Melton) arriving at the hotel to deliver a letter from his wife Gracie (Julianne Moore) to actress Elizabeth Berry (Natalie Portman). Their encounter leads to a brief yet intense sexual liaison on the floor, culminating in a conspicuous silhouette shot of Joe’s penis.
Amid Samy Burch’s narrative brilliance and Todd Haynes’ tantalizing direction, one might imagine Melton — known for his role in The CW’s “Riverdale” — felt immense pressure acting opposite Oscar winner Portman, who also produced the film. This pivotal scene was among the final ones shot in Savannah, Ga.
“It was very professional,” Melton tells Variety. “The whole thing. Natalie, Todd, and I met to discuss the scene, walking through it and ensuring everybody was comfortable. There were...
- 12/5/2023
- by Clayton Davis
- Variety Film + TV
Three years after “Flowers of Shanghai”, Hou Hsiao-hsen released “Millennium Mambo”, a film that signaled another change in his themes, as it deals with the life of youths in contemporary Taiwan. “Millennium Mambo” inaugurated his collaborations with Shu Qi, who played the protagonist roles in most of his later works. The film was screened in more film festivals than any of his previous works and was the first to receive distribution in the US, although limited.
Millennium Mambo is screening at Five Flavours
Vicky has recently moved to Taipei from Keelung and works doing PR in a nightclub. Hao Hao is her jealous boyfriend who checks everything she does, including her bank transactions, her phone calls, and even her body smell. She spends her days working, doing drugs and fighting with Hao Hao, at least when they are not having sex. At some point, Hao Hao starts having trouble with the police.
Millennium Mambo is screening at Five Flavours
Vicky has recently moved to Taipei from Keelung and works doing PR in a nightclub. Hao Hao is her jealous boyfriend who checks everything she does, including her bank transactions, her phone calls, and even her body smell. She spends her days working, doing drugs and fighting with Hao Hao, at least when they are not having sex. At some point, Hao Hao starts having trouble with the police.
- 11/18/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Ten years after he attended the Tokyo International Film Festival for the screening of The Grandmaster, Tony Leung returned to the festival on Thursday to conduct a masterclass.
The Hong Kong acting icon, dressed in a black tailored suit and fashion-forward Kolor sneakers, was met with warm applause at a packed house at Tokyo’s Hulic Hall. Festival programmer Shozo Ichiyama began proceedings with Leung’s early years as an actor, namely his work with Taiwanese filmmaker Hou Hsiao-hsien on the classic A City of Sadness, which Ichiyama considered one of his personal favorites. A City of Sadness was notable as it was set in Taipei, and Leung, at the time, had no experience working outside of Hong Kong and couldn’t speak Mandarin.
“It was the start of my career, and I wanted to challenge myself,” Leung said through an interpreter on why he took on the role, given...
The Hong Kong acting icon, dressed in a black tailored suit and fashion-forward Kolor sneakers, was met with warm applause at a packed house at Tokyo’s Hulic Hall. Festival programmer Shozo Ichiyama began proceedings with Leung’s early years as an actor, namely his work with Taiwanese filmmaker Hou Hsiao-hsien on the classic A City of Sadness, which Ichiyama considered one of his personal favorites. A City of Sadness was notable as it was set in Taipei, and Leung, at the time, had no experience working outside of Hong Kong and couldn’t speak Mandarin.
“It was the start of my career, and I wanted to challenge myself,” Leung said through an interpreter on why he took on the role, given...
- 10/28/2023
- by Abid Rahman
- The Hollywood Reporter - Movie News
Like Tony Leung at the end of "In the Mood for Love," I have a secret I would prefer to whisper into a hollow and cover up with mud: I don't worship at the shrine of Martin Scorsese.
Wait, come back! If you've read the headline of this article (and I'm assuming you did), then you know this isn't a Scorsese hit piece vying for rage clicks. When I say I don't worship Marty, that just means I'm not what you might call the Scorsese equivalent of a Swiftie. (Scorsie?) I respect the hell out of him as a craftsman and especially his efforts when it comes to film preservation and bringing greater attention to under-seen international cinema. It's just that I don't, per se, find his preoccupations as a storyteller as fascinating as he does, which is really more a matter of personal preference and not a slight against his art.
Wait, come back! If you've read the headline of this article (and I'm assuming you did), then you know this isn't a Scorsese hit piece vying for rage clicks. When I say I don't worship Marty, that just means I'm not what you might call the Scorsese equivalent of a Swiftie. (Scorsie?) I respect the hell out of him as a craftsman and especially his efforts when it comes to film preservation and bringing greater attention to under-seen international cinema. It's just that I don't, per se, find his preoccupations as a storyteller as fascinating as he does, which is really more a matter of personal preference and not a slight against his art.
- 10/17/2023
- by Sandy Schaefer
- Slash Film
Korean-Canadian writer-director Celine Song’s tremendous feature debut tells the poignant tale of childhood sweethearts separated by fate and thousands of miles
This supremely confident feature debut from Korean-Canadian writer-director Celine Song is a spine-tingling gem – a tale of not-so-brief encounters between star-crossed souls, played out over a period of 24 years. Combining the aching yearning of Wong Kar-Wai’s In the Mood for Love with the casual intimacy of Richard Linklater’s Before trilogy, it paints a picture of unresolved affection as delicate as it is profound, interweaving timeless themes of fate and providence with more playfully down-to-earth musings on happenstance and shapeshifting identity. The result, which has one foot in South Korea and the other in North America, feels at times like an impossible mashup of Davy Chou’s Return to Seoul and Nora Ephron’s Sleepless in Seattle, shot through with a stoical melancholia that recalls the final...
This supremely confident feature debut from Korean-Canadian writer-director Celine Song is a spine-tingling gem – a tale of not-so-brief encounters between star-crossed souls, played out over a period of 24 years. Combining the aching yearning of Wong Kar-Wai’s In the Mood for Love with the casual intimacy of Richard Linklater’s Before trilogy, it paints a picture of unresolved affection as delicate as it is profound, interweaving timeless themes of fate and providence with more playfully down-to-earth musings on happenstance and shapeshifting identity. The result, which has one foot in South Korea and the other in North America, feels at times like an impossible mashup of Davy Chou’s Return to Seoul and Nora Ephron’s Sleepless in Seattle, shot through with a stoical melancholia that recalls the final...
- 9/10/2023
- by Mark Kermode
- The Guardian - Film News
Celine Song’s feature debut about two people whose lives intertwine again after years apart is delicate and sophisticated, but also simple and direct
This heart-meltingly romantic and sad movie from Korean-Canadian dramatist and film-maker Celine Song left me wrung out and empty and weirdly euphoric, as if I’d lived through an 18-month affair in the course of an hour and three-quarters. How extraordinary to think that this is Song’s feature debut. It’s delicate, sophisticated and yet also somehow simple, direct, even verging on the cheesy. Past Lives has been compared to the movies of Richard Linklater, Noah Baumbach and Greta Gerwig; all true, but I also found myself remembering the wrenching final moments of Wong Kar-wai’s In the Mood for Love, with Tony Leung murmuring his pain into a stone hollow in Angkor Wat and – yes – the gooey genius of Dean Friedman’s plaintive 1978 chart hit Lucky Stars.
This heart-meltingly romantic and sad movie from Korean-Canadian dramatist and film-maker Celine Song left me wrung out and empty and weirdly euphoric, as if I’d lived through an 18-month affair in the course of an hour and three-quarters. How extraordinary to think that this is Song’s feature debut. It’s delicate, sophisticated and yet also somehow simple, direct, even verging on the cheesy. Past Lives has been compared to the movies of Richard Linklater, Noah Baumbach and Greta Gerwig; all true, but I also found myself remembering the wrenching final moments of Wong Kar-wai’s In the Mood for Love, with Tony Leung murmuring his pain into a stone hollow in Angkor Wat and – yes – the gooey genius of Dean Friedman’s plaintive 1978 chart hit Lucky Stars.
- 9/6/2023
- by Peter Bradshaw
- The Guardian - Film News
[This story contains spoilers from Afterparty season two, episode seven, “Ulysses.”]
Peter Atencio’s Hollywood chops have mainly been planted in the garden of comedy for his more than 20-year career — Key & Peele, the Jean-Claude Van Johnson series and this year’s satirical mobster film The Machine, to name a few.
But when old friends Phil Lord and Christopher Miller invited the 40-year-old helmer to direct what he was told would be one of the most complex and challenging episodes of the second season of The Afterparty — Apple TV+’s whodunnit murder mystery series — he tells The Hollywood Reporter that a more dramatic approach was needed to get to the core of the funny.
How serious can directing comedy get? Atencio breaks it down for The Hollywood Reporter in a recent Zoom interview.
***
How did you find your way to The Afterparty team?
I’ve known [creators] Phil [Lord] and Chris [Miller], for some time. I want...
Peter Atencio’s Hollywood chops have mainly been planted in the garden of comedy for his more than 20-year career — Key & Peele, the Jean-Claude Van Johnson series and this year’s satirical mobster film The Machine, to name a few.
But when old friends Phil Lord and Christopher Miller invited the 40-year-old helmer to direct what he was told would be one of the most complex and challenging episodes of the second season of The Afterparty — Apple TV+’s whodunnit murder mystery series — he tells The Hollywood Reporter that a more dramatic approach was needed to get to the core of the funny.
How serious can directing comedy get? Atencio breaks it down for The Hollywood Reporter in a recent Zoom interview.
***
How did you find your way to The Afterparty team?
I’ve known [creators] Phil [Lord] and Chris [Miller], for some time. I want...
- 9/5/2023
- by Demetrius Patterson
- The Hollywood Reporter - Movie News
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